I come from hip-hop - meaning that I don't mind if you come at me. In fact, I prefer it. But I prefer that you come at the show with credible critique.

I remember the first couple of years when I was coming up through the ranks, some of the old-timers would take me aside after the match and critique me.

I sort of knew very early on that I wanted to be a writer. Even in high school, I was a big movie buff, very much into TV shows, and would critique them.

My senior year was crazy, and that summer was definitely life-changing and a lot different than what I was used to, and with that comes a lot of critique.

We have inherited both Rabindranath Tagore and Satyajit Ray. We love them and we respect them and we adore them, so we also have the right to critique them.

The Longstockings are eight children's and young adult writers. We all came out of the New School MFA program, and we meet regularly to critique each other's work.

There are certain books in the world which every searcher for truth must know: the Bible, the Critique of Pure Reason, the Origin of Species, and Karl Marx's Capital.

Quite a few plays I have written have an implicit critique of capitalism in that, if you follow it through to its end, what happens to the people who are left behind?

I don't think that early hip hop stood out to be a social critique. A lot of fans of mine think that hip hop's ultimate responsibility is to critique social structures.

There's a lot of hip-hop that's oriented toward a progressive view of America because it's oriented toward a civil rights progress and a critique of the power structure.

I think the most effective forms of critique are ones that establish a common ground for people to occupy, and then appeal to the best nature of people on that common ground.

There is something a little vulgar about writing a novel that is too close to the present, too concerned with current events, too eager to critique technological advancements.

I guess, is we are not saying, "Look, William Shakespeare's written a critique of modern Africa." What we're saying is that we've shifted the metaphor to make it more immediate.

'This Is Not That Dawn' is remarkable in part for its careful and sensitive attention to women's lives - and also for its harsh critique of men and their failure to stop violence.

For me 'Oliver Twist' is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions.

Film Club is a necessity in any big university, as it provides a platform and a forum where you can exchange ideas, critique and appreciate historical, classics and contemporary films.

The fallacy in the progressive critique is the egalitarian dogma that no one should get more than what liberals deem is a 'fair' reward, nor should there be any risk to anyone to fail.

I began demonstrating against serious culture. In hindsight, the actual course of events has been very humiliating for me, because no one picked up on the intellectual critique I made.

If I think something is heinous, but the person feels amazing in it, who am I to critique it? If they think that those bell-bottom, cropped, shredded jeans look good, then good for them!

You can only go with the excesses to a certain point; it wasn't always the Jack Daniels bottle. We weren't just a bunch of sloppy musicians on stage drinking; we would critique every show.

An art whose medium is language will always show a high degree of critical creativeness, for speech is itself a critique of life: it names, it characterizes, it passes judgment, in that it creates.

The discipline it takes to train and push past discomfort and continually grow through both trial and error and critique are things that translate really well into the process of running for office.

I don't want anyone to get seriously hurt. But I do watch awards shows to critique the clothes while I sit around eating chips in my sweat pants and in hopes of seeing some hilarious accidental nudity.

History's lesson, of course, is that attempts to suppress free expression have merely confirmed the caricaturists' original critique of heavy-handed and objectionable actions of overreaching governments.

I would never be one to critique the announcers when I watched games. I try to watch the play and listen to the broadcasters and what they are pointing out. I was never one to say this one was good or bad.

What's interesting about the foreign policy establishment critique is, you know, I think the Blob and I have more in common in some ways than people might think, but also, what I was saying can be misread.

Finally, in my critique of the immigration image of America, it is also important to know that we're not only a nation of immigrants, but we are in some part a nation of emigrants, which often gets neglected.

If I am popular across the board, from teenagers to pensioners, it's not because I'm trying to be family-orientated, it's because my mum vets all my shows! I always get a critique from her and she's very harsh.

The people who critique me are the people who don't know about the sport. They don't really know about the rules of MMA. They aren't a real fan or follower of the sport, or they're just people who like to talk.

The culture of critique undermines the spirit not only of people in public roles but of those who read about them, afraid to believe in anyone or anything because the next story... will tell them why they shouldn't.

I've run as a Democrat, but I was not a Democrat. And when I ran as a Republican, I was not a Republican. I was just utilizing the New Hampshire primary as a vehicle to put forward my satirical critique of the system.

For my own part, I abandon the ethics of duty to the Hegelian critique with no regrets; it would appear to me, indeed, to have been correctly characterized by Hegel as an abstract thought, as a thought of understanding.

Like any organizer worth their salt, I'm open to critique, but I won't be bullied or treated badly. I'm an imperfect human, and as such, I have a proclivity to make mistakes. And while I make mistakes, I am not my mistakes.

I don't tend to offer up a critique unless I have a clearly formulated alternative, because there's nothing worse than people on a set or any kind of artistic life who critique something but who don't have anything to offer.

While the older generation is content to sit around and critique culture, that culture is moving beyond them. At some point the traditional church and all of the expressions of that church will become essentially irrelevant.

You will find it will almost always be more comfortable to sit on the sidelines and critique the builders from afar. But at the end of the day, the people who make a difference, the people who shape history, are not the haters.

Whether you chose a passive-aggressive husband, workaholic wife, or life of single motherhood, we are all officially allowed - and uniquely qualified - to critique our own life experience. Please don't pretend you're living mine.

I am still moved by passages of Marx: the 'Critique of Hegel's Philosophy of Right,' for example, where, after the famous line about religion being 'the opium of the people,' he goes on to call it 'the heart of a heartless world.'

There's almost an element of selfies that is like photo therapy. People look upon themselves in a picture and then they critique themselves without knowing so, and that's what's happening on mass on Instagram, Twitter, and Facebook.

Race and class are rendered distinct analytically only to produce the realization that the analysis of the one cannot proceed without the other. A different dynamic it seems to me is at work in the critique of new sexuality studies.

As an NFL analyst, my job was to watch countless hours of game film and critique NFL coaches and that's what I've been doing the last 10 years. And there are coaches that I question in the NFL, and at other big collegiate institutions.

For me, honest critique is not all about your feelings and your ear. Honest critique is sitting down with an album that you may not put on in your spare time, and really digging into that album, so you can talk about the beat selection.

The critique of the highest values hitherto does not simply refute them or declare them invalid. It is rather a matter of displaying their origins as impositions which must affirm precisely what ought to be negated by the values established.

If there is something I am arguing, it is a critique of science. Science has consistently denied the existence of consciousness other than human. Only in the last 20 years do we have acknowledgement of animal feeling or culture or experience.

If you didn't like somebody, you just let 'em know it, and hopefully that would square 'em away. Not only would they critique me, get on my case, but basically it was that kind of relationship. It was always a learning, team-building relationship.

I still get rejections - frequently - and my goal isn't to never fail, to never be turned down, but simply to succeed more often than I don't. And in order to do that, I have to constantly put myself out there, to judgment, critique, and rejection.

I think that you need to balance a critique of feminine, patriarchal beauty ideals while simultaneously understanding how they can make you safe, and they can make you feel safe, and they can open up certain doors for you that would have been closed.

Science fiction has always been a means for political comment. H.G. Wells' 'The War of the Worlds' wasn't about a Martian invasion - it was a critique of British colonialism, and... 'The Time Machine' is really an indictment of the British class system.

For me, having played the game of football, I look at it through a much different lens. I don't look at it from a fan's perspective. I'm always trying to analyze and critique things when I'm watching sporting events. That's why I never have the sound on.

I started writing short stories. I tried writing horror, mystery, science fiction. I joined a little critique group here in town and ran my stories past them. After about three years, I tackled my first novel, Subterranean. It took me 11 months to write.

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