Ronnie is the greatest player to have ever picked up a snooker cue. People have said that about me. But although I won 50 or so tournaments I never picked up the world championship. That was a little bit of a disappointment.

When you get into a production, there are a lot of things you have to hit to make the show work - like my cues or a cue for another person or making sure you don't mess up the beat, and you can let all of that get in the way.

Different people have different styles, but there is an opportunity as a director to be a writer in every moment, with every visual cue and every piece of production design. Everything is a decision, and everything can be obsessed over.

It's easy to make a cue last a lifetime. Don't boil it or freeze it in the trunk of a car. Don't lean it against a wall for years. If you lose a game to a complete idiot, hit the edge of the table in anger with something other than your cue.

Such a chimerical idea as telegraphing vocal sounds would indeed, to most minds, seem scarcely feasible enough to spend time in working over. I believe, however, that it is feasible and that I have got the cue to the solution of the problem.

I think that one of the things I'd learned from being so attentive to the careers of the people I've admired is the fact that they would say 'no' a lot. Early on, I took that as a cue to only work on things that I knew I would be passionate about.

The laugh track was invented to cue the audience to the jokes and encourage laughter in response. But it has another effect: if you hear people laughing and you're not, you start to question if maybe there's something wrong with you for not getting it.

My unworldliness, even at 21, was abnormal. Not only had I never smoked tobacco nor touched alcohol of any description, but I had never yet set foot inside a theatre, or gone to a race course I had never seen, nor held a billiard cue, nor touched a card.

Players thump their cue on the floor when the opponent is coming to the table, or at the table. And the referees need to show some more authority on this stuff. You don't see it so much with top players or on TV tables - they know they can't get away with it.

As with real families, my fictional family on 'Life Goes On' had its ups and downs, and as part of the fictional downers, the actors were often called to cry on cue. This absolutely terrified me, because I was a pretty happy kid who didn't have much to cry about.

Podcast listening carries with it a faint aura of cultural snobbery, a notion that to cue up an episode is to do something highbrow and personally enriching, whether it's a history lecture broadcast from a university or an amateur talk show recorded in someone's garage.

When you're doing a film, you're on a set and you have retakes and you have time to get it right. And on 'SNL' it's just go, go, go. If you can't read the cue cards or miss your mark, you're just left to sort of screw up. So there's a lot more pressure doing a live TV show.

At 24, my head was as shiny as a cue ball on a billiard table. I naturally thought this meant curtains. Actually, I found it helped. When I was too young to play real character parts, they mistook me for older because of the bald noggin. I got juicy roles right from the start.

If I walk into the editing room, it's six hours lost. I'm massaging frames. I'm, like, 'Oh, take six frames off that shot. Hit the music cue right there.' I will drive everybody crazy if left to my own devices in that room. So I try to do everything I can by staying out of the way.

One of the best moments of any Liars show is hearing the crowd squawk 'We're doomed! We're doomed!' on cue during 'We Fenced Other Houses with the Bones of Our Own.' Maybe not the most uplifting audience sing-along in the indie rock world, but one of the most reliably entertaining.

I always change my words in everything I do. I make the language fit, because I know the character from the inside out. Often character actors are not in a position to do that, but I do it. I don't change any cue and I never change anybody else's lines, but I make my own words fit my mouth.

There is a time in the life of every predicament where it is ripe for resolution. Emotions provide the cue to act when a problem is big enough to see, yet still small enough to solve. By understanding your emotions, you can move adeptly through your current challenges and prevent future ones.

Once, I was going to a film event, and someone told me not to wear high heels to it. They said that it might intimidate the men. For some reason, I was ready to take their cue, but about an hour later, something in my head started ringing, and I thought, 'That is the worst advice anybody's ever given me.'

My first mentor and inspiration was my Irish Dancing teacher Patricia Mulholland. She created her own form of dance known as Irish ballet and created stage productions of old Irish myths and legends. They were my first experiences on stage. She told my mum I was destined for the stage, and I took that as my cue.

As others have recently suggested, the term 'gamer' is no longer useful as an identity because games are for everyone. These days, even my mom spends an inordinate amount of time gaming on her iPad. So I'll take a cue from my younger self and say I don't care about being a 'gamer,' but I sure do love video games.

In all the years I've been playing, I've never considered changing my cue. It was the first cue I ever bought, aged 13, picked from a cabinet in a Dunfermline snooker centre just because I liked the Rex Williams signature on it. I saved £40 to buy it. It's a cheap bit of wood, and it's been the butt of other players' jokes for ages.

The first time I heard the word 'transgender' had been in a sitcom episode that mocked the potential for cisgender people to find people like me attractive. Every time someone expressed any interest in the gorgeous trans guest character - her identity still a secret to most of the main characters in the show - the laugh track would cue.

Owners, the way they blackballed me from baseball, the way they used me, in a sense, and then the way they wanted to send a signal to the other players, saying, you know, we're going to get Jose Canseco out of the game. This is a cue or a message for you other guys to stop using steroids because the owners lost total control of the steroid use.

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