Quotes of All Topics . Occasions . Authors
Years ago, when my attempts at a writing career came to a complete stand-still, I applied to the Los Angeles Police Department. This might seem odd for a liberal woman who once went to UC Santa Cruz, but I've always had a powerful fascination with crime and serious interest in finding different ways to contend with it.
Repentance is a sweet solace to conscience as well as the most complete atonement to the Supreme Judge of our offenses; notwithstanding, the tongue of malevolence and scurrility may be continually preparing its most poisonous ingredients for the punishment of a crime, which has already received more than half a pardon.
Society during the last hundred years has been alternately perplexed and encouraged respecting the two great questions: how shall the criminal and pauper be disposed of in order to reduce crime and reform the criminal on the one hand and, on the other, to diminish pauperism and restore the pauper to useful citizenship?
I love my city and I feel like the majority of the people that are in the city are people from other cities. So I think that L.A. sometimes might get a bad rap because it's known to be so Hollywood-oriented and then underneath that you have crime. But that's really the case in pretty much any major city that you go to.
The average juror is not Mr. Spock. If he were, then a trial-court judge's job would be much easier. He could instruct the jury in broad strokes - instructing only as to the bare elements of the crime, perhaps - and be confident that the jury would deduce all of the finer-grained implications that must logically follow.
I don't have personal experience and knowledge about anything but theater. I've been tutored very well on the subject, but ultimately I'm going back to the rules of drama. There are genres that I like as an audience member that I can't write as a writer. I can't write crime, and I like a good thriller as much as anybody.
I've always been an entertainer all my life; I come from a family of entertainers. I always made, very pretentiously, a comparison with Agatha Christie. Her inspiration was crime, and I'm sure she must have taken courses or read about crime, because it was the basis of her stories. But ultimately, it was her own fantasy.
At the end of the day, having a partner in crime for life is so amazing and special, when it's real and genuine, that it's worth taking the risk. And you are going to get hurt; trust me - I know! I've been hurt a couple times - maybe more than a couple times. But you gotta pick yourself back up and give it another chance.
The main difference is, in 'Cold Case,' the victim sometimes had been dead for decades - you didn't have the advantage of being able to interview the victim. You had to piece together the circumstances surrounding the crime from witnesses and other evidence. 'SVU' is much more immediate in that you can talk to the victim.
I think the most fundamental error we make is mistaking a noisy, anomalous event for the norm. This happens all the time - in the stock market, in reports of crime and natural disaster, etc. The fact is that big, noisy, anomalous events catch our attention because they're anomalous, which isn't a problem in and of itself.
I think Black cinema is thought of in small terms. That's where most of the problems come from. When there's a film that has success, like in the '90s with the crime hood films; when one of them does well, it becomes the replication, or there's a romantic comedy that breaks out, it becomes a singular way of looking at it.
Effective public policy to address human trafficking cannot only address offender accountability and increase prosecution, but must also address root causes of the issue as well as enhance safety, services, and dignity for victims. It must also provide education and awareness to those who can stop this crime in its tracks.
A lot of the problems we have in our criminal-justice system, you know, the problem of over-incarceration, the problem of prosecutorial abuse, the problem of just this sort of mass crop of people, of plea bargains, they all have to do with the system being overloaded. If crime was lower, many of the problems would go away.
We wanted to describe society from our left point of view. Per had written political books, but they'd only sold 300 copies. We realised that people read crime and through the stories we could show the reader that under the official image of welfare-state Sweden there was another layer of poverty, criminality and brutality.
We can't just rail against crime. We must speak of the root problems - devastating family breakup, an insidious culture of violence that cheapens human life, skyrocketing prisoner recidivism rates that rob our communities of husbands and fathers - and recognize that there is a societal role in rehabilitation and restoration.
You prevent kids from joining gangs by offering after-school programs, sports, mentoring, and positive engagement with adults. You intervene with gang members by offering alternatives and employment to help redirect their lives. You deal with areas of high gang crime activity with real community policing. We know what works.
