I did a guest thing on 'My Name Is Earl,' and there is something about being involved in a TV show that's in the midst of its popularity that frees up the creative process.

Any creative process is about being in a territory which isn't secure, isn't necessarily familiar, and isn't convenient in any sort of way. And that's the excitement of it.

I always wanted to have a career that would keep me at home in New York so I can work in the theater all the time and be involved in the creative process from the ground up.

I will say there have been occasional times - not when I'm playing, but when I'm studying - that I have found a little bit of alcohol has been good for the creative process.

I don't know if I have a career or not, or where it ends or it begins. I have been working, doing what I do for a long time. But my creative process has always been so tortuous.

Now that copyrights can be just about a century long, the inability to know what is protected and what is not protected becomes a huge and obvious burden on the creative process.

I think there's no creative process that goes without injuries and scratches and punches. You get beat up somehow, and that's part of the commitment. You have to be open to that.

Any creative process comes with a level of self-analysis and self-criticism. There's a lot of waking up in the middle of the night going, 'Oh, I wish I had done that differently.'

There's this sense of excitement because you invent and control the characters. You decide whether they live or die. I find this type of creative process tremendously stimulating.

There's something really nice about not sitting separate from the crew in some massive trailer away from the studio. To actually be there with them, it's more of a creative process.

Music is one of the last elements in the creative process. It can and hopefully should tie a bow around an artistic concept, how a story moves forward, the pace of that storytelling.

The majority of my life is 'Guardians,' but being able to clean my brain a little bit by doing something totally different like 'Belko' was incredibly helpful to the creative process.

My background was producing and writing and performing in television when I started out, and I really missed that, that whole creative process that comes from sort of 'me' storytelling.

Sometimes, as I feel a door or an exit point in my work is closing, I'll try to create an opening so as not to stifle the creative process, which I see as a process that's never-ending.

I prefer to work with mystery, but that doesn't work well in an academic environment. They want you to analyze what you're doing, which is toxic to the creative process for people like me.

Nothing else is as fulfilling as playing a part in which you are able to have a significant say in the creative process all the way through. How many actors get to do that? It's extremely rare.

I have to be involved. Whether it's me writing by myself or with other people, I definitely want to have my hand in the creative process. That's part of why I got into music in the first place.

I think when I was younger, I wanted to be a star, until I became a star, and then it's a lot of work. It's work to be a star. I don't enjoy the stardom part. I only enjoy the creative process.

I just find it weird if you're in a band and you don't know how to make it look the way it sounds. You really need to be involved with the entire creative process in order for it to totally work.

I think cooking has the same creative process as designing, where you have the ingredients, you have the alchemy part of it, and you have the satisfaction of seeing your creation become a reality.

The creative process taps into our deepest subconscious, and we are each of us sex-crazed - products of a shame-based Judeo-Christian culture that has irrevocably warped us all to varying degrees.

Nothing convinces an artist more of the arbitrariness of the means to which he resorts to attain a goal - however permanent it may be - than the creative process itself, the process of composition.

It's weird how things are really stop-start in my creative process. I can't just turn it on - it just happens kind of randomly and I've just got to ride it when it's good. Surf's up! It's like that.

Every time I do a movie like 'Finding Neverland' or 'Chocolat' or 'Shakespeare' in Love,' we deal with the creative process, but there's humor and fun along the way. I always love that kind of movie.

The creative process is often wrapped up in bottomless anxiety, and when the world applauds the product of that process, it soothes the anxiety. Briefly. Then the anxiety returns and even intensifies.

Working with Thug and working with Future feels the same. They don't sound like each other, but their creative process and their level of talent is the same. Anybody who knows both of them would agree.

'Romance' is based on my entire creative process. I fall in love with an idea, obsess over it, isolate myself with it, and when I eventually introduce it to my friends, they all tell me that it's stupid.

When they say 'jazz,' I'm thinking of a word called 'the creative process.' It intersects every vein and tributary, avenue, path, that everyone's living. It crosses through there, but it's been contained.

While the concert is instant communication with the audience, composing is a creative process where a song comes up out of nowhere and then transmits happiness to many, translates into money, fame, or whatever.

The creative process requires a period of boredom, of being stuck. That's actually a very uncomfortable period that a lot of people mistake for writer's block, but it's actually just part one of a long process.

When I started 'Record Collection,' I had no idea that it would come out sounding the way that it did, and that's one of the best things about the creative process, taking turns with the things you didn't know.

As far as the creative process goes, I always make sure that anything that gets discussed or talked about in the record is true to form. I make it a point not to sing anything that I haven't felt or gone through.

Designing and creating dance clothes has taken my love for dancewear to a whole other level, melding the creative process with my daily fashion and allowing me to bring my most dreamed-about ballet styles to life.

My sights have always been on acting, on the creative process, never the lifestyle. Growing up in Northern Ireland when I did, everything was against you if you wanted to do something like that. But I was determined.

I always loved the creative process, from 'Shakespeare in Love' to 'Finding Neverland' to 'Basquiat'; whether it's serious, or it's comedic, whether it's the 'inside look' at that, it seems to be a theme of what I do.

My days, sometimes, it's just about work. I'm not thinking about taking a picture in the studio, and I don't have the time to stop being creative to stop and post on Instagram. That's not a part of my creative process.

People think if you're a movie star, you're the boss. But first of all, I'm not a movie star, I'm in a very different place. I'm not looking to do what I want - I am looking for what we can find. It's a creative process.

Living in London as a student is tough. And my heart goes out to every single drama student in London because, as an actor, it's a creative process that you are taking on, and if you don't get to do it every day, it hurts.

The creative process has been a little bit of an experience, really - to try and make that work for me. The only way I know how to do that is just to remain genuine, humble, and true to everything I know already in my life.

The fun for me musically is that you never quite know what works and why. So why pretend you do? Why not just put things together and discover, in the creative process, if and why they work? That approach has served me well.

'The Company' was interesting. I didn't love it, although it might be compelling to someone who isn't a dancer. There wasn't a lot of dialogue, and you were just kind of observing the creative process of choreography and in class.

What I love about the creative process, and this may sound naive, but it is this idea that one day there is no idea, and no solution, but the next day there is an idea. I find that incredibly exciting and conceptually actually remarkable.

I had a fascination with the back side of the business, and the creative process always fascinated me. Vince gave me an opportunity in '98 to sit in the production meetings. He would talk creative with me, and we had this creative rapport.

Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.

Well, I've been recording myself on a computer since I was about 13 or 14. So it's completely entwined with my creative process. Essentially, it allows you to make music that's better and smarter than you are, by using your ears to lead the way.

I'm dependent on writing for a living, so really it's to my advantage to understand how the creative process works. One of the problems is, when you start to do that, in effect you're going to have to step off the edge of science and rationality.

We're trained in school to equate mistakes with bad grades - something to be avoided at all costs. The alpha makers were somehow able to dodge that. They think that mistakes are just part of the creative process and maybe even the best way to learn.

I devote most of my day to writing, and try to turn out at least four pages a day. As for what triggers the creative process, it's a mystery to me! Characters often just walk on the page, and I wait to see what they do and say while I'm writing them.

The creative process on 'Margaret' was incredibly satisfying. I loved the cast; I had a great time writing the script. I liked making the movie. Believe it or not, I actually like editing the movie. It was all the rest of it that was such a nightmare.

My priorities are: I need to be good; I need to be well within for my children to be well within; and then the creative process flows, organically and smoothly. I'm not looking to experience what I went through in the 'Livin' La Vida Loca' days again.

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