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When I'm on stage, it's such a spiritual moment that I hope, even when we hit 'Fallon,' you can feel that through the TV. I have this whole horn section that's part of New Power Generation; I have an amazing crew of musicians behind me. It's their energy, too.
When an international news organization covers a story in Somalia, Yemen, Sudan or wherever, they will fly a crew to go there, spend a few days, interact with some officials and analysts, most of the time English-speaking elite, and file the story and go home.
The MotorheadRules.com Affinity ISP gives Motorhead unique brand-building power they never had before plus the opportunity to stay connected with their fan base and provide a truly valuable service to their crew, sponsors, supporters, fans, and their families.
The crew knew because they had heard from other people, and when I showed up on the set the next day, they were all looking at me kind of weird. I told them that Bill always taught me that whenever something bad like that happens, the best thing to do is work.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
There's a lot of work to do - not only the science but maintaining the facilities up here. When you go down from a crew of six to a crew of three, obviously you've lost half of your crew time available, so it does have an impact. But it's an impact we plan for.
I'm not one who can get by on six hours sleep night after night. You can see it on my face and hear it in my voice. When working 14-hour days, I have to go home, go to sleep, and wake up in time for crew call. I hate naps. They throw me off the rest of the day.
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
Let me tell you something: if you're on an island for three and a half months and you're four and a half hours by boat from the nearest store, and there's nobody but 30 crew members on the island, I guarantee that you'd be running around without your clothes on.
Working crew made me realise that the actors are a very small part of a very big machine, with each part being vital to make the show work. It so important to remember that it's not about you, it's about the show, and working crew hammered that point home to me.
As a crew, G.O.O.D. Music is taking it to levels that really haven't been done collectively. Kanye is someone who knows how to make classic albums, a true thinker. He got me in the mindset of being a true thinker and always planning out every move you got going.
'Wild Grinders' becoming an animated series, and airing on Nicktoons is another one of my boyhood dreams come true. I came up with the name when I was eleven years old, when I needed a name for my first skate crew - who knew it would turn into such a mega brand?
Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also exhilarating.
When you're shooting a feature that costs $200,000 a day with a crew of 250, you don't want accidents; you want to know exactly what's going to happen. But with a documentary, you don't, so you have to be sensitive to accidents because that is where the gold is.
We were shooting in a French island called La Reunion. One of my crew members gifted me free-diving equipment and took me to the waters on my day off. I spotted sharks and species of fish which can't be found elsewhere. It was a very refreshing experience for me.
So in my personal opinion, I definitely feel like I'm a legendary emcee, and I also feel like we're a legendary brand, which is why I started rebranding ourselves years ago by saying 'The Legendary Roots Crew,' which is how we're introduced on 'The Tonight Show.'
Movie-making is serious business. The director and the crew are already under a lot of pressure to give their best to the audience. Therefore, the best part for me as an actor is to act well in the movies and make a jolly atmosphere with the co-stars on the sets.
You don't often get what you ask for, and I got exactly that. I got a show that was on cable, that I could shoot five months a year and go be mommy the rest of the time, and be with a cast and crew that I really, really love, adore and respect. I got all of that.
In the Christian world... it is believed that angels were created at the beginning, and that heaven was formed of them; and that the Devil or Satan was an angel of light, who, becoming rebellions, was cast down with his crew, and that this was the origin of hell.
Every single line, every single thing has to be fought over. There's kind of like an intrinsic doubt from absolutely everyone in my crew, my producer, everyone. It's not just the film industry - it's a worldwide thing. It's the culture of the world to doubt women.
Strangely enough, my favorite airport is Logan Airport in Boston - but largely for sentimental reasons. My first real summer job was working as a journeyman for the airport's resident maintenance crew - a small army of union electricians, plumbers, and carpenters.
The first day I start shooting, I start having a recurring nightmare that every single night that I am lying in bed, and there is a film crew surrounding the bed, waiting for me to tell them what to do, and I don't quite know what movie I am supposed to be making.
I think it's very important to recognize talent in all facets of filmmaking. Making a movie is such a lengthy and intense experience, so it's wonderful to honour actors, directors, producers and all crew members who put so much hard work and passion into a project.
I am happy being an actor. Donning the hat of a producer was a tough job and a different experience, as it involved watching the crew's requirements, keeping track of the finances, and also perfecting my role as an actor. But it was a tremendous learning experience.
There are few industries as defiantly opaque as shipping. Even offshore bankers have not developed a system as intricately elusive as the flag of convenience, under which ships can fly the flag of a state that has nothing to do with its owner, cargo, crew, or route.
Actually, I've done it the other way so many times where you rehearse the band and you do the whole thing with lights, the show and the crew - everything. Then you see what happens and you're already committed to dates. I'm just sort of putting out feelers this way.
