Quotes of All Topics . Occasions . Authors
Your primary presumption that The Bridge was proffered as an epic has no substantial foundation. You know quite well that I doubt that our present stage of cultural development is so ordered yet as to provide the means or method for such an organic manifestation as that.
It avoids a self-conscious relationship to the act. We live in the most self-conscious society in the history of mankind. There are good things in that, but there are also terrible things. The worst of it is, that we find it hard to give ourselves to the cultural process.
There is no time and space in the digital world. People chat and collaborate through social networks. Cultural icons garner millions of fans online in locations they have often never been themselves. The boundary between public and private life is now everyone's business.
There's such cultural rot taking place, such a disintegration throughout our culture. Values, morality, you name it. Standards have been relaxed, and people are not being held to them. People's intentions, if they're said to be good and honorable, that's all that matters.
What I worry about and don't like is the way in which the ideology of multiculturalism has declined into cultural relativism. I think that's very dangerous. When the Archbishop of Canterbury, for God's sake, says that you can't have one law for everybody... that's stupid.
The apparent pointlessness of fashion may be just what makes it so strong as a zeitgeist sensor. Even I, a designer, do not know why a certain proportion feels dated or why another one feels exciting at a given moment. I leave that to the cultural historians and theorists.
Now it is time to make historic reassessments in order to transform our region into one of stability, freedom, prosperity, cultural revival and co-existence. In this new regional order there should be less violence and fewer barriers between countries, societies and sects.
At the basis of a country's immigration policy is the recognition that a country has the right to pursue its interests first, and whenever it wishes to be altruistic and humane, this is instantiated without ever risking the danger of its citizens and/or its cultural values.
Most analysts would agree that if all the undocumented immigrants in California were deported in one day, our state would experience a severe economic downturn. This does not even consider the many cultural and spiritual gifts these immigrants bring to our state and nation.
I've made some films for the military that are teaching things like cultural awareness and leadership issues, that sort of stuff. And try to, in essence, look at what training they're doing and say, 'This is how you can improve the training from a humanistic point of view.'
The cultural pressure for a middle-class Chinese-American to walk, talk and act like a lower-class thug from Chinatown is nil. The same can be said of Jews, or of any other ethnic group. But in black America the folly is so commonplace it fails to attract serious attention.
We don't really go in for big family dinners, but Scottish people are famously confrontational. It's a cultural thing, so maybe we don't need to have them to clear the air. Also, traditional family food isn't as nice here so there's no payoff for traveling hundreds of miles.
It's called 'Crazy Rich Asians,' but it's really not about crazy rich Asians. It's about Rachel Chu finding her identity and finding her self-worth through this journey back into her culture. Which, for me as a filmmaker, exploring my cultural identity is the scariest thing.
When you buy into the cultural idea of what's acceptable and unacceptable, you reinforce negative stereotypes and prejudices. That wouldn't work for me. I don't love to give advice to anyone, because we all have to make our own choices, but I'd want to live my life in truth.
I think the idea of the social construction of beauty - this idea that beauty is simply whatever culture or society says it is - is on the run. Of course, beauty does arise in a cultural context. No one ever denies that. But there's also a natural response people have to it.
The cultural value of 'Gossip Girl' was this interesting question. Sure, it seemed to have been a worldwide, cultural phenomenon for some time. And, yes, anywhere I go, I do get recognized. At the same time, it also lacked the kind of importance that people might anticipate.
And this fear that US models are replacing everything else now spills over from the sphere of culture into our two remaining categories: for this process is clearly, at one level, the result of economic domination - of local cultural industries closed down by American rivals.
There's inherent cultural imbalance whenever you're translating from Chinese to English. Educated Chinese readers are expected not only to know about all the Chinese references - history, language, culture, all this stuff - but to be well-versed in Western references as well.
The term 'new queer cinema' and the films of mine that were associated with that term are from a very, very different time, one almost entirely defined by the AIDS era. It was a very different social and cultural regard for the lives, the experiences, the worth of gay people.
There were interesting ways that queerness could hide out and get played out pre-Stonewall. It is part of a vast history that is getting forgotten quickly as we trumpet forward into gay marriage and gays in the military and a much different cultural attitude toward gay lives.
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it's okay to get cultural details wrong in your first draft. It's okay if stereotypes emerge. It just means that your experience is limited, that you're human.
I find increasingly that the more extreme are the things going on in your life, the more cultural reference points fail you. More mythical reference points actually help, and you realise that's what myths are for. It's for human beings to process their experience in extremis.
Chinese people of my parents' generation who lived through the Cultural Revolution knew so much of death at such a young age, and the psychic toll those experiences left was immense. I knew the stories of the Cultural Revolution before knowing what the Cultural Revolution was.
I went to the big Picasso retrospective at the Tate in the sixties, and I think I went to an Andy Warhol retrospective at the Tate in the sixties, too. My mother was very good at taking me to things like that. We lived in Reading, but we went on these cultural trips to London.
While the West tries to turn its civilization into cultural variety hour, Islam tries to turn Muslim lands into a cultural monolith. The same West that justifies the rap culture thinks that every Muslim terrorist bombing is an expression of economic angst or social alienation.