I wrote seven Myron Bolitar novels in a row, and I never want to write a Myron book where he just solves a crime. Every one of them I want to be personal, and I want him to grow and change. The problem with that is, it makes the series limited, you can't write a series where a guy is always going through some kind of crisis.
The black money issue should not be misunderstood as one of merely avoiding taxes. It is, in fact, a major systemic crime of denying the nation's financial system the proceeds of wealth. Such denial should actually be declared as treason, where opportunities to share the wealth for the benefit of the poor are wilfully denied.
As far as U.S. intelligence knows, Iran is developing nuclear capacities, but they don't know if they are trying to develop nuclear weapons or not. Chances are they're developing what's called 'nuclear capability,' which many states have. That is the ability to have nuclear weapons if they decide to do it. That's not a crime.
During the Great Depression, levels of crime actually dropped. During the 1920s, when life was free and easy, so was crime. During the 1930s, when the entire American economy fell into a government-owned alligator moat, crime was nearly non-existent. During the 1950s and 1960s, when the economy was excellent, crime rose again.
The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but he did it in the real world. I had just turned 12 when I met the Spirit and it was a strange coincidence. At the same time I discovered girls I fell out of love with guys in tights.
A lot of crime writing suffers from treading water. I feel an obligation to move the character on and not repeat myself. I try to fit him into a different period and a different agenda. That way, you learn slightly more about his personal history in the tradition of the unreliable narrator. It makes it more challenging to write.
One of the things I wanted to do in 'The Death of Truth' was explore some of the larger social and political dynamics that fueled the rise of Trump and brought America to the point where a third of the country will casually shrug off hard facts about everything from the size of inaugural crowds to the crime rate among immigrants.
When I worked as a prosecutor in Richmond, Virginia in the 1990s, that city, like so much of America, was experiencing horrific levels of violent crime. But to describe it that way obscures an important truth: for the most part, white people weren't dying; black people were dying. Most white people could drive around the problem.
Are you as much of a criminal if you don't act when there's a crime taking place in front of you as you are one of the participants? That was something that I was thinking about a lot because there are many moments in 'Less Than Zero' where horrific things happen and Clay could do something about them, but his passivity stops him.
If we as a nation are to break the cycle of poverty, crime and the growing underclass of young people ill equipped to be productive citizens, we need to not only implement effective programs to prevent teen pregnancy, but we must also help those who have already given birth so that they become effective, nurturing, bonding parents.
We live in a world of communication - everyone gets information about everyone else. There is universal comparison and you don't just compare yourself with the people next door, you compare yourself to people all over the world and with what is being presented as the decent, proper and dignified life. It's the crime of humiliation.
I thought Daredevil was kind of cool because he couldn't do anything. I mean, he's blind. It wasn't that he could fly. His major power was an impediment. So I was intrigued. When I took over he was kind of like Spider-Man-lite, but I was able to project a lot of my Catholic imagery onto it. And I'd always wanted to do a crime comic.
Everyone knows the beautiful story of Abraham and the sacrifice of Isaac. How this noble father led his child to the slaughter; how Isaac meekly submitted; how the farce went on till the lad was bound and laid on the altar, and how God then stopped the murder, and blessed the intending murderer for his willingness to commit the crime.
Why does crime happen? Well, you might say that it's because youths don't have jobs. Or you might say that's because the doors of our buildings are not fortified enough. Given some limited funds to spend, you can either create yet another national employment program or you can equip houses with even better cameras, sensors, and locks.
Block Watch, Crime Watch, we have hundreds of thousands of Americans, every day and night, risking their lives, going out for no pay as volunteers, protecting Americans like all of you and not asking anything in return. And the other day I'm speaking in a high school in New Jersey and the youngsters go, oh, you're just like Zimmerman.
