Quotes of All Topics . Occasions . Authors
That's kind of fuse for the show - those first 10-15 seconds you're onstage. The curtain drops and you see the crowd for the first time and they see you for the first time. The response and the energy that's going on right there - to me, that sets the tone for the rest of the night.
I've done three Broadway shows; once the curtain goes up, that's it. I mean, you prepare and you rehearse like crazy, but after opening night, the director's not there anymore, you know. He gives you notes during previews after each performance, but opening night, you're on your own.
There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or three, or whatever. And we tell it.
One of the ideas that was developed at MIT in a workshop was, imagine this pipe, and you've got valves, solenoid valves, taps, opening and closing. You create like a water curtain with pixels made of water. If those pixels fall, you can write on it: you can show patterns, images, text.
I started out writing when I was young; stuff about exposing the truth about how people are not what they appear, about how they are much more dysfunctional than they seem. Pulling back the curtain - that felt smart. But as I got older, exposing how frail people can be seems less and less deep.
There are simple, small things you can do that really will impact the space. Things like changing out your curtain panels to something that adds a fresh new feel. Or maybe a smart pattern. Also swapping out an area rug, throws and pillows can be done in no time, and really have a dramatic effect.
The idea of windows, that's so symbolic to me within labor. And I'm always opening windows during a birth. If someone's been in labor all night and they're exhausted and sort of over it, opening a window or drawing a curtain can change the game. And sometimes the doula is the first one to suggest it.
When you lose a parent, you realize how vital they are to the foundation of your life. It's impossible to understand what it means until that curtain is pulled. You're an orphan. But then I think that life is kind of remarkable, and the thing that causes the biggest pain can also bring amazing energy.
We could only solve our problems by cooperating with other countries. It would have been paradoxical not to cooperate. And therefore we needed to put an end to the Iron Curtain, to change the nature of international relations, to rid them of ideological confrontation, and particularly to end the arms race.
Now that we are used to globalisation it's hard to imagine a time when the countries behind the iron curtain were largely obscured from the western gaze. The Soviet bloc was a genuine mystery. Such was the dehumanisation of the Soviets that Sting could wonder in song if 'the Russians love their children too.'
The general belief is that communists in the United Nations come only from the Iron Curtain countries, but this isn't so. We must remember that many of the representatives of free countries are members of the local Communist parties. If you add them all up, you will see they have an amazing degree of control.
I would like to be remembered as the reporter who snuck back stage to all the off-limits shows, be it the Vatican dressing room, the Pentagon war room, or the Celtics locker room. Some curtains ought never to be pulled back; others deserve to be ripped down. When appropriate, I want to be the curtain remover.
In these times of the 'Great Recession', we shouldn't be trying to shift the benefits of wealth behind some curtain. We should be celebrating and encouraging people to make as much money as they can. Profits equal tax money. While some people might find it distasteful to pay taxes, I don't. I find it patriotic.
People who work in horror know they are contributing to a genre that has always been loved and will always be loved - privately. It's the forbidden evil working behind the curtain. My job scoring a horror movie is like being the barker at a carnival. A good barker can get anyone to walk into the roped-off tent.
Twenty-five years after the fall of the Berlin Walland the lifting of the iron curtain, troublespots abound: the Middle East and parts of Africa lack a stable regional security architecture; in east Asia, nationalist tendencies and competing ambitions are threatening peace and stability in the region and beyond.
The weirdest I've felt was my first job ever. It was an editorial in London. They made me take my underwear off and cover myself with a shower curtain. It was almost see-through, so I was like, 'What's this all about?' I used to be quite shy, but modeling has made me more comfortable in those types of situations.
Every year in Edinburgh, I end up waiting behind the curtain about to go on stage, and I have a moment of thinking, 'No one's told me what to do with this show. I've done exactly what I wanted. This is the biggest arts festival in the world, and all these people have shown up. Aren't I lucky?' It really is amazing.
I remember the Soviet Union and when the Iron Curtain fell down in 1991. I was just 20 years old, and everybody had a dream to live in a modern democratic society, in a modern country. More than 15 years passed, and nothing changed. There's a saying I like very much: if you want a thing done well, do it by yourself.
Anybody who's done standup will tell you that there's nothing like it. The show starts at 8:00, the curtain goes up and there's nobody else except you and the audience, and you just perform for them for two hours. Nobody yells, 'Cut!' There are no retakes. That is still the most exciting medium for me, and I love it.
Surprisingly, the Eisenhower Memorial design contains almost none of the known Gehry-box of tricks. His giant etched chain-link curtain, first applied in 1979 to hide an ungracious parking garage at Santa Monica Place, is resurrected for Eisenhower to screen the equally graceless facade of the Department of Education.
To me, when - just like when you watch a movie or you watch a TV show, to me, you know, Nicole Kidman or Leonardo DiCaprio, you know that they are actors, but also, great actors find that extension of themselves. So, when I walk through that curtain, I find the extension of myself of being the Ravishing Russian in there.
I love good balance, so being a collector is a fun little thing while we travel this world. I mean, every night, it's something else. The other night, I head-banged a dude on my rental car and drove him through the curtain in my rental car. So some moments are not as good as others, but they are all fun, that's for sure.
Before the Berlin Wall came down, we played behind the Iron Curtain and sang, 'Born in the U.S.A.,' and I thought, 'We're all going to die. The man is going to get us all killed.' But then you saw all these kids with the American flag and German flags together and singing the song, and it was, wow, like 'We Shall Overcome.'
With every new class of representatives that comes to Congress, there is a greater recognition of the perils of private financing of campaigns. I believe that by pulling back the curtain on the daily pressures faced by members of Congress, we can show the public how critical this reform is to the salvation of our democracy.
When I was growing up, there were no women in orchestras. Auditioners thought they could tell the difference between a woman playing and a man. Some intelligent person devised a simple solution: Drop a curtain between the auditioners and the people trying out. And, lo and behold, women began to get jobs in symphony orchestras.
When running a Ponzi scheme, how does one avoid enormous, unexpected withdrawals - runs on the bank, so to speak - that would pull back the curtain and reveal a little man blowing smoke? One way would be to attract a core of investors who could be counted on to never withdraw more than a small percentage of principal each year.
I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.
I have to confess I do have a slight preference. I do think, naturally, that people from India and Australia are in some ways more likely to speak English, understand common law, and have a connection with this country than some people that come perhaps from countries that haven't fully recovered from being behind the Iron Curtain.
I've been singing properly every day since I was about fifteen or sixteen, and I have never had any problems with my voice, ever. I've had a sore throat here and there, had a cold and sung through it, but that day it just went while I was onstage in Paris during a radio show. It was literally like someone had pulled a curtain over it.
Every night, half an hour before curtain up, the bells of St. Malachy's, the Actors' Chapel on New York's 49th Street, peal the tune of 'There's No Business Like Show Business.' If you walk the streets of the theatre district before a show and see the vast, enthusiastic lines it sounds like a calling: there is certainly no place like Broadway.
With Trixie, people like that I look like this fabricated painted creation, but all my comedy and my songs come from a place of reality. It's like the man behind the curtain - it's the crying clown - that's what works for people with Trixie. It's the dichotomy of someone looking like a toy but then, you know, speaking and singing like a real boy.
