I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.

No system in history capitalism has been more relentless in battering down ancient and fragile cultures, devouring the resources of whole regions, pulverizing centuries-old practices in a matter of years, and standardizing the varieties of human experience.

There is hope for humanity, but in order for us to get there, we really have to interrogate not just what it takes to change laws, but what it takes to change culture that supports laws that uplift humanity and also supports laws that serve to denigrate it.

Art can no longer be art today if it does not reach into the heart of our present culture and work transformatively within it that is, an art which cannot mould society — and through this naturally operate upon the core questions of our society — is not art.

Marketing has supplanted story as the primary force behind the worthiness of making a film, and that's a very sad thing. It's film only as a function of consumerism rather than as an important component of our culture, and that's everywhere around the world.

There are people who wish to do us harm in the most heinous way. They want to kill Americans simply because they are Americans. They wish to destroy our culture and Nation because they don't like our freedoms, they don't like the fact that we are prosperous.

I'm making sure to cover all the bases. Like, I've always wanted a leather jacket like Michael Jackson's in "Thriller" since I was a kid. I'm trying to incorporate a lot of elements of pop culture that I've always revered or was really into when I was young.

Latinos have not historically been a culture that unites easily. We're very factioned - you have your Mexican Americans, your Puerto Ricans, your Cuban Americans, your Central Americans - and sometimes we focus on the differences more than the commonalities.

I don't speak Japanese, I don't know anything about Japanese business or Japanese culture. Apart from sushi. But I can't exactly go up to him and say "Sushi!" out of the blue. It would be like going up to a top American businessman and saying, "T-bone steak!

He [The Dalai Lama] has made it his mission to say, "We can't afford to squabble over minor differences, we have to concentrate on what we have in common, our common mission, our common culture - and indeed what we have in common with the rest of the world."

I think fiction comes from everything you've ever done, and said, and dreamed, and imagined. It comes from everything you've read and haven't read... I think my work comes out of the culture of the world around me. I think that's where my language comes from.

Our politics, religion, news, athletics, education and commerce have been transformed into congenial adjuncts of show business, largely without protest or even much popular notice. The result is that we are a people on the verge of amusing ourselves to death.

Pleasure is very seldom found where it is sought. Our brightest blazes of gladness are commonly kindled by unexpected sparks. The flowers which scatter their odours from time to time in the paths of life, grow up without culture from seeds scattered by chance.

Japan, not only a mega-busy city that thrives on electronics and efficiency, actually has an almost sacred appreciation of nature. One must travel outside of Tokyo to truly experience the 'old Japan' and more importantly feel these aspects of Japanese culture.

That's the thing. in medicine, you're used to saying there's a problem within the person, and saying there's a problem within the culture, that's not a medical answer. Medicine has to look in one direction, so there's only one type of answer that they can find.

Creativity isn't about the advantage or disadvantage of a specific time or culture. Creativity is something that comes internally from a human being having a genuine mistrust of rules. And that may be the constant. It's almost like there's some rebellion in it.

Childbirth takes place at the intersection of time; in all cultures it links past, present and future. In traditional cultures birth unites the world of 'now' with the world of the ancestors, and is part of the great tree of life extending in time and eternity.

The ordinary American voter does not object to mediocrity. He likes his candidate to be sensible, vigorous, and, above all, what he calls 'magnetic,' and does not value, because he sees no need for, originality or profundity, a fine culture or a wide knowledge.

I got a lot of things that society had promised would make me whole and fulfilled - all the things that the culture tells you from preschool on will quiet the throbbing anxiety inside you - stature, the respect of colleagues, maybe even a kind of low-grade fame.

Immigrants can spread diseases for which we may have no immunity. There is also the question of crime and culture. Many immigrants come from countries with different legal structures and are not willing to behave in the way we expect American citizens to behave.

Drs. Margolis and Fisher have done a great service to education, computer science, and the culture at large. Unlocking the Clubhouse should be required reading for anyone and everyone who is concerned about the decreasing rate of women studying computer science.

Ego is a structure that is erected by a neurotic individual who is a member of a neurotic culture against the facts of the matter. And culture, which we put on like an overcoat, is the collectivized consensus about what sort of neurotic behaviors are acceptable.

Lasting solutions are always difficult to come to. But they will have to persevere. I've been repeating ad nauseam that we in Burma we are weak with regard to the culture of negotiated compromises, that we have to develop the ability to achieve such compromises.

On a national level there is a tendency to portray Latino culture as a monolithic entity, which is a really inaccurate way of seeing ourselves. There is as much diversity and uniqueness within the Latino culture as there is in any other kind of American culture.

The spiral in a snail's shell is the same mathematically as the spiral in the Milky Way galaxy, and it's also the same mathematically as the spirals in our DNA. It's the same ratio that you'll find in very basic music that transcends cultures all over the world.