I respond very well to rules. If there are certain parameters it's much easier to do something really good. Especially when readers know what those are. They know what to expect and then you have to wrong-foot them. That is the trick of crime fiction. And readers come to crime and graphic novels wanting to be entertained, or disgusted.
I was assigned to the Waffen-SS but was never involved in any crime. Besides, I always felt the need to write about my experiences in a larger context one day. This has only developed recently, now that I have overcome my inner aversion to writing an autobiography in the first place, specifically one having to do with my younger years.
Policing has to be done compassionately and consistently. You cannot police differently in Harlem than you're policing downtown. The same laws must apply. The same procedures must be employed. Certain areas at certain times may have more significant crime and require more police presence or more assertiveness, but it has to be balanced.
When we can commit a crime, we can also trigger debate. Cases go to courts. Media start covering the cases. But once you build smart environments where, if you meet a certain probabilistic profile, you won't even be allowed to board a bus, let alone commit a crime, we're perpetuating existing laws so they face no challenges or revision.
Too many communities are living in fear as violent crime rises. So we need to reform our justice system to keep our streets safe and protect the law-abiding majority. That means putting an end to soft sentences and punishing offenders by keeping them behind bars so that the public can be protected and the offenders can be rehabilitated.
It's been proven by quite a few studies that plants are good for our psychological development. If you green an area, the rate of crime goes down. Torture victims begin to recover when they spend time outside in a garden with flowers. So we need them, in some deep psychological sense, which I don't suppose anybody really understands yet.
One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the research of gangs in New York City, seems to have allowed crime figures at the time, like Luciano, Capone, Torrio and Rothstein, to organize to become more powerful, which pulled all the way through until the '70s.
It's very simple. If the American people care about a lot of things including corruption in government, then, in fact, if you use the power to appoint in order to do political business, to clear fields, to save your party money and so on, if it's not a crime - and I believe it is - it certainly is business as usual, politics of corruption.
Everything is mediated. Everything is influenced by its maker. And happily, right? I'm so happy everyone leaves fingerprints on things whether they like it or not. Fingerprints solve crimes. They're profound. They're your best and worst friend and you were born with them and you can't get away from them without a lot of pain and sandpaper.
In 2011, I announced that I was going to retire, and my agent panicked. So she says: 'No, no, no. You have to write a book with your husband.' My husband is a writer of crime novels. His name is William Gordon. And so I had to accommodate to his style because that's what he writes. So we decided we'd give it a try. Well, we almost divorced.
I always feel that crime films are about capitalism because it is a genre where it is perfectly acceptable for all the characters to be motivated by the desire for money. In some ways, the crime film is the most honest American film because it portrays Americans as I experience a lot of them, in Hollywood, as being very concerned with money.
Certainly, by providing individuals coming out of institutions with ways to become productive citizens, we reduce recidivism. What that means is we reduce crime. There are fewer victims when individuals have options - when they have job skills, when they have life skills, we break the cycle of children following their parents into institutions.
You can put a person in jail for 5 years, for 10 years, or 20 years, for the same crime. We're deciding on 10 years to 20 years, when 5 years would be enough. Okay. The deterrent value, the additional amount of leverage that you get over a criminal to keep them from breaking the law in the first place, associated with making the sentences longer, is de minimous; it's essentially nothing.
There is not a morsel of evidence backing up any of the claims or any of the narratives or any of the premises that make up today's news. There is not a morsel of evidence on anybody. There's not a morsel of evidence on Flynn! On Manafort! On Carter Page! There's no evidence on Trump! And yet the reporting goes on. Convicted of high crimes already without a trial. It's a great piece by Eli Lake.
Great fiction has been written out of the very darkest circumstances of our narco violence, and nothing written in either fiction or nonfiction has penetrated that darkness so memorably - you can even say beautifully, a relentless riveting forensic dark beauty that some readers in fact find themselves unable to endure - as Roberto Bolaño's 2666. Especially in "The Part about the Crimes." But here's the thing: nobody would call 2666 a "narco novel."