I'm a very competitive person, and I always competed with myself. Every year, I'd take six weeks with my band, crew and choreographer to put a new show together. We'd spend eight hours per day, seven days per week putting a show together to beat the last year's show.
I think that T.V. shows are more like working at a home. You know you're going to the same place every day, working with the same people, the same cast and crew. You're in a dressing room instead of a trailer, so I think that that's more of a normal sort of lifestyle.
We've been very lucky with the 'Being the Elite' crew that everyone is very passionate about pro wrestling. There's no crooks in the group. Everyone's ideas are valued. And everyone who has something they pick and put on the map, they are fully going to commit to that.
In Britain, you do your job. When you do an American TV show, there is a sense of being one with the crew, and there is a leadership element, which was a learning curve for me because it is very different culturally. In Britain, you just do it, leave and say, 'Thanks.'
You got to want to evolve. It's something you can practice on but it just came to me. I wasn't really sitting there like, 'What can I do to get better?' It just came to me, talking to my people and my crew. They just tell me what my strongest and weakest points are at.
I think it's important for me, for my crew and for the audience to bring something new to each show. I have friends who have done the same act, word for word for word, for 20 years. I have a problem with that. I think the audience should see something new in each show.
I learned more about who I am and how to be a great worker - and a great artistic worker - from doing student theater. I was a stage manager. I was an assistant stage manager. I was on the running crew. I did probably 25 shows at Northwestern - all musicals, of course.
At work, we have fantastic catering people. They feed the cast and crew all day, and they're sensitive to the needs of picky vegetarians like me. They have delicious salads. I keep mine simple: romaine lettuce, avocado, baked tofu, carrots, tomatoes and Asian dressing.
I try to tell the people that are sort of new here when they come in and do their flights and whatever, the things that you remember most after your flights are the interactions you've had with your crew. Those are the most satisfying things you take away from a flight.
'The View' was so much fun. So much fun because the audience was 85-percent fans that wanted to be there celebrating 'One Life to Live' and the other 15 percent were crew members from 'One Life to Live'. It was just really, really wonderful and the clips were wonderful.
When you work with a legend as I do, it's wonderful. There's so many things I've learned working with Keith. He's so patient, not only with me, but with everyone in our crew and with the audience and with the game. He has a style that is so easy and will never be copied.
There was this hip-hop collective called People Crew. And at the time in Korea, there was no real place to access rap music. So People Crew used to host this summer school program, which taught rapping and dancing. I begged my mom to attend that school to learn how to rap.
I cycled on a crew assignment as the backup commander on Apollo 16 and would have flown Apollo 19 on a return mission to the moon. However, the last few missions of the Apollo Program were canceled for budgetary reasons. So I lost my second opportunity to land on the moon.
As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.
I'm a big believer in building a crew. Movies are the most collaborative art form at the tend of the world, and it takes hundreds of people to make one. At the end of the day, I get the lion's share of praise or blame but everybody on the ground knows that it was all of us.
'Privileged,' without a doubt, was one of the best work experiences of my life. Every crew member cried when we got canceled. But I was then given the opportunity to be in New York and on 'Gossip Girl' and spend the summer in a city that I've absolutely fallen in love with.
They wouldn't take me in the navy because of my glass eye. So I joined the merchant navy, who allowed monocular crew if you worked in the kitchens. You're not wanted on deck or in the engine room with one eye, but you're good to fire up the ovens and cook hundreds of chops.
Is it important to have a crew behind me? No, it's important to have me behind them. That's how I look at it. You can't just roll with a situation like you're depending on somebody to help you. You're supposed to help the situation, whatever the situation is that you're in.
Everyone at 'CSI' has been so great to work with, and so great in terms of scheduling. There's a real feeling of family on that set... I've grown to have so much respect for the cast and crew - they're been together so many years and still care about the show and each other.
In the end of the day, you are human. Film is a job which is not an individual job; you have tons and tons of people behind you - you have a whole crew of people working. But, an actor is the face of a film, so you get all of the good things, but you get the bad things, also.
I don't know if many people know that one of the first jobs that I wanted and I lined up for was cabin crew at Jet. I was rejected because I was told I don't have a good personality. Thank God for your rejection. After that, I got a job at McDonald's, and the rest is history.
I created a show called 'Crash' for Starz, which was their first original drama, and that was not a good experience. I had a great time working with the cast and crew, but it was a young network and an intrusive studio, and to be honest I didn't really enjoy the movie 'Crash.'
I enjoyed the crew. The best part about 'The X-Files' has been the crew. This crew is an exceptional family and to go to work with a bunch of people that you really like is great. They're all the best of the best and they really try to do the best job they can. I'll miss that.
There'll be moments when I'm out in the prison yard, chatting with the cast and the crew, getting ready to shoot a scene. And then I'll remember if I were actually an inmate, I'd only be out there an hour. The other 23 hours of the day, I'd be in my cell. It's kind of a downer.