For a second we just stand there in silence. Then, suddenly, Alex is back, easy and smiling again. “I left a note for you one time. In the Governor’s fist, you know?” I left a note for you one time. It’s impossible, too crazy to think about, and I hear myself repeating, “You left a note for me?” “I’m pretty sure it said something stupid. Just hi, and a smiley face, and my name. But then you stopped coming.” He shrugs. “It’s probably still there. The note, I mean. Probably just a bit of paper pulp by now.

This is what you should do: love the earth and sun and the animals, despise riches, give alms to everyone that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men ... re-examine all you have been told at school or church or in any book, dismiss what insults your own soul, and your very flesh shall be a great poem.

I've always believed that the great strength of the Internet is that it allows us to communicate with each other, it allows debate. And I think that gay marriage is a huge step forward. But debate is throwing ideas about, and when it becomes sort of a weapon of character assassination, I think that's crazy. I think the situation in America is different from in England, where we have civil partnership, and now the vote on gay marriage has been carried, and whether it will go through Parliament I don't know.

Have things to look forward to: Plan a trip, treat yourself to the spa, make plans in the future so that you can focus on what you're looking forward to versus how unbearable your present is. Understand that your brain is detaching. It's the same part of the brain that is activated as a cocaine user feening for their next fix. You're literally in withdrawal. Understand that it takes time for your brain and neural pathways to detach. You're not going crazy - it's just a process, and that process takes time.

As much as we - in a revisionist way - tell ourselves that we've always been a righteous country with a couple of swerves off the path, we need to look back and see that we've always also been a racist country and have had a tendency towards banal aggressiveness. The thing that's alarming is not so much that a few people in America at the top are initiating these crazy policies, but that the middle is willing to go there too. There's a strange movement of the middle to this position of banal aggressiveness.

As a sick kid, I always looked out the window. The objects of my observation were the sun, the seasons, the wind, crazy people, and my grandfather's death. During my long period of observation, I felt that something like poems were filling up my body. They were in some kind of state and condition that made them difficult to render into words. As a university student, I tried hard to write them in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.

I was pretty self-conscious about my body because everybody kept going on like, "Oh, she's so curvy!" and "She's a plus-size model!" and this and that. It's all people would talk about - how I'm not very skinny. For a while, it made me pretty upset and I got a bit obsessive about it. I did a bunch of dieting and exercising and everything. I was losing weight, but I was still much bigger than everybody else. I didn't really see the point of making myself crazy anymore, so I kind of toned it down a little bit.

Most of the crackpot papers which are submitted to The Physical Review are rejected, not because it is impossible to understand them, but because it is possible. Those which are impossible to understand are usually published. When the great innovation appears, it will almost certainly be in a muddled, incomplete and confusing form. To the discoverer himself it will be only half-understood; to everybody else it will be a mystery. For any speculation which does not at first glance look crazy, there is no hope.

In the first Chucky film, there's a scene in the elevator where a woman is just bringing food to a friend's home and they're in that cage elevator. She says, 'What an ugly doll,' and walks away. As the elevator begins to descend, Brad just decides he's going to drop this in and it was so simple but he just goes 'F*&k you,' and the audience went crazy. It was really a marker for us, and an evolution to understand what the potential of not just this killer, but this guy that obviously has some opinions as well.

What I talked about in it was the idea of celebrity, and celebrities being treated like blacks were in the '60s, having no rights, and the fact that people can slander your name. I said that in the toast. And I had to say this in a position where I, from the art world, am marrying Kim. And how we're going to fight to raise the respect level for celebrities so that my daughter can live a more normal life. She didn't choose to be a celebrity. But she is. So I'm going to fight to make sure she has a better life.

The conviction: I will not tolerate this age. The freedom: the freedom to act on my conviction. And I will act. No one else has both the conviction and the freedom. Many agree with me, have the conviction, but will not act. Some act, assassinate, bomb, burn, etc., but they are the crazies. Crazy acts by crazy people. But what if one, sober, reasonable, and honorable man should act, and act with perfect sobriety, reason, and honor? Then you have the beginning of a new age. We shall start a new order of things.

And somewhere in that crimson-colored never-never land where i pirouetted madly, in a wild and crazy effort to exhaust myself into insensibility, i saw that man, shadowy and distant, half-hidden behind towering white columns that rose clear up to a purple sky. In a passionate pas de deux he danced with me, forever apart, no matter how hard i sought to draw nearer and leap into his arms, where i could feel them protective about me, supporting me ... and with him i'd find, at last, a safe place to live and love.

