Quotes of All Topics . Occasions . Authors
I get the most starstruck around musicians. I get tongue-tied and don't know what to say. I'm so jealous of them. When you make a movie, you're constructing something - it's a little bit like making an album. But after musicians make an album, they get to perform it live and experience it in front of a crowd.
Chennai is one of the scariest crowds to face. Everyone looks so conservative, but once you crack the first joke, they are so appreciatively loud that they will hit you with a laugh that will scare you stiff and yet give you energy. Chennaiites give me the loudest laughs; it's the coolest crowd to perform for.
'Dragon Age' needs to have big story moments. It is a game about character first, and the party is an absolutely central part of that. I want to keep pursuing interactivity with the world: taking crowds to the next level or having things catch fire because you indiscriminately cast a fireball into a wheat field.
When I was younger I would play in front of crowds as small as 500 in the second division in Belgium, so I know what that's like. It might be easier in terms of pressure, but believe me, I would always prefer to be at a packed Anfield playing against Manchester United. That's why you want to become a footballer.
The further left you are, the more your concern for the underdog crowds out everything else, leading you to overlook inconsistencies. You might, for example, argue for immigration and multiculturalism in the UK, but not in the Amazon. You might demand equality before the law and, at the same time, gender quotas.
Runners exalt the marathon as a public test of private will, when months or years of solitary training, early mornings, lost weekends, rain and pain mature into triumph or surrender. That's one reason the race-day crowds matter, the friends who come to cheer and stomp and flap their signs and push the runners on.
The Overman will himself be a nihilist in the (good) sense of rejecting any metaphysical or religious grounding for truth and value, but instead of curling up in despair, or simply going along with the crowd like the 'passive' nihilist, he will recognize himself as the sole source of truths and values to live by.
My parents had five children in six years and one week, meaning that my mom was pregnant for most of the '60s and driving carpools for most of the '70s. When we were young, she dressed us alike so she could pick us out in crowds: identical skirts for the four girls with the color-coordinated pants for my brother.
When I was in the UFC, I would get tickets for a fight, and then what I would do is go in the crowds and watch the rest of the fights. A lot of times, I would end up taking pictures and signing people's books. I didn't care if I got any money or anything. I was just there enjoying my time and watching the fights.
Audiences of critical thinkers are my favorite kinds of audiences. There are jokes I tell in the show that don't get laughs unless I am in front of an audience of critical thinkers. Put me in front of a crowd of science teachers or astronauts! The guileless aren't our audience - it's the critical thinkers we love.
Ideologists of all kinds find a strange sort of comfort in the madness of the crowd; it confirms them in their suspicion that history, far from being made by the great mass of individuals - as Marx averred - is rather unmade by a single massive individual, a collective Other, who stands in stark contrast to you and he.
I am growing handsome very fast indeed! I expect I shall be the belle of Amherst when I reach my 17th year. I don't doubt that I shall have perfect crowds of admirers at that age. Then how I shall delight to make them await my bidding, and with what delight shall I witness their suspense while I make my final decision.
Going to the theater or having the honor of performing in theater reminds you of your humanity in a very different way. It's a real release and an incredible challenge. But the stage is a dangerous place. You gotta be trained. Plus, crowds like when things go wrong. I think that's part of the thrill. Anything can happen.
The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.
I could fill my whole time doing interviews, speaking to crowds, and there's this natural human tendency because of our culture to think that the more people I talk to, the bigger the impact I'll have, and yet Jesus didn't spend His time just speaking to the masses. He spent the bulk of his time with a small group of people.
My personal fascination with the power of the crowd has been growing: Exactly what can a 'crowd' accomplish? We know crowds can raise billions of dollars, create Wikipedia, and even design and build small autonomous drones. But how about something large and complex like designing a new car, and maybe someday even a spaceship?
One of the things I wanted to do in 'The Death of Truth' was explore some of the larger social and political dynamics that fueled the rise of Trump and brought America to the point where a third of the country will casually shrug off hard facts about everything from the size of inaugural crowds to the crime rate among immigrants.
We all get to choose where we set up the stage of our lives - before the Crowds, the Court, the Congregation, the Critics (inner or otherwise)-- or the Cross of Christ. All except One will assess your performance. Only One will accept you before your performance ... Only in Jesus is there 100% acceptance before even 1% performance.
