Quotes of All Topics . Occasions . Authors
A love of classical music is only partially a natural response to hearing the works performed, it also must come about by a decision to listen carefully, to pay close attention, a decision inevitably motivated by the cultural and social prestige of the art.
One of the core reasons for creating 'Station to Station' was to provide a space for exploration and cultural friction between different mediums. It should be natural for mediums like music, film and art to cross over, and we wanted to empower that process.
Geoffrey Tozer's death is a national tragedy. For the Australian arts and Australian music, losing Tozer is like Canada having lost Glenn Gould, or France, Ginette Neveu. It is a massive cultural loss. The kind of loss people felt when Germany lost Dresden.
I would say that although my music may be or may have been part of the cultural background fabric of the gay community, I consider myself an outsider who belongs everywhere and nowhere... Being a human being is what truly counts. That's where you'll find me.
I've done some analysis of the biblical stories as part of my psychological work. I knew that I had more to do, and every time I've done it, it's been extremely valuable. It makes me a better teacher because I have a richer understanding of cultural history.
The typical Western is kind of a good-guy/bad-guy thing, and that's great, but initially when I heard about 'Into the West,' and what I love about it is it delves into both sides of our cultural past, and it puts more of a human face on the Native Americans.
If modernist naturalism were true, there would be no objective truth outside of science. In that case right and wrong would be a matter of cultural preference, or political power, and the power already available to modernists ideologies would be overwhelming.
It's all too easy to forget that cultural fit is a two-way street. Yes, the candidate needs to gel well with your company's vibe and mission. But, you also need to fit in with her desires, goals, and long-term career vision. It's not a one-sided relationship.
I was born in April of 1966, on the eve of the Cultural Revolution. Soon after, my parents and grandparents all lost personal freedom simply for being intellectuals. So I spent most of my childhood rotating between adopted families of peasants and coalminers.
Just as we acquaint ourselves with materials, and just as we must understand functions, we must become familiar with the psychological and spiritual factors of the day. No cultural activity is possible otherwise, for we are dependent on the spirit of our time.
In Hollywood there's a great openness, almost a voracious appetite for new people. In England there's a great suspicion of the new. In cultural terms, that can be a good thing, but when you're trying to break into the film industry, it's definitely a bad thing.
For me, meditation's hard because I feel like I have developed 'cultural attention-deficit disorder,' where, because we have so much stimulation, I feel like I have trouble focusing on things for very long. So when I try to meditate, my brain gets so scattered.
As a society, I think we express our cultural mores through our politics. We're trying constantly to figure out what's OK and what's not OK. And it's hard, because our society is constantly buffeted by gale force winds of technology. Things are always changing.
As Minister of Foreign Affairs. I will work on deepening Haiti's links with its traditional partners from the North and the South, while exploring all the opportunities for economic, cultural, scientific and technological cooperation that may benefit my country.
That's the way cultural change works in America: the rest of us discard a prejudice that the Right still clings to; in the fullness of time, the Right comes around, too, deploying clever rationalizations to forget they ever bore the prejudice in the first place.
I am hopeful that the concept of 'cultural appropriation' is a passing fad: people with different backgrounds rubbing up against each other and exchanging ideas and practices is self-evidently one of the most productive, fascinating aspects of modern urban life.
My documentary 'Split Decision' examines Cuban-American relations, and the economic and cultural paradoxes that have shaped them since Castro's revolution, through the lens of elite Cuban boxers forced to choose between remaining in Cuba or defecting to America.
We are witnessing a very slow and painful cultural shift. Some male gamers with a deep sense of entitlement are terrified of change. They believe games should continue to cater exclusively to young heterosexual men with ever more extreme virtual power fantasies.
Living gives you a better understanding of life. I would hope that my characters have become deeper and more rounded personalities. Wider travels have given me considerably greater insight into how cultural differences affect not only people, but politics and art.
Jewish history has been in my cultural DNA since I was a child growing up in post-war London. In the midst of that dark, gray, lamenting monochromatic world of the '50s, I had a sense that both Jewish and English history were full of color and light and animation.
I think that cosmetic enhancements in my profession are just an occupational hazard. But I think, more culturally, I'm interested in starting the conversation about aging gracefully and how, instead of making it a cultural problem, we make it individuals' problems.
Sometimes it occurs to me that the job of a serious cultural critic mostly consists in telling the generality of people that their opinions - on films, on books, on all manner of widgets, gadgets and even the latest electronic fidgets - simply aren't up to scratch.
Our African ancestors were the first to engage in breathing. By that logic, I think by breathing today, we are engaging in cultural appropriation of the first Homo sapiens. And so the only way I will ask you to stop being racist is to suffocate - to stop breathing.
I come from the deep countryside. My family was in farming. I was not really exposed to business. Coming from that environment, I just wanted in my life to go overseas - that was a childhood dream because I wanted diversity, contacts, cultural meetings with others.
