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I was doing it the amateur way, doing everything myself till 'Naalaya Iyakunar.' They said, 'You need crew members'; they insisted on having proper production values. So I learnt a lot about making films for that show.
Often there's a BA crew, because half the time we stay at the same hotels, especially in Australia. I can remember spending quite a lot of time with crews around the pool there. They always make themselves known to us.
With all the weird surroundings of outer space the basic underlying theme of the show is a philosophical approach to man's relationship to woman. There are both sexes in the crew, in fact, the first officer is a woman.
We still have a lot of international partner modules that need to get up there to make it truly the international structure that it will be, and that's highly important; we need to get to where the crew size is bigger.
You're gonna get your traditional Busta Rhymes and Pharrell collabo. My man Focus from the Aftermath crew; Dr. Dre; the late, great J Dilla got work on the album. It's gonna be great - look forward to the new bang-out.
I was doing a scene in a medical tent in 18th-century battle dress, pantaloons and a ripped shirt, and the guy from the crew kept asking me if I was OK, if I was too cold. I told him, 'Are you kidding? I'm from Wales!'
I grew up in a conservative New England town and showed up to my middle school orientation dressed like 'Clueless' while everyone else was wearing J. Crew and lacrosse uniforms. I never really fit into that preppy look.
When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.
So, for me, I make no difference whether I'm training with my shuttle crew or the Expedition crew. Of course, I think I want to take more care of the Expedition crew, because they're going to stay there for a long time.
When you're filming, you work 19-hour days and you know more about what's going on with your crew and co-workers than you do with your husband. You're away, you miss things. It's taxing. Relationships fail because of it.
I'm so excited to be a judge on MTV's 'America's Best Dance Crew.' Dancing and performing is what I do and being a judge on this show will allow me to give creative feedback to the newest and hottest dancers on the rise.
The crew members for 'The Price Is Right' at night are the same guys who work 'Y&R' during the day. It's even in the same studio. I've been in the place for 15 years. So all the faces at 'The Price Is Right' are familiar.
On 'Old School,' I was not an actor, I was Snoop Dogg, so I came to the set with a whole different vibe, and a different crew of people. And on 'Starsky and Hutch,' I was more of an actor. I wasn't Snoop Dogg, the rapper.
Filmmakers are always in a bubble; along with our crew or writer, we don't really get to socialize with other filmmakers, so the great thing about Sundance is you can see many other filmmakers doing the same thing you do.
The cinema I particularly love is the cinema of the golden age of the studios in the 1930s. One of the really nice things about it was the way teams of actors and directors and crew people worked together again and again.
You can't get a good crew and a good sound system, and a good light system if you do a small tour. If you want the best, those guys want a commitment of about 4 to 6 months. And I'd want the best people and the best stuff.
It was a strange feeling, filming a night scene in Selly Oak High Street with a television crew and famous actors in tow, when twenty years ago, at that time of night, I would've been stumbling around in search of a kebab.
As we begin to have landings on the moon, we can alternate those with vertical launch of similar crew modules on similar launch vehicles for vertical-launch tourism in space, if you want to call it that... adventure travel.
Early on, I played a Chinese delivery person, and even that, which was very innocuous, felt like I was somehow betraying myself. I felt very self-conscious on set doing that role, with a crew that was almost entirely white.
I am honoured to be taking part in the Diamond Jubilee flotilla along the Thames in my 20-foot rowing boat. The energy levels will be high, partly because I'm planning to ply the crew with thermos flasks filled with Typhoo!
I love to play my music. That's what my heart wants me to do is to play music, and I love doing that when I got my band and my crew and all those folks with me, and that whole thing cranks up; it's really something to enjoy.
And not only that but... when the station is completed, there will be an international crew made of astronauts coming from different cultural experiences, speaking different languages, but working together for a common goal.
Any actor working a long time should know how a shot is set up, where to place themselves, how to handle the lines. I'm a member of the crew, like the best boy, the electrician. What I'm good at is making eyes at the camera.
I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
The relationship with producers has always, in my experience, been, uhhh - tense. Challenging. But the actors and crew become like family. You're there all those hours - more than on a movie. You come to depend on each other.
'Better Call Saul' happens in the same universe as 'Breaking Bad,' and we have the same writers and mostly the same crew. Like 'Breaking Bad,' it is a transformation story, and Bob Odenkirk brings his own distinctive flavour.