I think all these pop cultural media often reflect conversations we're having in the real world at that moment in time. I think one of the big conversations we're having as a culture is we thought we'd solved sexism and racism, and we're realizing more and more that we haven't.
There's a widespread cultural barrenness across art and political culture. But there are some pockets of resistance on the extreme margins, like the techno-savvy protest movements, small press, the creator-owned comics, that seem to be getting some signs of hope for the future.
Historically and culturally, New York City and our entire nation simply would not be the same without the infusion of Asian traditions. Whether it is food, art, language or any other facet of cultural life, Asian Americans have made our city and our country stronger and richer.
I do think that once you remove the limitations of the page, once you turn text transitive, meaning it can be clicked away from, the forward movement of text can be interrupted. But I don't think this is just a function of technology. It's also a function of cultural preference.
Dullness is more than a religious issue, it is a cultural issue. Our entire culture has become dull. Dullness is the absence of the light of our souls. Look around. We have lost the sparkle in our eyes, the passion in our marriages, the meaning in our work, the joy of our faith.
Affirmative action was designed to recognize the uniquely difficult journey of African-Americans. This policy was justifiable and understandable, even to those who came from white cultural groups that had also suffered in socio-economic terms from the Civil War and its aftermath.
'Wet Hot American Summer' was sort of lowbrow genius, you know? But smart in its cultish silliness. It wasn't considered something of great cultural caliber. But like many cult pieces, it sort of became something culturally relevant, which I think is what's so wonderful about it.
Not surprisingly, my parents' generation did everything they could to make life easier for their own children. Was that good for us? I wonder. It certainly didn't do us any good from a cultural point of view. I'm struck by how few boomers have embraced adult culture in middle age.
If development is defined in social and economic terms while Hindutva is defined in cultural terms, it should be possible for the BJP to construct a political platform that is reassuring to a large majority of Indians and is respectful to the letter and spirit of the Constitution.
Love stories require an obstacle between the lovers, something that keeps them from one another. You have to yearn for the love that can't be fulfilled. And it gets harder to conceive of viable cultural or racial or sexual obstacles between people as we move forward progressively.
In the United States, nobody needs to remind people of their own role or their own power in creating the future they want to see. Perhaps it is something that is almost written into your cultural DNA: a desire to answer your Founding Fathers' call to create a 'more perfect union.'
People always say 'You do racial comedy.' And I don't, exactly. I do cultural comedy. Because race and culture are two different things. There's black people from America and then there's black people from Africa. Racially, they're the same; culturally, they're extremely different.
There is a new venue for theory, necessarily impure, where it emerges in and as the very event of cultural translation. This is not the displacement of theory by historicism, nor a simple historicization of theory that exposes the contingent limits of its more generalizable claims.
The United States' administrations... must recognize that Iran is a big power. Having said that, we consider ourselves to be a human force and a cultural power and hence a friend of other nations. We have never sought to dominate others or to violate the rights of any other country.
People remember the different variations of stuffed cabbage based on their mothers and grandmothers. It's not just about food. Eating something as traditional as this is a cultural experience, one that is spiritual and nostalgic. It manages to transcend time; it's food for the soul.
In America, to be ID'd - sorted, tagged, and permanently filed - is to lose a bit of one's soul. To die a little. This sounds like a subtle, poetic notion. It's not. In American legal and cultural tradition, one essential privilege of citizenship is not having to prove it on demand.
My pride at being a member of the theater community is deep, and we have a chance to reach a lot of people who might feel like there's a place for them. I want theater to be part of the cultural conversation and be on par with all mediums of television in its ability to be relevant.
Sometimes when you're inside a story, it's almost better if you don't think too much about its wider cultural significance or if you don't think about how audiences might react to it. That takes you out of the reality of the situation you're committing to as you're telling the story.
I feel like the thing we can do is celebrate people doing great work and create more cultural momentum and awareness that this is an important thing in the world. So when the next economic crisis hits and people are talking about where to cut from the budget, science isn't the thing.
Sadly, the Left is no longer liberal at all, for it has traded in individualism for collectivism, thus placing us into an oppression Olympics where victimhood is a virtue. This post-modernism - this cultural Marxism or whatever you want to call it - can only destroy; it cannot create.
History is not everything, but it is a starting point. History is a clock that people use to tell their political and cultural time of day. It is a compass they use to find themselves on the map of human geography. It tells them where they are but, more importantly, what they must be.
As the graying of the country continues its march forward, many retirees are now relocating to dense urban centers for the cultural and social opportunities, access to public transportation, and the ability to shop nearby for food and household needs without depending unduly on others.
My personal take on politics is I deal with social situations and cultural situations in my music and in my life. I have said on record many times that I haven't voted. I'm not the type of person who says, 'I'm never going to vote.' I think it's clear to me that our system has failed us.
I have never read any Tolstoy. I felt badly about this until I read a Bill Simmons column where he confessed that he'd never seen 'The Big Lebowski.' Simmons, it should be pointed out, has seen everything. He said that everyone needs to have skipped at least one great cultural touchstone.
I love traditional music. But in any culture around the world, there is the historic and cultural music and everything that's been passed down and passed down, and hopefully you take that, and then you take it, you know, the next distance, and then somebody else takes it the next distance.