Quotes of All Topics . Occasions . Authors
Before I had published anything, I still hung out with people who liked to write. None of us had published, so there was no talk about the business, and there was probably a lot more angsty talk back then. But these days maybe there are some more laments about the culture, but I would say no.
We live in a profoundly nonintellectual culture, made all the worse by a passive hedonism abetted by the spread of wealth and its dissipation into countless electronic devices that impart the latest in entertainment and supposed information - all in short (and loud) doses of "easy listening".
There are flaws in the way politics is reported in this country today and we should do something about it, .. Radio and television coverage of politics doesn't see its role as a mission to explain, but to destroy, in a pernicious culture in which journalists pit themselves against politicians.
If you accept that conservatism equals constitutionalism - and I do - well, then, where do we start? We do we start reinstituting all of these values, the morality in the culture, in our society; the respect for rule of law. And then you look at what we're up against, an entire Democrat Party.
I really like the reggae concepts like the culture vibe. They speak on everything that's going on, they don't have limits. They speak on politics, they speak on life, they speak on the troubles of poverty, everything. The message, the melodies and the concepts of reggae music are unbelievable.
The thing itself is never just out there in the world waiting to be framed by the photographer's Leica; rather, it is something dynamically produced in the act of representation and reception and already subject to the grids of meaning imposed on it by culture, history, language, and so forth.
If you're in the business world, that's what's expected: You should go bust and then start again on something else. So it's a much more relaxed kind of a culture. It's also competitive, but not in such a vicious way. I think the academic world is actually much more destructive of young people.
Every culture, or subculture, is defined by a set of common values, that is, generally agreed upon preferences. Without a core of common values a culture cannot exist, and we classify society into cultures and subcultures precisely because it is possible to identify groups who have common values.
Between France and Senegal there's a history. There's a language that we both speak. There's a culture that we share and to which both of our peoples have contributed. But beyond our history, beyond our language, beyond the links that have united us for so long, what unites us today is the future.
Poetry does so many different things, it's difficult to say anything definitive about its role, which of course varies from culture to culture. It can range from being stories of the tribe to the private lyric, to being as W.H. Auden said "the clear expression of mixed feelings" to nonsense verse.
When I go to the movies, and I have to sit through ten previews of films that look [alike] and tell the whole story, you know that we've reached an age of consensus. And consensus is the worst thing for us. We all agree to agree. That's where we lose it as a culture. We have to move away from that.
Cultures are naturally resistant to change. The same shared mental models that allow large numbers of people to work together efficiently can also keep people from imagining new ways of working together. In many corporate cultures, new ideas are viewed as heresy. But it doesn't have to be that way.
Culture, far from giving us freedom, only develops, as it advances, new necessities; the fetters of the physical close more tightly around us, so that the fear of loss quenches even the ardent impulse toward improvement, and the maxims of passive obedience are held to be the highest wisdom of life.
Culture makes people understand each other better. And if they understand each other better in their soul, it is easier to overcome the economic and political barriers. But first they have to understand that their neighbour is, in the end, just like them, with the same problems, the same questions.
There's no way to escape the fact that we've grown up in a violent culture, we just can't get away from it, it's part of our heritage. I think part of it is that we've always felt somewhat helpless in the face of this vast continent. Helplessness is answered in many ways, but one of them is violence.
Around the time I began starving, in the early eighties, the visual image had begun to supplant text as culture's primary mode of communication, a radical change because images work so differently than words: They're immediate, they hit you at levels way beneath intellect, they come fast and furious.
When I first started going out to lesbian clubs, I felt a very binary recreation of hetero culture. There are butches and femmes, and I felt like I was neither of those things. I'm in a turtleneck and jeans and just learning to be comfortable in that space. I realized I don't have to be a certain way.
One thing I've always loved about the culture at Microsoft is there is nobody who is tougher on us, in terms of what we need to learn and do better, than the people in the company itself. You can walk down these halls, and they'll tell you, 'We need to do usability better, push this or that frontier.'
I feel like I have to be a walking encyclopedia - I constantly have to be explaining myself - especially when I do table work or when I'm talking to a dramaturg about, you know, the culture, but also what I'm trying to do as a writer in this particular play. You know, you have to protect yourself too.
Everything is deeply affected by the dominant culture. Consumerism is huge in the US. This is by far the wealthiest [nation], but also the biggest consumer in the world. Which means that a lot of things get used, a lot of things get wasted, and a lot of things get churned out in ways that are wasteful.
The role of globalization is to homogenize all cultures, and to turn them into commodified markets, and therefore, to make them easier for global corporations to control. Global corporations are even now trying to commodify all remaining aspects of national cultures, not to mention indigenous cultures.
The great moral question of the twenty-first century is this: if all knowledge, all culture, all art, all useful information can be costlessly given to everyone at the same price that it is given to anyone; if everyone can have everything, anywhere, all the time, why is it ever moral to exclude anyone?
For the most part we do not first see, and then define, we define first and then see. In the great blooming, buzzing confusion of the outer world we pick out what our culture has already defined for us, and we tend to perceive that which we have picked out in the form stereotyped for us by our culture.
Manhattanism is the one urbanistic ideology that has fed, from its conception, on the splendors and miseries of the metropolitan condition—hyper-density—without once losing faith in it as the basis for a desirable modern culture. Manhattan's architecture is a paradigm for the exploitation of congestion.
We're always learning. We're all in the process of decolonizing ourselves - removing all the parts of us that are sexist, homophobic, transphobic, racist. I mean, everybody in society needs to be in this process because everybody's been brought up in a misogynist, racist, homophobic, transphobic culture.