If you want to live your life in a creative way, as an artist, you have to not look back too much. You have to be willing to take whatever you’ve done and whoever you were and throw them away. The more the outside world tries to reinforce an image of you, the harder it is to continue to be an artist, which is why a lot of times, artists have to say, “Bye. I have to go. I’m going crazy and I’m getting out of here.” And they go and hibernate somewhere. Maybe later they re-emerge a little differently. (Steve Jobs)

I hate America. I hate this country. It’s just big ideas, and stories, and people dying, and people like you. The white cracker who wrote the national anthem knew what he was doing. He set the word 'free' to a note so high nobody can reach it. That was deliberate. Nothing on earth sounds less like freedom to me. You come to room 1013 over at the hospital, I'll show you America. Terminal, crazy and mean. I live in America, that’s hard enough, I don’t have to love it. You do that. Everybody’s got to love something.

I think some people have a different idea of what the band Young the Giant is. We're normal guys. We're down to earth. We like doing other things besides music although for the past three years music has been our life. We're not trying to be too pretentious. Some people take that as a red flag. They say, 'these guys are boring' or 'they don't have anything flamboyant or left field-ish to say,' but if they don't like that then they don't like that. That's who we are. Just even tempered people. We're not too crazy.

It's a long, hard road and it's going to have its bumps; there are going to be times when you fall and times when you don't feel like going on anymore, times when you're just crazy tired but it takes focusing on that one step you're taking. That's what I'm trying to do with the marathon; I don't think about the miles that are coming down the road, I don't think about the mile I'm on right now, I don't think about the miles I've already covered. I think about what I'm doing right now, just being lost in the moment.

Britney's a really cool girl, We were really close back when we were on the Mickey Mouse Club, and even watching her in interviews I find myself missing her lately. I'm really proud of her, how far she's come and what she's been able to accomplish. And to keep it together: It's so crazy out on the road. I gotta give her credit for not just going berserk and letting everybody get to her. I just passed on my number to her through somebody. It's good to have friends in the business who know what you're going through.

In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.

Darling, if I think of all I miss now, I will go crazy. I should not think of that. I only want to think of all that I still have, and then I am rich. Your spirit is always around me, in your diary, our letters, all the things you got for our household. How proud we were of that! And the nearly six years! O God, I thank you for those years. If I never had met you, I would now not have all the sorrow; but I would have missed these riches -- and do these years not abundantly balance the lonely years I face without you?

...This is the first time I have met someone who seeks out people and who sees beyond. [...] We never look beyond our assumptions and, what's worse, we have given up trying to meet others; we just meet ourselves. We don't recognize each other because other people have become our permanent mirrors. If we actually realized this, if we were to become aware of the fact that we are alone in the wilderness, we would go crazy. [...] As for me, I implore fate to give me the chance to see beyond myself and truly meet someone.

If you would've asked me about getting a pilot's license before 2005, I'd say you were crazy. After I graduated college, a fighter pilot asked me if I wanted to go up on a flight in a single-engine plane. I always had a fear about being in an airplane, but I took this opportunity to go up on my first flight in a single-engine rather than a big commercial plane I was accustomed to. I was hooked and made a commitment to become a pilot. I wanted to motivate others to not let fear stand in the way of their opportunities.

It was weird working with all of them - Stallone, Schwarzenegger, Bruce Willis, Chuck Norris. There's a sequence in the movie where myself and Jean-Claude Van Damme are running through this airport and there's this silhouette behind this big screen - it smashes, and there you see Schwarzenegger, Stallone, and Bruce Willis all firing their weapons at me and Jean-Claude. It's kind of surreal when you think about it, the three '80s icons of action movies, unloading as many bullets as they could at us. It's pretty crazy.

Harvey wasn't interested in the clothes, it was the masks that mesmerized him. They were like snowflakes: no two alike. Some were made of wood and of plastic; some of straw and cloth and papier-mâché. Some were as bright as parrots, others as pale as parchment. Some were so grotesque he was certain they'd been carved by crazy people; others so perfect they looked like the death masks of angels. There were masks of clowns and foxes, masks like skulls decorated with real teeth, and one with carved flames instead of hair.

I love you as the plant that never blooms but carries in itself the light of hidden flowers; thanks to your love a certain solid fragrence risen from the earth, lives darkly in my body. and: No one can stop the river of your hands, your eyes and their sleepiness, my dearest. You are the trembling of time, which passes between the vertical light and the darkening sky. and: From the stormy archipelagoes I brought my windy accordian, waves of crazy rain, the habitual slowness of natural things: they made up my wild heart.

I haven't got many tattoos, but the two that are most important to me are music tattoos. I have a black heart with a lightning bolt down the middle. And the black heart was for Manson and the lightning bolt down the middle was for David Bowie. I have black diamond with circles that keep swirling and swirling, and it's surrounded by sort of crazy diamonds because Pink Floyd's "Shine On You Crazy Diamond" really inspired me, and everybody's called me Crazy Diamond since I was a teenager, so it was always important to me.

