Quotes of All Topics . Occasions . Authors
There's a real danger in trying to stay king of the mountain. You stop taking risks, you stop being as creative, because you're trying to maintain a position. Apart from anything else that really takes the fun out of it.
When you make a movie, it's just a huge bureaucracy because movies cost so much money. Millions of people get involved, and pretty soon the creative idea gets tramped on and watered down or filtered through a huge system.
Creative work is more accurately a machine that digs down and finds stuff, emotional stuff that will someday be raw material that can be used to produce more stuff, stuff like itself - clay to be available for future use.
Fatigue makes fools of us all. It robs you of your skills and your judgment, and it blinds you to creative solutions. It's the best-conditioned athlete, not the most talented, who generally wins when the going gets tough.
At the heart of world time is the momentum of history. At the heart of personal time is the mystery and wonder of individuality. At the heart of deep, new time is the creative spirit. But at the heart of our time is love.
Unfortunately, it is all too often true that suppressors to a creative action must be removed before construction and creation takes place. Any person very high on the Tone Scale may level destruction toward a suppressor.
I like the weight, look, and feel of a book. I enjoy turning the pages, and frequently scan the spines of my many books on the wall, each title a reminder of the stored information and creative thoughts contained therein.
There was this enormous burst of sculptural creative juice in the nineteenth century, and all that stuff is just so decorative. Even in pieces cast from a mold, you get a more sensuous, handmade, individual sense from it.
Every man must decide whether he will walk in the creative light of altruism or the darkness of destructive selfishness. This is the judgment. Life's persistent and most urgent question is 'What are you doing for others?'
One logical consequence of this New Economy composed of big brands and entrepreneurial groups is that the unit of production is no longer a particular, identical product. The unit of production is the creative individual.
A hallmark of a healthy creative culture is that its people feel free to share ideas, opinions, and criticisms. Our decision-making is better when we draw on the collective knowledge and unvarnished opinions of the group.
I think my role as a musician is much more reactionary than that of the creative personality type who locks himself in a tower and then comes out with Pet Sounds or something. I just respond to stimuli more than anything.
Is it an original idea? Or is it something where you're literally a creative collagist? You're taking pieces of the world that you see around you and that are inside of you and put them together in a way that you see fit.
We reserve the term 'genius' for people who are creative, who are innovators, who think in ways that are entirely new. In the Middle Ages, the term 'genius' was reserved for people with the best memories. That is telling.
Once a man has tasted creative action, then thereafter, no matter how safely he schools himself in patience, he is restive, acutely dissatisfied with anything else. He becomes as a lover to whom abstinence is intolerable.
...in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
The anti-individualist enemies that Ayn Rand battled are still the enemy, but they've shifted their line of attack. Political collectivists are no longer much interested in taking things away from the wealthy and creative.
It is ironic that Einsteins most creative work, the general theory of relativity, should boil down to conceptualizing space as a medium when his original premise [in special relativity] was that no such medium existed[..].
When you're seventeen to early twenties, that's the time you're trying to work out who you are. If you're trying to make some kind of artistic or creative impact, that's the age when you start to figure out how to do that.
Living in London as a student is tough. And my heart goes out to every single drama student in London because, as an actor, it's a creative process that you are taking on, and if you don't get to do it every day, it hurts.
When we are making our independent music, we know our directors and what's happening around as we are paying for it. When it's a movie song, it's not you who is doing everything it's the creative heads and production house.
A photographic session is a joint, interpersonal exchange, a kind of creative encounter session at a high level of intensity. For me, photography is more a process of creating an experience than one of looking for pictures.
I did pose for 'Black and White' magazine, a prestigious, artistic publication, several years ago... I did this as a piece of art and make no apologies for the creative decisions I've made as an artist in my 20-year career.
So that is the design process or the creative process. Start with a problem, forget the problem, the problem reveals itself or the solution reveals itself and then you reevaulate it. This is what you are doing all the time.
Filmmaking is a creative process so there is a lot of collaboration that happens on set between an actor and director, but at the end of the day, we're there to actualize the director's vision and things happen organically.
