The First Amendment is important not only to guarantee the rights of alternative religions and of nonreligious persons in society; it is also important in setting the only possible legal and social condition for the creative health of serious religion itself.

Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want it to be.

This is the entertainment industry, so game designers have to have a creative mind and also have to be able to stand up against the marketing people at their company - otherwise they cannot be creative. There are not that many people who fit that description.

Security is, I would say, our top priority because for all the exciting things you will be able to do with computers - organizing your lives, staying in touch with people, being creative - if we don't solve these security problems, then people will hold back.

I personally have no need to make a strict definition of the medium. I am more interested in what can be done with comics than how it can be described, and if I want to remain truly open to the creative possibilities, the less I define the medium, the better.

I do it when I'm a preparing for a role quite a bit - I sit with music. It helps influence the discovery of something. Then sometimes during filming I like to listen to the same things. It brings me back to a place where I just feel more creative and focused.

Traveling around the country, meeting fans and hearing their stories in person and on my radio show has reenergized my commitment to creating honest and inspirational content that not only serves my own creative purposes but can help and touch others as well.

The really valuable thing in the pageant of human life seems to me not the political state, but the creative, sentient individual, the personality; it alone creates the noble and the sublime, while the herd as such remains dull in thought and dull in feeling.

It's hard to overemphasize how important Ford's deregulation was. True, most of the benefits took years to unfold-rail freight rates, for example hardly budged at first. Yet deregulation set the stage for an enormous wave of creative destruction in the 1980s.

It may be tripe, but it's my tripe - and I do urge other authors to resist encroachments on their brain-children and trust their own judgment rather than that of some zealous meddler with a diploma in creative punctuation who is just dying to get into the act.

Research is about following the gleam into the dark. It's also about being sensitive enough to know which fact is "the creative fact; the fertile fact; the fact that suggests and engenders," as opposed to the fact that deadens and kills a delicate new project.

nation state as a fundamental unit of man's organized life has ceased to be the principal creative force: International banks and multinational corporations are acting and planning in terms that are far in advance of the political concepts of the nation-state.

I have an immensely understanding partner who does something creative herself, and we both need a lot of time alone. I structure my life around getting my work done, first and foremost. Everything else is secondary. That's the only way I've been able to do it.

My personal, metaphysical belief is Vedanta, which is that ultimately there is a singular consciousness. It's like a Hindu metaphysics, that basically we're all like characters in a play that consciousness is putting on to discover its own creative capacities.

There are too many "creative writing" courses and seminars, in which young wirters are constantly being taught to rewrite the previous generation. They should be experimenting on their own. Every writer faces different problems which he must solve for himself.

Respectability, regularity, and routine - the whole cast-iron discipline of a modern industrial society - have atrophied the artistic impulse, and imprisoned love so that it can no longer be generous and free and creative, but must be either stuffy or furtive.

The world that we must seek is a world in which the creative spirit is alive, in which life is an adventure full of joy and hope, based rather upon the impulse to construct than upon the desire to retain what we possess or to seize what is possessed by others.

As an actor, you want to be open to the unexpected. So in order to be open to that, you do have to get out of your discursive mind just like in any creative process, this isn't just about acting. So you have to learn a little bit how to work with your own mind.

As a writer of both novels and screenplays, I can say that screenwriting is a vastly rewarding creative life - if you fight hard enough to do it on your own terms. Whether I write books or not, my screenwriting life has been creatively rewarding and remains so.

In a period piece, particularly a fantasy, the lighting is your own choice, the lenses are your own choice. It's really a great thing for a cinematographer to do. Everything is open for you. You can even be more creative and you can use more shadows than usual.

Language gradually varies, and with it fade away the writings of authors who have flourished their allotted time; otherwise, the creative powers of genius would overstock the world, and the mind would be completely bewildered in the endless mazes of literature.

The frightening and most difficult thing about being what somebody calls a creative person is that you have absolutely no idea where any of your thoughts come from, really. And especially, you don't have any idea about where they're going to come from tomorrow.

Clearly, some creative thinking is badly needed if humans are to have a future beyond Earth. Returning to the Moon may be worthy and attainable, but it fails to capture the public's imagination. What does get people excited is the prospect of a mission to Mars.

There is a lot to say about what Bikini Kill and other 'riot grrrl' bands were able to achieve when they first set out. They were not some momentary, convulsive, creative spasm of independent music. There was a very real, relevant point of view being expressed.

The moment of creative impulse is what an artist gives you. You look at a Pollock, and it can't give you the tools to do a painting like that yourself, but in doing the work, Pollock shares with you the moment of creative impulse that drove him to do that work.

Take a brilliant, creative social scientist, without any respect for conventional wisdom and you get Ellen Langer. She is a fantastic storyteller, and Counterclockwise is a fascinating story about the unexpected ways in which our minds and bodies are connected.