We must understand what our idea of wealth is. Is it just about more buildings, more machines, more cars, more of everything? More and more is death. In the most affluent societies in the world, for example in the United States of America, a significant percentage of the population is on anti-depressants on a regular basis. If you just withdraw one particular medication from the market, almost half the nation will go crazy. That is not wellbeing. Generally, an American citizen has everything that anyone would dream of.

I was so lucky that I got to meet certain people. It came through Roddy McDowall, who had become a photographer and would do these portraits of celebrities. Then he would get another well-known person to write a thing. He photographed me when I was 15 or 16, and he got Jason Robards to write the thing because he was sort of my mentor. And Roddy would invite me to these dinner parties that were insane. Like, Elizabeth Taylor and Maureen O'Hara and people that were just crazy. I still can't really believe that I met them.

Donald Trump both disbelieves and believes in falsehoods, so that when he did thrive on his longstanding - the claim that Obama was not born in the United States - he's crazy like a fox in manipulating it because it gave him his political entrée onto the national stage. In order to make your falsehoods powerful, you have to believe in them in some extent. And that's why we simplify things if we say that Trump either believes nothing in his falsehoods and is just manipulating us like a fox or he completely believes them.

The messengers of Jesus will be hated to the end of time. They will be blamed for all the division which rend cities and homes. Jesus and his disciples will be condemned on all sides for undermining family life, and for leading the nation astray; they will be called crazy fanatics and disturbers of the peace. The disciples will be sorely tempted to desert their Lord. But the end is also near, and they must hold on and persevere until it comes. Only he will be blessed who remains loyal to Jesus and his word until the end.

I'll probably lose every friend I've got, but I think the Russians are about the only people who have behaved decently in the conflict with the Ukraine. All the evidence to the contrary seems a bit bogus to me. NATO is trying to use Ukraine to isolate and cripple Russia, and that's completely crazy and very cruel. It seems to me that our side, the English and American people, really want it to go bad there. But there's no need for it to have done so. At least that's what I think. You won't hear a lot of that on Fox News.

The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.

I'm still a tomboy. I mean, I obviously dress it up slightly more, but when I'm just me, I'm still very casual. I love comfort. Comfort is very key to me because I spend most of my time in very uncomfortable things, so it's all about trainers and flats. On a shoot, if they're like, "Play around a bit," I'm going to be climbing on top of things and jumping off, and people are going to be trying to stop me, like, "You mucked this up," and, "You're going to hurt yourself," while I'm flying around in heels, just being crazy.

I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.

I didn't want to be on screen not nailing an American accent. It's an insult to an American! There are plenty of great American actors who can already do an American accent, so me, coming in and stealing their roles, the one thing I have to perfect is the accent. So for years I practiced. And we're lucky because the whole world is raised on a library of American movies. I would pretend to be Jim Carrey, and, I say Robin Williams now because he's in my mind, but those actors really inspired us to be crazy and be theatrical.

Not that my life has been so crazy and exciting but, it just seems like if I can bring more of myself to the role. It's going to help keep it spontaneous and exciting, instead of thinking in terms of this box of a human that I have to slip myself into every week, which I tend to do more when I'm shooting a movie. On a television show, this is all kind of still new to me, doing many episodes of something, so I want to try to keep it as fresh and close to home as possible, so it doesn't get stale and I still like it every day.

Miss Havisham is an important feminine literary figure in the tradition of Antigone (though it's significant that Antigone is fighting to bury something and Miss Havisham refuses, as it were, to bury the corpse). Like Hamlet, she's focused on what everyone would rather not know or would like to forget, and she seems crazy / stuck as well as bitter, but she's also a perfect prototype of a performance artist. She's intentionally hard to deal with inviting the audience to remain with the violated body, the evidence of violence.

I wish I could do whatever I liked behind the curtain of “madness”. Then: I’d arrange flowers, all day long, I’d paint; pain, love and tenderness, I would laugh as much as I feel like at the stupidity of others, and they would all say: “Poor thing, she’s crazy!” (Above all I would laugh at my own stupidity.) I would build my world which while I lived, would be in agreement with all the worlds. The day, or the hour, or the minute that I lived would be mine and everyone else’s - my madness would not be an escape from “reality”.

Growing up, I was a typical high school kid when YouTube first came out, and I was just watching a whole lot of videos of guys in the league I'm playing with now, guys that aren't in the league, and guys that came before me, just watching the moves that they do, and going out in my backyard and trying them. I did it almost every single day. And I didn't do any crazy dribbling drills or any two-ball dribbling drills. I'm really not good at two-ball dribbling. Nah, never did that. I just went out and tried the moves that I saw.