When you are an actor, you have to stay inside this world, but when you are with the crew, on the outside, you are in the dirt, working through all the issues. It's just a different way of working, and I think I preferred it.
In the year 2000, the very youngest members of the Baby Boomer crew were in their mid-30s while the oldest Boomers were mid-50s. That year, the Boomers were a generation divided somewhat equally between the GOP and Democrats.
For me, when I did 'Thor,' they changed my lines at the last minute, and then I had to speak with an English accent - and it was horrifying. I was in front of a crew of 250 people on my first day - never happened to me before.
As an actor on sets, I've always clocked how hard the crew works, how much longer their days are, how much lesser their glory is - and the fact that their commitment to the work and project is unwavering, no matter the budget.
I don't think anything can prepare you for a crew to come in and actually film you as yourself. It's kind of frightening to think that all of a sudden people are going to know how you are, and how you act on a day-to-day basis.
On the set of 'Girlboss,' I had to keep introducing myself as the show runner - literally, 'Hi, I'm the boss' - to a lot of my crew. My first AD said, 'Why do you keep doing that?' I said, 'Because I get mistaken for an extra.'
I try to stay away from yes-men in my crew of immediate friends and peers. You got people that will tell you you're the greatest ever, but I need people that can tell me where I need to improve. I can respect the honest opinion.
I played baseball, was on the basketball team in high school, did crew at Hofstra, and randomly played ultimate frisbee, too. But none of the organized teams I was on were anywhere near as competitive as the games on the street.
When I did that '3 Days of Normal' one, we had no budget, and we were all staying in a house in New Hampshire. There's no trailers, and it's just a family environment. There's not much of a crew; you just do what you need to do.
The ship's transporters - which let the crew 'beam' from place to place - really came out of a production need. I realized with this huge spaceship, I would blow the whole budget of the show just in landing the thing on a planet.
Ever since I was 15, when I did my first movie by myself, where my mom wasn't there and I had a guardian, I got to know the crew, and I got to be part of a group and a family. I love that part of it, the friendships that you make.
In spite of being professionally gregarious, in my nonpaid hours I'm a bit of a hermit. After being around a crew of fifty people for twelve hours a day on a film set, I really like my alone time, and as always, I abhor small talk.
I do miss 'Battlestar', the cast and crew. That was a pretty well-oiled machine. It's sort of like you don't know what you've got till it's gone. But I go to a lot of sci-fi conventions, and I love going and talking about the show.
The night before we began shooting 'Hooper,' I threw a $7,000 bash for the whole crew. I told them, 'Get as drunk as you want tonight, because for the next month and a half you're going to be working your tails off.' And it worked.
I had never spent any time in Asia before, so when I flew over to film 'Dramaworld' in Seoul, the cast and crew and I became very good friends. That was the first time I had an experience like that, which I treasure and hold dearly.
My favorite thing is when I work with anybody - crew, hair, makeup - I always love to ask who's the coolest person they've worked with in terms of who's been the kindest and most down to earth. A lot of people have said Meryl Streep.
My dad had this rock hard body and would work 12- to 13-hour days. The guys he worked with were scrap-iron guys. Nobody on that road crew had read a book in 10 years, but there was something about the way they lived I really admired.
Weezer's 'El Scorcho.' I'm in a '90s cover band called 'Straight 2 Video' with members of the crew from 'The Vampire Diaries,' and we played this song at our wrap party. I grin from ear to ear every time I scream this song in my car.
I think everything within film and TV helps inform every other role, so it's definitely helped my acting, being on the other side of the camera, and it's just given me a whole new appreciation for how hard everybody in the crew works.
I think I take what you might call a B-movie story, deal with B-movie subjects, and I treat it as if it's an A-movie in terms of my approach, my crew, my actors, my ethics and so on. I guess that's my trademark or one of them, anyway!
Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.
What can we expect from this latest crop of indie directors who have been sucked into the franchise factory? I'm especially curious about 'Star Wars,' which will feature an all-indie crew after J. J. Abrams finishes with 'Episode VII.'
It sounds really cheesy, but I've just really been so focused on making sure that I am nice to everyone that I work with and making the effort to get to know the people on set, whether it's the catering crew or the famous photographer.
I wanted to make something that reminded people of the way albums used to feel. I wanted something as good as the stuff put out by the Bomb Squad, or Dr. Dre and his production crew, or 'A Tribe Called Quest.' I miss albums like those.