Quotes of All Topics . Occasions . Authors
With 'Greek Gods,' I wanted to go with the blue and green hues of sky and water; with 'Heroes,' I felt the color needed to be more dramatic and give a sense of battle, rage, and yes, of blood. That's the world these demigods lived in, and I felt that orange and red would also compliment the greenish blue of the 'Gods' cover.
If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I want there to be dragons inside the book. Proper labeling. Ethical labeling. I don't want to open up my cornflakes and find that they're full of pebbles... You need to respect the reader enough not to call it something it isn't.
Popular culture bombards us with examples of animals being humanized for all sorts of purposes, ranging from education to entertainment to satire to propaganda. Walt Disney, for example, made us forget that Mickey is a mouse, and Donald a duck. George Orwell laid a cover of human societal ills over a population of livestock.
'Celebrate' is meant to be a guide to party planning and, as such, it has to cover the basics. If I were to write a cookery book, for instance, I would be compelled to say that, to make an omelette, you have to break at least one egg. Actually, that's not a bad idea. Or maybe I should write a sequel and call it 'Bottoms Up?'
Deprived of the opportunity to judge one another by the cars we drive, New Yorkers, thrown together daily on mass transit, form silent opinions based on our choices of subway reading. Just by glimpsing the cover staring back at us, we can reach the pinnacle of carnal desire or the depths of hatred. Soul mate or mortal enemy.
I have a repertoire of songs that I'm proud of, that I've written for my own band. When I do a cover, something that somebody else has written, I think about it very carefully before I sing that song. I have to really get behind it and understand it and like it. And that's how I pick roles. I don't want to play just anything.
When I was 10 years old, I loved - I loved books, and I used to haunt the secondhand bookshop. And I found a little book I could just afford, and I bought it, and I took it home. And I climbed up my favorite tree, and I read that book from cover to cover. And that was Tarzan of the Apes. I immediately fell in love with Tarzan.
I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
You have to understand that Roger Ailes was a king. He was on the cover of multiple industry publications as the most powerful man in news. And at Fox News, there was no one else with power. So you didn't want to get on the wrong side of him because he was actually beloved inside the building and very well-liked in the industry.
After costs, only the top 3% of managers produce a return that indicates they have sufficient skill to just cover their costs, which means that going forward, and despite extraordinary past returns, even the top performers are expected to be only as good as a low-cost passive index fund. The other 97% can be expected to do worse.
Today we have a health insurance industry where the first and foremost goal is to maximize profits for shareholders and CEOs, not to cover patients who have fallen ill or to compensate doctors and hospitals for their services. It is an industry that is increasingly concentrated and where Americans are paying more to receive less.
Imagine someone so infatuated by a band that they have every different pressing of every album the band made. Most of the time, the only difference in the album is the matrix number or a different 'made in' notation on the back cover or label. This is enough to make some people extremely excited. Actually, much more than excited.
My friends make me laugh: funny Instagram videos, but mostly people falling over. It's so bad, but it never gets old. I just love how people cover up their falls. The whole experience of 'Oh, I just fell, and I'm going to run out of the fall and pretend I did this on purpose.' I just like to see how people cover up their mishaps.
I've been at this for a while, and to a very real extent, you look at cover art with the same sort of expectation you have for playing slot machines in Vegas. That is to say, you hope to break even and promise yourself not to flinch when all you get is the same sort of mix of fruit that you get in a cup of generic fruit cocktail.
It seems everyone wants to know if I have an eating disorder, and playing an anorexic character on 'Make it or Break It' probably didn't help much. To set the record straight, I certainly do not have an eating disorder. I think as anyone can gather, I love food, and it is not just a front to cover up the fact that I don't eat any.
When you're dealing with a shoot day that's costing somebody $300,000; when you're responsible for making that day; when you've got a half-million-dollar stunt that you've got to make sure you cover properly. You don't want to be doing that early in your career. You want to be making your mistakes when not many people are watching.
This is ludicrous. Seven- and eight-year-olds valiantly trying to cover the same acreage as those grown-up chaps in the Premier League is absurd. To add to the lunacy, a little goalkeeper, barely out of nappies, has to stand between posts that are eight strides apart - adult strides - and under a crossbar more than twice his height.
As alleged, David Hu directed a multimillion-dollar, years-long scheme to defraud investors. Putting profit ahead of his fiduciary duties, Hu allegedly mismarked millions of dollars of loan assets to cover up millions in losses. Hu also created fake entities and loans, and falsified paperwork to deceive auditors and avoid detection.
Every now and then, I have blissful moments of thanking God for all the amazing things that are happening. When I leave the White House after just meeting Obama or when I see my face on the cover of 'Rolling Stone' or when I meet someone who tells me that their daughter is inspired by me, those are moments that are incredibly joyful.
