After the 2009 'Cult Of Static' touring cycle ended, I felt that, as a band, Static-X had accomplished everything we set out to accomplish, and now I could finally take the time to do my own thing and make a record that is completely my vision without compromising for anyone or anything.

I'm certainly not a person who spends their every waking moment soaking themselves in signs and signals of the sort that cult studies people study; and it's partly, I suppose, because some of those signs and signals aren't worth bothering about. You have to be selective about these things.

There is the cult of the actor and of the director, and there's even been the cult of the celebrity chef and gardener, but there has never been a cult of the screenwriter. But I'm happy about that because what I crave - in a completely venal way - is creative opportunities, not recognition.

When people go to vote still in Britain, they will look at their local representatives, but I don't think there is a sort of cult of personality politics. Obviously, they want to know who the leader is for each party, but I think there is a lot of identification with their local candidates.

When I was signed to Quincy Jones before I went independent, he told me to rap what you know, and people will forever feel you. And I stuck to that, no matter how many people called me a devil worshiper, no matter how many people call me a cult leader. I stuck with rapping about what I know.

My first horror film was - well, I don't know. 'Bless the Child' is sort of genre, but 'May' was such a cult hit that after that, I just started getting offers for horror. I think I got a little bit pigeonholed in it right off of 'May' because there was just such a large response to that film.

I look for strong people. I don't like people who'll say yes to everything I might bring up. I want people who can argue and disagree and have a point of view that's reflected in the magazine. My dad believed in the cult of personality. He brought great writers and columnists to 'The Standard.'

Although I didn't set out to run my own label, I found it made sense quite quickly. I can say what I want and dance to my own tune, even if sometimes it's like nobody is listening. The trade-off is you stay 'cult' and resign yourself to a very modest level of what most people would call success.

I've been on a team that won the world championship of barbecue. But barbecue's interesting, because it's one of these cult foods like chili, or bouillabaisse. Various parts of the world will have a cult food that people get enormously attached to - there's tremendous traditions; there's secrecy.

There is a cult of ignorance in the United States, and there has always been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that my ignorance is just as good as your knowledge.

My first book, 'Fast Forward', was about growing up in the shadow of Hollywood and how kids are affected by the culture of materialism and the cult of celebrity, and I've often felt the reason my work has an audience in the U.K. is because it's everything the British love to hate about the Americans.

There are caste systems in American cities: Many are marginalized to the edges of urban centers due to real estate costs; price tags seem to lurk around human encounters; there's a cult of overwork in the middle class; workers at your local manicurist, your local fast casual restaurant, are exploited.

It might sound strange to describe New Yorkers as insecure when they delight so much in the cult of success. The display of wealth here, especially new wealth, is indeed wonderfully frank, from the super-long limousines which clog up the roads to the voluptuous fur coats that adorn both men and women.

The word 'cult' is almost a nice way of saying a lot of people hate you, or have never heard of you. It means someone can come up to me in the street who's really into my stuff, who's seen everything I've done, but the guy standing beside them has no idea who I am. Even in Glasgow. I think that's cult.

I think directing in a team is a really good idea because it stops the cult of the director as God straight away, and also you're discussing things on set so it opens it out to everyone and it becomes a totally collaborative thing. And you have someone who supports you when you're feeling a bit insecure.

The best thing about writing speculative fiction is the opportunity to satirize the whole wide world. The America in 'A Better World' isn't ours, but it's pretty close, so I could lampoon everything from partisan politics to the cult of celebrity to our general disaffection. To me, all that is the point.

This is the first generation to grow up on Thatcher - it's a different ethos. It's money minded, and it's the cult of yourself. Now that's fine, except when it falls down, and you can't achieve your goals - through high unemployment, through the fact that you probably need inherited money to get anywhere.

I was born into a religious cult in Indianapolis, straight up. They had an apartment complex in this one area, and there were all these rules. My parents met through church and got married really shortly after, when they were both searching for connection and meaning, just like everyone is when they're 20.

I was in something called 'Garth Marenghi's Darkplace' which was a real cult comedy; it's sort of a spoof horror sort of thing, and it only ever had one series, but I liked the fact that it only had one series because it's kind of got this little gemlike quality to it that there were only ever six episodes.

One of the reasons I do like 'Cult' is that it plays along the same vibe as the movie 'Seven,' which I absolutely love. There was a period of cinema in the mid-'90s that I was a huge fan of, with 'Heat' and 'Seven' and the Tarantino era. If I've ever been fanatical, it was about those films, back in the day.

The Way teaches that people outside the cult are evil - of the Devil. In line with that belief, the members tried to alienate me from my family, to whom I am very close, and from my friends. So I just drifted away. In seeing my three-month involvement as 'just a phase,' my parents were lucky rather than wise.

In any film business, if you're trying to get your next film made, you would never say, 'Oh, my last film was a cult film.' I'd say, 'Oh, great, well I hope this one isn't!' I always say to Johnny Knoxville, 'How do you do it? You sort of do the same thing we did, except you made millions, and I made hundreds.'

Political prodigies are rare in a nation that grooms top leaders through decades of Communist Party road-testing and pageantry. And because Chairman Mao's cult of personality led the country into extremism, the Party spent the next three decades engineering its politicians to be as indistinguishable as possible.

The religious imagery and fairytales that formed our shared cultural references have been replaced by the cult of celebrity. Marilyn is the sex goddess, Camilla Parker Bowles is cast as the wicked witch, Che Guevara is the revolutionary. Celebrities have become visual shorthand for narratives that shape our lives.

I like CrossFit. I agree with a lot of their coaching tips and the foundation of functional movements and hard work. They embody all that stuff. But I also think there's a bit of a cult following within the CrossFit community, a bit of a fraternity, which obviously creates a bias and a little bit of a tunnel vision.

I did a film called 'Worlds Apart' about a Jehovah's Witness. I was the love interest - the male lead - but the story was about the female lead, a young girl who is a part of this cult, and she wants to break out. She meets a guy who has to help her. She has to find out who she is. It's more like a coming of age story.

The quickest way to detect a cult is to sniff for doublethink. The cult seeks control over its membership not by providing a coherent theological system but by providing the opposite: an unstable theology infinitely malleable to the needs of the cult's top echelon and uninterpretable at all times to anyone below that level.

I was always obsessed with the 'Adventures of Buckaroo Banzai,' this weird little cult movie. There was this promised sequel before the end credits - 'Buckaroo Banzai Against the World Crime League' - and I knew instinctively they were never going to make that movie, because the first one had made, like, $8 at the box office.

When I was on 'Dallas,' I was known to audiences of the '80s. And then when my sons, who are in their 30s now, were going to college, 'Dallas' was the cult thing to watch because it was being done on the soap channels, so a whole new generation saw it. And then I have the young fans that knew me from 'Step By Step' in the '90s.

I have the idea that running shoes are based on a kind of cult idea - that our feet are flawed and we need shoes to correct those flaws. The shoe companies are in the business of selling shoes. But there's no evidence from running shoe manufacturers that they're right. There's no scientific data that running shoes reduce injury.

The thing that I like about Pee-wee is it can exist on the level of midnight college cult movies that the hip kids are into and, at the same time, it could be something a kid and his family watch together. Being able to straddle both lines of being subversive and, at the same time, very inclusive - I love that about the character.

I was aware, in those early days of motherhood, that my behaviour was strange to the people who knew me well. It was as though I had been brainwashed, taken over by a cult religion. And yet this cult, motherhood, was not a place where I could actually live. Like any cult, it demanded a complete surrender of identity to belong to it.

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