But Jesus wanted the crowd to know, look, 'John's (the baptist) the one who got this whole thing started.' In verse ten He says, 'This is the one about whom it is written, 'I'll send my messenger ahead of you who will prepare Your way before You.' Jesus says, 'If it wasn't for John, I wouldn't even be here performing these miracles.'
But love, sooner or later, forces us out of time...of all that we feel and do, all the virtues and all the sins, love alone crowds us at last over the edge of the world. For love is always more than a little strange here...It is in the world, but is not altogether of it. It is of eternity. It takes us there when it most holds us here.
There are always things I find difficult - being in crowds, remembering faces. I do like routines. I always travel with someone. My life in Avignon is a very quiet one. I have an apartment that looks over the whole city. I can drop into town, but a lot of the time I write from home. In some respects I still live a very quiet, simple life.
I started out, in the mid-'70s, taking photographs of rock bands that I liked but not because I really wanted to photograph them. Initially, I was pretending to be a photographer, simply so that I could go up to the front of the crowd and be a bit closer to the bands. But, I found I was gradually developing an interest in the photos I took.
A believer longs after God, to come into his presence, to feel his love, to feel near to him in secret, to feel in the crowd that he is nearer than all the creatures. Ah! dear brethren, have you ever tasted this blessedness? There is greater rest and solace to be found in the presence of God for one hour than in an eternity of the presence of man.
When LOVE played the still hipper Whisky A Go-Go, further west along Sunset, Arthur Lee claims they 'started the whole hippy thing' in tandem with an in-crowd of freaks led by aging beatnik sculptor Vito Paulekas. It was Vito, Carl Franzoni, Sue, Beatle Bob, Bryan Maclean and me...people would come to Ben Frank's to hang out with us after we played shows.
My uncle, gentlemen, could say nothing; he was so very much astonished The queerest thing of all, was, that although there was such a crowd of persons, and although fresh faces were pouring in, every moment, there was no telling where they came from. They seemed to start up, in some strange manner, from the ground, or the air, and disappear in the same way.
Trading has taught me not to take the conventional wisdom for granted. What money I made in trading is testimony to the fact that the majority is wrong a lot of the time. The vast majority is wrong even more of the time. I've learned that markets, which are often just mad crowds, are often irrational; when emotionally overwrought, they're almost always wrong.
The simplest Surrealist act consists of dashing down the street, pistol in hand, and firing blindly, as fast as you can pull the trigger, into the crowd. Anyone who, at least once in his life, has not dreamed of thus putting an end to the petty system of debasement and cretinization in effect has a well-defined place in that crowd with his belly at barrel-level.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
To my surprise, I recognized Dimitri Belikov-Rose's boyfriend-among those doing crowd control. He was easy to spot since he was almost always taller than everyone around him. Dhampirs look very human, and even I could admit that he was pretty good-looking. There was a rugged handsomeness to him, and even in a still photograph, I could see a fierceness as he watched the crowd.
He who will please the crowd and for the sake of the most ephemeral renown will either proclaim those things which nature does not display or even will publish genuine miracles of nature without regard to deeper causes is a spiritually corrupt person... With the best of intentions I publicly speak to the crowd (which is eager for things new) on the subject of what is to come.
I become exaggerated, and loud, and obnoxious, and full of the spirit of improvisation. That's one of the weird things about performing, I think that any performer will say the same thing when you're on stage in front of a crowd there's a certain moment when you kind of click into a trance-like state and you just kind of go with it. I love getting into that mode. It's transcendental.
In terms of what happened to Amy [Schumer], if that happened to me I would be like, "Yes, please leave." But I toured a lot. I started as an opening feature act touring a lot during the [George W.] Bush years, like around 2007. I was touring during the [Barack] Obama election - the first one with [Sarah] Palin and [John] McCain - and I talked to crowds about that and they were always split down the middle.
But definitely I was in the zone in the match today. I was still thinking it's the final and I knew the emotions. It's a little bit like Fed Cup when I'm playing in the Czech Republic and I feel the crowd. My stomach is a little bit funny - it's just goosebumps. But when I won the first set, I said to myself, 'Okay, I still have to do the same work.' I was worried I couldn't do it for the whole match, but I did it.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