Being a good Hans Haacke student, part of his influence on me is that there's no difference between a gallery show and a film - or even an ad and a T-shirt-in terms of cultural legitimacy. They're just different contexts in which to have some sort of communication.
The thing about India is that even if the economic backgrounds are different, the cultural background is the same. Somebody who is working as a tailor will also tie a black thread around his kid's wrist; so will somebody in Bollywood. That's the fun of being Indian.
Our economy's growth functions by inciting us to produce more and more with each passing year. In turn, we require cultural forms to enable us to sort through the glut, and our rituals are once again directed towards the immaterial, towards quality and not quantity.
I don't think the Internet has replaced cities in any significant way, nor really could it. Cities are dynamic - and deeply seductive for the people who flock there - because they broker all sorts of fantastic and useful connections, cultural and economic and social.
I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
The so-called cancel culture on the Internet, the extremism that sometimes flares up on university campuses and newsrooms, and the exaggerated claims of those who practice identity politics are a political and cultural problem that will require real bravery to fight.
The most successful cultural diplomacy strategy integrates people-to-people or arts/culture/media-to-people interactions into the basic business of diplomacy. The programs in Afghanistan, Egypt, and Iran all contribute to core goals of U.S. policy in those countries.
In the course of my life, for more than half a century, June 1989 was the major turning point. Up to that point, I was a member of the first class to enter university when college entrance examinations were reinstated following the Cultural Revolution (Class of '77).
The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
The shores of the Black Sea lend themselves to the literary genre that may be classified as 'cultural pilgrimage,' which is not just a higher form of travel writing but which has the further mission of reporting on present conditions and supplying neglected knowledge.
My mum and dad were speaking all the time about, 'In Sudan we do this,' and 'In Egypt we do that,' so I was very aware of cultural differences. I was confused growing up; it gave me a feeling of being an outsider watching others. But I think this is good for a writer.
All research in the cultural sciences in an age of specialization, once it is oriented towards a given subject matter through particular settings of problems and has established its methodological principles, will consider the analysis of the data as an end in itself.
I think being a writer is being heavily attuned to the absolute absurdity of things you take for granted, and I think that having actual parents who lived through the Cultural Revolution who are also interested in literature, they're also very attuned to those moments.
If it were in our national security to deploy to South Africa under apartheid, would we have found it acceptable or customary to segregate African American soldiers from other American soldiers, and say, 'It's just a cultural thing'? I don't think so. I would hope not.
Whether something is old-fashioned or not doesn't resolve the question of whether it's true or not. I can see the temptation of simply thinking, 'Well, there's a cultural mainstream which flows neatly in one direction. You just align with it'. And that really won't do.
The beauty of the World Cup is that while thirty-two countries get to cheer for their respective teams, the event also affirms a global pluralism - it is as much a festival of cultural multiplicity as it is a competition featuring some of the best athletes in the world.
I don't believe in post-racial or post-gay or post-anything, but I do think within a certain group of friends, what matters less is the specificities of race and sexuality, and what matters more is the shared experience, shared language and shared cultural touch points.
Starship was a whole different thing. It was pop rock. It made more money and had more hit songs than Airplane. There was no cultural or social ethic behind it. For me, it was like selling out. I was the only one selling out. The rest enjoyed doing what they were doing.
Podcast listening carries with it a faint aura of cultural snobbery, a notion that to cue up an episode is to do something highbrow and personally enriching, whether it's a history lecture broadcast from a university or an amateur talk show recorded in someone's garage.
International Women's Day means many things to many people. Officially, it is 'a global day celebrating the social, economic, cultural and political achievements of women.' These are important points that deserve to be called out - so we all remember their significance.
'Hannity' had a a guy on that said, 'I fathered 20 kids by 14 mothers.' That is s cultural issue which has demeaned our society and has caused our society dearly in terms of imprisonment. Who's going to be the fathers to those children? Who's going to pay child support?
Harvard is first and foremost a university and not a consulting operation, and our job here is to teach and to research and to create knowledge on Asia in conjunction and in cooperation with scholars as well as with political, intellectual, and cultural leaders in Asia.
The biggest invention of modern time is the book. The book is a digital medium; book text is written in a different form and replicable. What it really does is it allows us to replicate cultural information, scientific technology, and information out of the human brain.
Limbaugh has been warning us about a deep cultural rot in our intellectual class, an accelerating collapse of standards, and the institutions necessary to support and sustain limited government. Yet, the Beltway consultant class and the party leadership would not listen.
In India, at the community level, young men are playing an absolutely essential role in changing the cultural norms and deeply held practices concerning women. They are doing this in a way that not only empowers women and girls, but really empowers the young men as well.
When I was growing up, the Spanish-speaking world was Balkanized. We were isolated. We didn't know what was happening in cultural terms in Ecuador, Colombia and Chile. Nowadays, this has changed a lot - fortunately for writers and readers. There is much more integration.