Ours is an age between worldviews, creative yet disoriented, a transitional era when the old cultural vision no longer holds and the new has not yet constellated. Yet we are not without signs of what the new might look like
Adrienne [ Shelly] had 100 per cent control over this movie [ Waitress] as a director. She didn't just write it, direct it and act in it, she was the creative force behind everything, from the jokes down to the expressions.
The truth is an artist like me who doesn't get the type of promotion that we see more commercial artists receive, and especially in this climate of the music business, you have to be creative about how you promote yourself.
Things have a way of moving to the left, and then they move back to the right before somebody finds themselves in the center. That seems to be the nature of the creative world. It's not stagnant. I don't get upset about it.
Painting and photography keep the creative channel open, and for an actor, it's to keep alive, it's to keep awake, it's to keep watching, it's to keep feeling, it's to keep enjoying, to keep that sensuality of feeling alive.
Every aspect of life is pre-programmed to rise to its highest creative possibility. We don't have to make that happen, but we have to allow it to happen. And that itself is the struggle of life: resisting the resistant mind.
In high school, I started training, singing with choirs, and getting voice lessons and doing a lot of creative writing and decided that that's really what I wanted to pursue as a career, and that's what I was going to study.
Every work of art needs a spine – an underlying theme, a motive for coming into existence. It doesn't have to be apparent to the audience. But you need it at the start of the creative process to guide you and keep you going.
There’s no denying the benefits of the Internet. But electronic immersion, without a force to balance it, creates the hole in the boat — draining our ability to pay attention, to think clearly, to be productive and creative.
When you're doing a pilot, you're doing it in this bubble that almost works against the creative impulse. You don't have time to get to know the actors first, and you have three writers, as opposed to a room full of writers.
I played around with GarageBand before, but I'd never actually made a proper song. So it was getting into the studio with him where I made my first proper song. I've always loved creative writing, so I had done that as well.
I've been working with Five Four. The partnership started as one monthly collaboration, but now I'm the creative design director. There are still going to be collaborations for monthly drops, but we are launching e-commerce.
I think anybody who's working in a creative medium is working partially with their conscious mind, partially with their unconscious mind. So, my unconscious mind may be a little more distorted and violent than I am aware of.
Reading a good comic is a creative act. Watching a film is often a more passive experience, and since I'm interested in engaging that conversational aspect of creativity, I'm trying to find ways of achieving that in my films.
I design a lot of things that I wear onstage, but I'm always looking for unique stuff. I like creative things, so anything I can find at a secondhand costume shop to a Helmut Lang store, it doesn't matter - just unique stuff.
I did my first Broadway show when I was nineteen years old - and to be able to say that I am still working with the incredible talents of all of the creative teams that I have been able to work with - that's so special to me.
I'm really in such a fortunate position to have that foundation with Hall and Oates that lets me do whatever I want. That's the dream of a lot of creative people, and I don't take it for granted. I try to make the most of it.
It's nice to be in a creative world that's kind of isolated, but you can get led astray down some pathway while you're recording that you might not like later. And there's a lot of time to get in your own head and stay there.
Inspiration for my 'Nerdy Nummies' videos comes from all over. Many of the ideas originate from the games, comics or movies I'm excited about. My family is really creative as well and are constantly sending me their thoughts.
When I am in the process of conceiving a story, I make sure it can be told with words and pictures. The story has to be creative, original and interesting in both areas. Many stories get rejected because they feel derivative.
The creative act, the defeat of habit by originality, overcomes everything. And I really believe that. And what I try to teach young people, or anybody in any creative field, is that every idea should seemingly be outrageous.
Design must be an innovative, highly creative, cross-disciplinary tool responsive to the needs of men. It must be more research-oriented, and we must stop defiling the earth itself with poorly-designed objects and structures.
Do solemnly swear to love, honor and obey my soul, my path to realization and relationship with a higher, deeper creative power, for better or worse, for richer or poorer, in sickness and in health, from now and forever more.
Acting is such a huge part of my life. It really allows me to have a creative outlet and to actually be able to have an outlet to discuss openly the things that truly I think are relevant in the world, that make a difference.
Such manifestations I account as representing the creative leadership of the new forces of thought and appreciation which attend changes in technological pattern and therefore of the pattern of human relationships in society.