I loved him. I hated him. I wanted to kiss him. I wanted to strangle him. I was a walking, talking contradiction. There were days I was so torn by my conflicting emotions that I thought I would be ripped in half. Staring at my best friend and secret object of my undying love, I wondered if I would ever get off this crazy train of emotions swirling around inside me. I didn't like feeling this way. But the truth was I couldn't remember a time I didn't feel this aching need to completely immerse myself in all things Daniel Lowe.

Most of the so-called illegal drugs have vastly increased in use, despite billions of dollars spent suppressing them. I believe 750,000 Americans are arrested every year for possession of cannabis. I mean that's 750, 000 lives damaged by that arrest process. It's a crazy, crazy system. It's playing into the system that the hallucinogens are grouped together with addictive drugs, which they are not. But addictive or not it's our responsibility as adults to make decisions and it's not the states' right to do that, in my opinion.

Pop stars are sending the message that their sexuality is the strongest thing they have to offer, and that's confusing and misleading to girls and women, especially since there's not enough of a counterbalance from those who rely on their other assets, like their music. Also, with the new obsession with all things "booty," it's important that women - and it's often women of color - aren't turned into mere caricatures. Right now it's: "Bend over." That's all people want to see. That's crazy. It's so far from where we should be.

There was only one catch and that was Catch22, which specified that a concern for one's safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask, and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to.

Oscar Pistorius is now infamous for reasons that I think everybody knows about, but when I hit on his story and put it in the book, what I found fascinating was a description, from one of the scientists who helped Pistorius, of what the Paralympics will become. Because they don't place any restriction on enhancements for athletes, in the very near future the Paralympics will bear a closer resemblance to NASCAR than to the traditional Olympics. There will be a human-machine melding that will result in crazy feats of athleticism.

Are people crazy? People waited all their lives. They waited to live, they waited to die. They waited in line to buy toilet paper. They waited in line for money. And if they didn't have any money they waited in longer lines. You waited to go to sleep and then you waited to awaken. You waited to get married and you waited to get divorced. You waited for it to rain, you waited for it to stop. You waited to eat and then you waited to eat again. You waited in a shrink's office with a bunch of psychos and you wondered if you were one.

I don't think I'm an idealist. I'm a realist. And I see the progress. The progress has been remarkable. Look at the emancipation of woman in my lifetime. You're sitting here as a female. Look what's happened to the same-sex marriages. To tell somebody a man can become a woman, a woman can become a man, and a man can marry a man, they would have said, "You're crazy." But it's a reality today. So the world is changing. And you shouldn't - you know - be despairing because it's never happened before. Nothing new ever happened before.

Eventually she came. She appeared suddenly, exactly like she'd done that day- she stepped into the sunshine, she jumped, she laughed and threw her head back, so her long ponytail nearly grazed the waistband of her jeans. After that, I couldn't think about anything else. The mole on the inside of her right elbow, like a dark blot of ink. The way she ripped her nails to shreds when she was nervous. Her eyes, deep as a promise. Her stomach, pale and soft and gorgeous, and the tiny dark cavity of her belly button. I nearly went crazy.

I'm one of those gay people who's constantly reminded of how fortunate I am to live now and not to be Ennis and Jack [from Brokeback Mountain] or whatever - not that I'd mind being Ennis for half an hour. But it's been so much worse recently. It still is terrible. In Iran, they're hanging gay teenagers. I'm grateful for how far the United States, even with its crazy Christians, has come on a lot of issues. And the fact that I get called a faggot occasionally by a crack addict, while annoying, certainly isn't a lobotomy and prison.

The jamaat was an almost silly mish-mash of people: Rude Dawud’s pork-pie hat poking up here, a jalab-and-turban there, Jehangir’s big Mohawk rising from a sea of kufis, Amazing Ayyub still with no shirt, girls scattered throughout – some in hejab, some not and Rabeya in punk-patched burqa doing her thing. But in its randomness it was gorgeous, reflecting an Islam I felt could not happen anywhere else ... If Islam was to be saved, it would be saved by the crazy ones: Jehangir and Rabeya and Fasiq and Dawud and Ayyub and even Umar.

Love is infectious. You know, God is infectious-God flowing through us and us being little-baby creators and s--t. But His energy and His love and what He wants us to have as people and the way He wants us to love each other, that is infectious. Like they said in Step Brothers: Never lose your dinosaur. This is the ultimate example of a person never losing his dinosaur. Meaning that even as I grew in cultural awareness and respect and was put higher in the class system in some way for being this musician, I never lost my dinosaur.

Go back and read Sinclair Lewis - It Can't Happen Here or Babbitt. For a guy or girl who's going to do an hour of political comedy, it might be a little rough, sure. But I think if you're spending 10 minutes or less, and you're talking about - not necessarily [Donald Trump] but his supporters and the media coverage, there's all kinds of angles to explore. It doesn't just have to be simply, "This guy is crazy!" It's more about the idea of that kind of guy rising to the prominence he has, to actually become the Republican candidate.

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