Quotes of All Topics . Occasions . Authors
'Sanctus' deals with creation myths in every culture. It fascinates me that all cultures, evolving independently, have similar models of mankind's origins, of a Greater Being, of the flood, and so on. It's amazing how they crop up time and time again.
I always found it interesting when you went off to college, people would talk about how you go and search for your own identity. A lot of suburban middle-class kids would be shopping for identities and they would co-opt identities from other cultures.
Indian-Americans are physicians, engineers, CEOs, professors, teachers, entrepreneurs. They are a vital part of the United States' economic and social fabric. Because of this long history, the bonds among our people and our cultures will remain strong.
As a child, it was really hard because I'd be thrown into a new school and have to make new friends, or I'd sit in class for months without speaking the language, but as I got older, I welcomed the possibility of discovering new cultures and languages.
It's an international space station. We have crew members from both the U.S. and Russia and now the United Kingdom with Tim Peake from the U.K... It's great to see that, on this space station, that we can work across cultures in a very cooperative way.
I fell even more deeply in love with Tolkien's legendarium after studying Old English literature at uni, as I got a sense of the historical events and cultures that Tolkien used to create his world. My favourite of his imaginary locations is Lothlorien.
The challenge for corporations, if offices were to become obsolete, is twofold. How will they be able to retain their distinct cultures? And how will they be able to ensure that all employees, wherever they work from, share a united identity and vision?
In the late 20th century, it became possible to travel between cultures, between the old world and the new, with great ease. So when you go back, you take the changed person with you who, in turn, changes things that otherwise might have stayed the same.
In some ways. I always feel between worlds, between cultures, and I think that's not necessarily a bad place for a writer to be. Writers are kind of on the fringe anyway, observing, writing things down. I'm still mostly American, but it's a nice tension.
The key to India's success is its diversity. Our diversity is the core that makes us so unique. In this land we find a mix of states and regions, religions, languages, cultures, lifestyles and much more. We are so different and yet so similar and united.
My father always has been attractive because of his energy, warmth, charm, and talent for finding some connection with people from all cultures and walks of life. He rarely observed social formalities and niceties - something he has passed on to his boys.
What does 'home' really mean? Is it merely geography, where you were born? Could it include straddling two continents and cultures? Or perhaps it's a place with a spiritual magnetism - a feeling toward a culture or people - that's tough to put into words?
I think ancient cultures incorporated death into the experience of life in a more natural way than we have done. In our obsessive focus on youth, on celebrity, our denial of death makes it harder for people who are grieving to find a place for that grief.
Culture constitutes an essential element of social and political liberation. As people rise up across the Middle East and North Africa, the diversity of their cultures is not only the means but also the ultimate goal of their liberation and their freedom.
Vegas is the city of temptation. I think, perhaps, it is an experiment by NASA. If we're going to send people to Mars, how will we create false economies and cultures to satisfy them? Vegas has the answer. People go there when they've nothing left to lose.
I don't like this romanticization of Indian people in which Indian people are looked at as spiritual saviors, as people who have always taken care of the land. We're human beings. But I think different cultures have developed different aspects of humanness.
Dying, we tell ourselves, is like going to sleep. This figure of speech occurs very commonly in everyday thought and language, as well as in the literature of many cultures and many ages. It was apparently quite common even in the time of the ancient Greeks.
God has a team. It's made up of African-American, Anglo, Hispanic, Asian, Middle Eastern, and a variety of other people and cultures. He never wants you to make your distinction, your history, or your background so precious to you that it messes up His team.
My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience. I never know who's influencing me at any time.
Moving around a lot allows you to experience many different cultures and learn about the ways that different people in different parts of the country live, and it probably made me somewhat more adventuresome and allowed me to meet my future wife in Pensacola.
My mates Dominic Boyer and Cymene Howe have put together thirty one episodes of a really really nice podcast at Rice as part of the Center for Energy and Environmental Research in the Humanities and Social Sciences. The 'Cultures of Energy Podcast' is so good!
If you look at the great Westerns, and at Greek, Roman, and Norse mythology, they all contain elements in common: a harsh landscape; demons or outlaws trying to stop or kill the protagonist; and there are mythical legends at their core, innate in all cultures.
Books give us insight into other people, other cultures. They make us laugh. They make us think. If they are really good, they make us believe that we are better for having read them. You don't read a book - you experience it. Every story opens up a new world.
All the companies I've worked for have this deep problem of devolving to something like the hunting and gathering cultures of 100,000 years ago. If businesses could find a way to invent 'agriculture,' we could put the world back together and all would prosper.
A fascist is one whose lust for money or power is combined with such an intensity of intolerance toward those of other races, parties, classes, religions, cultures, regions or nations as to make him ruthless in his use of deceit or violence to attain his ends.
