Quotes of All Topics . Occasions . Authors
I'm sick of people who supported Trump saying, 'Get over it. You lost.' That's not how America works. We get to critique him the same way they constantly fought Obama. As long as I have a platform, I will continue to speak up because it's my responsibility.
I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.
Though there are plenty of reasons to critique U.S. foreign policy and the way in which the U.S. military enacts it, serving your country has long been a way for economically marginalized Americans to get an economic step up - and could be for trans people as well.
Civic poetry offers us a way to think and talk about issues that so much of public speech ignores, to make them new by dissecting and repurposing public speech, prying its falsehoods from its half-truths. It is fighting for its right to critique our would-be democracy.
Every wrestler I've ever had critique me, they were always into my stuff or what I'm doing out there. For a non-wrestler, someone who doesn't even know how to lock up, and if we did lock up, they wouldn't know what to do, for them to critique any of us, it really does pop me.
The term 'cyberutopian' tends to be used only in the context of critique. Calling someone a cyberutopian implies that he or she has an unrealistic and naively overinflated sense of what technology makes possible and an insufficient understanding of the forces that govern societies.
Sometimes nationalism can be jingoistic - even fascistic - but it can also be a constructive impetus that helps to unify a nation. Those whose nationalist critique of parties finds resonance with masses of voters can acquire vast power. We can only hope that they know what to do with it.
I went from silent films to watching French new wave cinema. I became entrapped by it all. That's when I knew I wanted to do film. The moment you start looking at film from a critique point of view - there's a difference between watching a film as an audience and with a critical point of view.
When I wrote 'Neuromancer', I had a list in my head of all the things the future was assumed to be which it would not be in the book I was about to write. In a sense, I intended 'Neuromancer', among other things, to be a critique of all the aspects of science fiction that no longer satisfied me.
Crucially, Marxist atheism is only achieved once the theological critique of capitalism is completed. This is what separates Marxist atheism from the gliberal platitudes of the likes of Nick Cohen, who proclaim secularism while remaining attached to the theology of capital (liberal commonsense).
If you ever dissect '205,' take a hard look at it, it's always been a fantastic show. Regardless of what's been going on, the wrestling has been the best not only in the company but on the planet. The only critique, if you really dissect it, is that the crowd isn't into it; the crowd doesn't care.
I think that I had read so much fiction that the craft itself sort of sank into me. I didn't read any 'how to' books or attend any popular-fiction-writing classes or have a critique group. For many years into my writing, I didn't even know another author. For me, a lot of reading was the best teacher.
The economical policies that are instigated really makes you think that the American government is a bunch of evil bastards. So just because you're black, you're still representing that government, and when Obama came into office he enacted the same policies that we would critique other presidents for.
The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.
America is not static. America is striving. And sometimes, America requires critique. Jingoism is an avoidance of realism. You can simultaneously love and be disappointed in the object of your love, wanting it to be better than it is. In fact, that is a measure of love. Honest critique is a pillar of patriotism.
Just as we might take Darwin as an example of the normal extraverted thinking type, the normal introverted thinking type could be represented by Kant. The one speaks with facts, the other relies on the subjective factor. Darwin ranges over the wide field of objective reality, Kant restricts himself to a critique of knowledge.
People review my comic books. People review every article I write - 'The Atlantic' even publishes them. A great deal of the critique of 'Between the World and Me' was from a feminist perspective. bell hooks pushed back, among others. Some of that has value. Some of it does not. I try my best to separate the wheat from the chaff.
Win or lose or draw, you always go back and critique your performance and say you could have done things better. Even if I put the guy away in one round, I can go back and say I made a lot of mistakes and need to tighten up. But that's the type of person I am. Improve. Improve. Improve. When I lose I come back stronger than ever.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
As a storyteller, you have to have something to say. You have to look at the world, think about it in relationship to yourself, and say, 'I think this is a pattern,' or 'I think this is the way fatherhood works,' or 'I think this is the way first love feels.' The danger in that is, that's when you open yourself up to real critique.
My relationship with the journalists who covered the campaign was complicated. I often hid from the critical eye of their cameras and their omnipresent digital recorders, wary of the critique implicit in every captured moment. But I also grew to respect and understand their passion for their work, their love for the journey we were sharing.
For the first four or five years I was in Korea, I took a lot of direction from my management and label in terms of what people want. I found myself trying to fit into that thing I never felt comfortable with because the critique I got was that I was too American, and too sophisticated and polished in terms of my musicality and it won't sell.
I think a playful critique is good for all of us, and that's basically how I see satire functioning. But I'm not interested in a kind of contemptuous satirical vision; I try always, even when I'm knowingly being satirical, to also be humane, but I mean, let's face it: there's plenty in American life to make fun of, and we all participate in it.
In the end, the thing that's important about free expression is that it's the right from which all other rights are derived. If you can't articulate ideas and if you can't articulate critiques of other peoples' ideas, then you're powerless. What always increases the power of an authoritarian regime is whether it can successfully prevent people from expressing themselves.