Creativity is not so much a boundless well, but an all-you-can-eat buffet of elements for your creative endeavor. Eventually you've eaten your fill, and it's time to digest and then make something. But at some point, it will be time to return to the restaurant.

Kids are naturally inventive and curious and creative, but most adults have had that beaten out of them. Writing is a form of play; you have to get rid of all those internal censors that we adults have, the things that say, 'Don't go there, that's not allowed.'

Religion comes from the word 're' or again and 'ligare' meaning to bind or tie back. The purpose of religion is to unite the self with God or the creative force. Music, sacred spaces, and meaningful icons are the way we conjoin our minds with the transcendental.

All of these creative ideas and decisions about new ways to reach the consumer can be tracked with regard to how well they are working, whether and how they are building awareness for the product, how well they motivate the consumption of the product, and so on.

I create work, and I devote myself to the creative process, and I try to stay pure in that process and be worthy of the messages that I receive. You can't sit down and write 300 compositions in a three-month period and think that you're doing it all by yourself.

A creative person can suddenly realize it's not 90 minutes. They haven't got to do three acts, they haven't got to do the arc, but they can do other things. I think just as novellas turned into novels, I think that television series can begin to have that depth.

If one has fear, there can be no initiative in the creative sense of the word. To have initiative in this sense is to do something original - to do it spontaneously, naturally, without being guided, forced, controlled. It is to do something which you love to do.

In 1995, I proposed the Harvard Arts Medal. The idea was to celebrate the fact that, although it's rare, Harvard men and women do go into the creative arts. Over the years we've had major, major figures, like Jack Lemmon, John Updike, Yo-Yo Ma, and Bonnie Raitt.

There is this giant void in the culture about women in that age group as heroines, as romantic beings, as sexual beings and as creative beings, and there's not that void for men. Women don't stop being all those things as their lives continue into those decades.

It does not in the least concern me whether I shall have at the end of my life thirty people who understand or three hundred. I am like an artist who paints a picture because he must, otherwise he is unhappy - not unhappy, but he must obey that creative impulse.

Most people might think that I've come from a musical background, but nobody in my family was in any kind of band or played anything. I just picked up music from breakdancing really, that's what got me to listen to music, and in general I was just a creative guy.

Maybe because we're women, we have a very high respect level for each other. And when you do have ownership, you're going to make it the best it can be. And I think that's a really - although subtle - very important point in - when you're doing anything creative.

Humanity faces a quantum leap forward. It faces the deepest social upheaval and creative restructuring of all time. Without clearly recognizing it, we are engaged in building a remarkable new civilization from the ground up. This is the meaning of the Third Wave.

I think people who are creative are the luckiest people on earth. I know that there are no shortcuts, but you must keep your faith in something Greater than You, and keep doing what you love. Do what you love, and you will find the way to get it out to the world.

The greatest trouble with most of us is that our demands upon ourselves are so feeble, the call upon the great within of us so weak and intermittent that it makes no impression upon the creative energies; it lacks the force that transmutes desires into realities.

The creative act is also in a small way a suffering act - we start out with our ego, this hope of making this thing whatever it be, but so often it eludes us and it collapses and we kind of regress into this mental suffering, we can't find what we're looking for.

Let us guide our students over the road of discipline from materials, through function, to creative work. Let us lead them into the healthy world of primitive building methods, where there was meaning in every stroke of an axe, expression in every bite of chisel.

The ability to face constructively the tension of opposing ideas and instead of choosing one at the expense of the other, generate a creative resolution of the tension in the form of a new idea that contains elements of the opposing ideas but is superior to each.

That is the optimal creative vantage point: To stand on the brink of what is coming, feeling eager, optimistic anticipation-with no feeling of impatience, doubt, or unworthiness hindering the receiving of it-that is the Science of Deliberate Creation at its best.

You have to be willing to get back on that horse and try it again if the mood strikes. That was one of the great pieces of wisdom that I got early on in my career in terms of being blocked. If you get to a creative roadblock, you can sit there and rack your brain.

There's something in the very small minutia of life that tells us something about the big, big picture that we see every day all over the place, and so I think the more specific and creative and revelatory you are in the micro, the more powerful the macro will be.

You're better off owning 30 percent and having two amazing partners who compliment you and are equally as driven as you are than having 100 percent and only having one aspect of it, unless you're a super genius who is creative and business-minded at the same time.

Have patience with all things - but first with yourself. Never confuse your mistakes with your value as a human being. You are perfectly valuable, creative, worthwhile person simply because you exist. And no amount of triumphs or tribulations can ever change that.

The problem with reality TV is that creative writers are not involved; TV folks are, and some journalists who will only mine the surface of subjects. Hard work necessary for discovering and delineating the intimacies of the subjects they capture is mostly avoided.

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