When Muslims live and grow up in a separate neighborhood in London, they are surrounded only by their culture. They don't need to integrate with other cultures, they don't need to mix with other people... When we don't live together, we start hating each other.
By seeing the problem of poverty merely in terms of assistance, we overlook that our enormous economic advantage is deeply tainted by how it accumulated over the course of one historical process that has devastated the societies and cultures of four continents.
Those of us born into vitalist and expressionist cultures must hope that governments will draw back from shutting down the modernist project of exploring, experimenting, and imagining - of voyaging into the unknown - that has been essential for rewarding lives.
All individuals in all cultures use the same thirty basic moral categories, concepts, or principles, and all individuals in all cultures go through the same order or sequence of gross stage development, though they vary in rate and terminal point of development.
In both business and personal life, I've always found that travel inspires me more than anything else I do. Evidence of the languages, cultures, scenery, food, and design sensibilities that I discover all over the world can be found in every piece of my jewelry.
The spiral in a snail's shell is the same mathematically as the spiral in the Milky Way galaxy, and it's also the same mathematically as the spirals in our DNA. It's the same ratio that you'll find in very basic music that transcends cultures all over the world.
I mix everything up. A museum curator once said to me that there is a great jazz component to the way I do things because good jazz is improvisation and draws elements from all different cultures. And that's the way I do everything - the way I dress and decorate.
If I wasn't making a movie, I was trying to master a new musical instrument or trying to teach myself how to shave with a straight razor. I had to find the weirdest things just to increase my understanding of other cultures or other arts or intellectual pursuits.
At the descriptive level, certainly, you would expect different cultures to develop different sorts of ethics and obviously they have; that doesn't mean that you can't think of overarching ethical principles you would want people to follow in all kinds of places.
London is a liberal city, in all senses of the word. It is a city built on the idea that the multitude of cultures that inhabit it are a benefit, not a curse, where communities from all over the globe live and work side by side, enriching each other's experiences.
I think the most interesting parts of human experience might be the sparks that come from that sort of chipping flint of cultures rubbing against each other. And living on the border between Mexico and the U.S. for so many years gave me a lot of insight into that.
Dress codes and gestures and attitudes have always inspired me, as has youth culture in general, although now I question it more. If you analyze youth cultures over history, there has always been something strict about them - you have to be like this or like that.
All across Africa, the Pacific and the Americas, we find cultures that didn't know about mouth kissing until their first contact with European explorers. And the attraction was not always immediately apparent. Most considered the act of exchanging saliva revolting.
'Out of Africa,' Dinesen's second book, is a love story, though not the one portrayed by Streep and Redford in the film. The memoir is about Dinesen's love of East Africa - the cultures, the landscapes, the animals. The feeling that saturates the book is reverence.
The biggest thing for me when I travel is finding the best food in every city. I always try to find the best restaurant and take advantage of it because it's cool to go to a lot of different cities and experience a lot of different cultures. So I'm big on the food.
The natural world is the only one we have. To try to not see the natural world - to put on blinders and avoid seeing it - would for me seem like a form of madness. I'm also interested in the way landscape shapes individuals and populations, and from that, cultures.
At certain historic moments, grandparents took on childrearing responsibilities. In many cultures, they still do. Chinese grandparents who are able to retire at 55 are seen all over Beijing bouncing grandbabies. In the United States, we can't afford to retire at 55.
You have so much responsibility because when you're in the kitchen, it's not just food, it's where the food comes from, what you did with production, what you did it with human interaction, and how you did it with different cultures. Food becomes a mark of activism.
I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
My kids miss me when I'm away, but I don't mind living out of a suitcase. The U.K., U.S., France, Germany, Iraq... it's such a thrill meeting people of different cultures, learning about and from them. It's changed my perception about life, humanity and spirituality.
Obviously, Jay-Z is one of the greatest entertainers of the world today. Not only is he a remarkable rhetorical genius, he's also a man of deep sympathy and empathy for those who are lost and vulnerable, but especially under-educated youth of all cultures and stripes.
One of the saddest things I've seen in Amazonian cultures is people who were self-sufficient and happy that now think of themselves as poor and become dissatisfied with their lives. What worries me is outsiders trying to impose their values and materialism on the Piraha.
My design always has a political agenda. When I borrow components from various cultures and juxtapose them in an object, it is a message that co-existence is indeed possible. Design creates an ideal world where different ideas live close to each other in perfect harmony.
I think that growing up in a crowded continent like Europe with an awful lot of competing claims, ideas... cultures... and systems of thought, we have, perforce, developed a more sophisticated notion of what the word 'freedom' means than I see much evidence of in America.
Success is no longer about changing strategies more often, but having the agility to execute multiple strategies concurrently. And success requires CEOs to develop the right leadership capabilities, workforce skills, and corporate cultures to support digital transformation.