We must break out of this mindset in Australia that we are a small nation on the other side of the world from the main, great Western nations. Australia is the twelfth largest economy in the world. We are a not insignificant player in commerce, in geopolitics and we must be in culture as well and we are.
In terms of morality, we can be very narrowly focused. So convinced of our point of view and righteousness, and it just doesn't allow for circumstance or other people's points of view. It's very comforting because you don't have to self-reflect, you just are. There's a strain of that in American culture.
Language both reflects and shapes society. Culture shapes language and then language shapes culture. Little wonder that the words we use to talk to each other, and about each other, are the most important words in our language: they tell us who I am, they tell us who you are, they tell us who 'they' are.
People ask a lot about how I can be a believer in a culture that perhaps is counter cultural to what you believe in. I've come to the conclusion that I'm able to be in this culture and in this industry and fruitful because I don't look to my circumstances to determine what I believe to be true about God.
I was pretty much consumed by this character. Even when I was off, I was continually searching to find something else new about [Idi] Amin, and to embed myself deeper into the culture to the point that, in the end, I was so entrenched that I could tell what tribe someone was from just by looking at them.
There are things that I am passionate about, whether it's the season or just kind sort of what is necessary for culture. I like the idea that I can shape the culture in any shape or form that I can in whatever topic. But a lot of times, for me, it is about representing "the other," whoever "the other" is.
It may seem absurd to believe that a 'primitive' culture in the Himalaya has anything to teach our industrialized society. But our search for a future that works keeps spiraling back to an ancient connection between ourselves and the earth, an interconnectedness that ancient cultures have never abandoned.
I speak a lot about what I call "the trance of unworthiness" which is really epidemic in our culture, this sense of "I'm not enough," or "something's wrong with me." Most of us have some level of it because our culture has all these standards (handed down through our families) of what it means to be okay.
We will continue to address things, but in as much as I want to talk about politics as they are related to social media, I don't necessarily want to be a political show. I want it to cover everything, everything in our culture through social media, politics, pop culture, entertainment, science, everything.
We give the podium to a lot of people who shouldn't have the podium. The message that's delivered the loudest and in the most entertaining way is the one that we're going to put on because that's what we want. We want ratings more than we want to deliver information. That's just where the culture's gotten.
When we speak about a culture of violence in the American society, we're not just talking about the mass killers. We're also talking about that we, as a society, and many of us as individuals accept violence as part of life because we have become numb to it, being so exposed to it in various forms of media.
I'm often asked the same question: What in your work comes from your own culture? As if I have a recipe and I can actually isolate the Arab ingredient, the woman ingredient, the Palestinian ingredient. People often expect tidy definitions of otherness, as if identity is something fixed and easily definable.
Those of us living in the state of in between have certain advantages and disadvantages. The advantage of being exposed to a new culture and in my case the freedom that comes with living in the USA. The disadvantages of course being that you will never experience again being a center or quite home anywhere.
Those who remember Washington's cold war culture in the 1980s will recall the shocked reactions to Reagan's intervention. People interested in foreign policy were astonished when in 1985 he met alone at Geneva - alone, not a single strategic thinker at his elbow! - with the Soviet Communist master Gorbachev.
The genocidal culture's image of woman as object and victim is paralleled by contemporary representations that continually show the Earth as a toy, machine, or violated object, as well as by the religious and scientific ideology that legitimates the possession, contamination, and destruction of Mother Earth.
The equal right of all citizens to health, education, work, food, security, culture, science, and wellbeing - that is, the same rights we proclaimed when we began our struggle, in addition to those which emerge from our dreams of justice and equality for all inhabitants of our world - is what I wish for all.
Postmodernity is said to be a culture of fragmentary sensations, eclectic nostalgia, disposable simulacra, and promiscuous superficiality, in which the traditionally valued qualities of depth, coherence, meaning, originality, and authenticity are evacuated or dissolved amid the random swirl of empty signals.
I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.
In this media-drenched, multitasking, always-on age, many of us have forgotten how to unplug and immerse ourselves completely in the moment. We have forgotten how to slow down. Not surprisingly, this fast-forward culture is taking a toll on everything from our diet and health to our work and the environment.
We really wanted someone from the culture to sort of do that. And we heard about Taika [Waititi]. We saw his movie Boy, which that he had directed and written and which was great. We read another one of his scripts that was great. And we brought him in, showed him what we were doing. He really liked the idea.
Once Indians become more visible in pop culture and thus more humanized, then it actually chips away at discrimination. Especially after 9/11, it became important for those stories and that human element, for the Muslim, the Hindu, the Sheikh communities to be heard. That's what I hope I get at with the music.
Smokers in our culture are hated and despised. Smokers, people look down on 'em, don't want anything to do with them. Smokers are really the modern incarnation of evil, and yet smokers, because of all the taxes they are paying, are funding most of the children's health care programs the federal government has.
I used to define success as being able to produce any result you wanted, whether it was a relationship, weight-loss, being a millionaire, impacting the culture, changing society, whatever it might be, it might be homelessness, whatever, but lately I've realized that success is "fulfilling your soul's purpose."
Nothing in medical literature today communicates the idea that women's bodies are well-designed for birth. Ignorance of the capacities of women's bodies can flourish and quickly spread into the popular culture when the medical profession is unable to distinguish between ancient wisdom and superstitious belief.
The ways in which Oscar Wilde was attacking the Romantics that preceded him, and the Romantic ideas that preceded him, were very similar to what the glam-rockers, particularly Bowie and Bryan Ferry, were attacking in the earnestness of '60s culture. Trying to shock, but with wit, cleverness, and homosexuality.