That all men are alike is exactly what society would like to hear. It considers actual or imagined differences as stigmas indicating that not enough has yet been done; that something has still been left outside its machinery, not quite determined by its totality.

Western civilisation, the élitists all understood, is built upon discrimination: a culture that does not rest on discrimination, that penalises people who discriminate, or rewards the undiscriminating, is worth very little and has only callow, childish pleasures.

So I am totally aware that when I defend the autonomy of art I'm going counter to my own development. It's more an instinctive reaction, meant to protect the private aspect of the work, the part I am most interested in and which nowadays is at risk in our culture.

There is a divide in our culture between people who want to see evidence of a politiсian's knowledge and worldliness, and people for whom "git 'er done" actions, as you put it, provide tangible proof of the ability to lead. I don't know how developed that idea is.

My advice to aspiring poets is to find a community of other poets who are willing to read one another's work. And to read widely, in a variety of time periods and cultures, to identify which traits of poems are appealing and which aversive. And what can be stolen.

Changing the way we talk is not political correctness run amok. It reflects an admirable willingness to acknowledge others who once were barely visible to the dominant culture, and to recognize that something that may seem innocent to you may be painful to others.

When I grew up in the '60s, we were actually dominated by this, you know, sort of conforming '50s culture, even though we were like trying to express our own culture, like, the dominant culture was the thing that was forming us. And I think that that's true today.

As a nation, this is the moment to start seriously investing our time, energy and resources into proven methods of reducing violence, both within our nation as well as internationally. The cost of violence to our culture and our children is simply not sustainable.

To contribute to the emergence of a society in which development will supplant stagnation, in which growth will take the place of decay, and in which culture will put an end to barbarism is the noblest, and, indeed, the only true function of intellectual endeavor.

All across Africa, the Pacific and the Americas, we find cultures that didn't know about mouth kissing until their first contact with European explorers. And the attraction was not always immediately apparent. Most considered the act of exchanging saliva revolting.

The answers to the human problems of ecology are to be found in economy. And the answers to the problems of economy are to be found in culture and character. To fail to see this is to go on dividing the world falsely between guilty producers and innocent consumers.

If you are explaining, you're losing. It's a bumper sticker culture. People have to get it like that, and if they don't, if it takes three seconds to make them understand, you're off their radar screen. Three seconds to understand, or you lose. This is our problem.

The natural world is the only one we have. To try to not see the natural world - to put on blinders and avoid seeing it - would for me seem like a form of madness. I'm also interested in the way landscape shapes individuals and populations, and from that, cultures.

The most common music that you hear anywhere in the world now basically has its roots in that union that happened in the last century, or in the century before that. That kind of music that's groove or beat oriented just didn't exist in lots of cultures before that.

The dynamism and freedom that characterizes the West is the product of Christianity's reforming itself and moving forward culturally. The ascendancy of the West is the story of the difference that Christianity makes, and it's a story we can't let our culture forget.

Abstraction has always been around, since the drawings in the caves. It exists in all cultures all over the world. I thought for a while that it was going to be the major movement. But people always drift back to realism. I guess there is a certain security in that.

A laborer might last ten years or so before expiring. But individual workers in the death camp of sugar were survived by their culture, which was constantly re-Africanized by fresh arrivals. To that plantation culture, the music of our hemisphere owes no small debt.

We know what totalitarian looks like, we know what oppression looks like, we know what the dumb culture of totalitarianism smells like. This is it! It's happening now, and the future of the world is being decided. So, get out there, make your own sites, take action!

I saw Elvis live in '54. It was at the Big D Jamboree in Dallas and the first thing, he came out and spit on the stage...it affected me exactly the same way as when I first saw that David Lynch film. There was just no reference point in the culture to compare it to.

In all cultures, the family imprints its members with selfhood. Human experience of identity has two elements; a sense of belonging and a sense of being separate. The laboratory in which these ingredients are mixed and dispensed is the family, the matrix of identity.

I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.

I have decided to tell the story of my life as best I can, so that my children can separate the truth from the myths that others have created about me, as myths are created about everyone swept up in the turbulent and distorting maelstrom of celebrity in our culture.

Complexity and profundity have been equated by the academic culture just as fame and significance have been conflated by the popular culture. Fame and significance have nothing to do with one another; and complexity and profundity have nothing to do with one another.

Native Americans are not and must not be props in a sort of theme park of the past, where we go to have a good time and see exotic cultures. “What we have done to the peoples who were living in North America” is, according to anthropologist Sol Tax, “our Original Sin.

Dignity of women is our collective responsibility. There should be no compromise in this matter. There should be no erosion in the law and order situation. We have to revive the family culture in which a woman is respected and considered equal, her dignity encouraged.

Share This Page