Right after the keynote in which Steve Jobs introduced the iPod Shuffle, I went backstage with one question in mind: What makes an iPod an iPod? By then - January 11, 2005 - I had staked my own claim to iPod expertise, having written a 'Newsweek' cover story about Apple's transformational music player, and I was writing a book on it.
Under normal circumstances, if the centerpiece of a president's campaign is helping the disadvantaged and we are our brother's keeper, the idea that this same guy has an actual brother living in third-world poverty without any help from Obama, this would have been on the cover of 'The New York Times.' But none of them are touching it.
I think many times news organizations, whether it's for lack of resources or something else, cover the headlines and don't follow up, even though the story continues for the people living there - they can't leave. I think it's critical that they do these follow-up stories to realize that there is still suffering, and the need is dire.
My dad had premature gray. I was always the one with the most energy, the one who continued to practice longer. I ran up and down the stairs of different stadiums. I didn't feel the need to cover up the fact that I was losing my hair or it was graying. When you're on a team, age is only a factor when you're talking in the locker room.
I have four relatively small children, and around fourth grade, they start doing big projects on Native Americas: everything is Native Americans in elementary school. Do you know how many Native American dresses I've sewn, on and on; it's a full yearlong study. And then never again. As journalists, we never even cover Native Americans.
I didn't know Penn was an Ivy League school - I didn't know what the Ivy League was. When I got in, they sent me the package, and the tuition was my mother's salary for a year. My mom said, 'We can't afford it.' So I went to the library and found several scholarships and grants and was able to cover 90 percent of my education that way.
I have very liberal parents. People forget that Fidel Castro was on the cover of 'Time' magazine, and the one that I remember the most - it's not necessarily my favorite - was when they dressed me as Castro when I was eight years old. I was in fatigues, camouflage hat, beard and cigar. I don't think I did that well with candy that year.
I've continually reminded myself that I never want to change. I could be on the cover of a magazine today, but next week someone else is going to be on that cover. You always have to remain the same person because when those opportunities end, guess what you have? You have you. And if you change from being you, you have nothing anymore.
I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
When I was little I went to a Baptist Church with my grandmother. My earliest memories were of her falling out in the middle of the floor and they had to cover her with a white sheet. Every time we went to church it was scary. The music would start playing, and then everybody would start running and shouting and hollering and screaming.
The earth is rocky and full of roots; it's clay, and it seems doomed and polluted, but you dig little holes for the ugly shriveled bulbs, throw in a handful of poppy seeds, and cover it all over, and you know you'll never see it again - it's death and clay and shrivel, and your hands are nicked from the rocks, your nails black with soil.
There are individuals out there who use the body protection as a form of staying power to go on as long as possible. That's the worst way anybody can be thinking, that you should cover yourself in a suit of armour, to make yourself brave, or to enable you to hook - when you never hooked in your life - just because you've got a helmet on.
Well, I think it's kind of interesting how the Osmond name has been really seen on both sides of the pendulum. There's obviously the bubblegum side, but for people who really know about music, it's clear on the other side. As a matter of fact, I find it quite ironic that Metallica used to cover 'Crazy Horses.' It was a cutting-edge album.
A new 'look' for any organization cannot be a papier-mache cover, tacked on with Scotch tape under the heading of 'beautification.' It has to be based on a probing examination of the company and the people who work for it. As a result, the eventual external visual design becomes the graphic extension of the internal realities of a company.
One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'
I'm covering the premiere of 'The Hunger Games,' and I'm particularly excited about that one, as I have quite a few friends who play Tributes in the film - including the wonderfully talented Leven Rambin, who plays Glimmer. It's the most anticipated premiere of the year, and I actually had 3 different outlets asking me to cover it for them!
To cover politics in Washington allows you to live in the very, very wide gap between what the actual truth is, and how people are trying to manipulate the truth. They speak in the language of spin, obsequiousness, obfuscation. The meta of politics is just this endless source of material that can shed light on the psychology of the process.
I don't think you can cover a song unless you love it and have a relationship with it. With 'Golden Heart' I felt a sense of responsibility. And when we were recording it in the studio, it felt almost dream-like. Something you might hear if you were in Senegal, with someone singing from the mosque in the morning just as the sun's coming up.
To protect people's lives and keep our children safe, we must implement public-works spending and do so proudly. If possible, I'd like to see the Bank of Japan purchase all of the construction bonds that we need to issue to cover the cost. That would also forcefully circulate money in the market. That would be positive for the economy, too.
DNA sequencing opens vast ethical issues. We shall be able to know who has defective genes. What will it mean when we can be sure we're not all born equal? Worked out, the implications will scare a lot of people. Insurance companies will not want to cover those with a genetic predisposition to illness, for example. Here lurk myriad lawsuits.
Two subsequent incidents of import established CNN: the explosion of the space shuttle Challenger in 1986, which CNN was the only network to cover as it happened, and the 1991 Gulf War, which CNN chronicled round the clock from a proximity as irresistible as it was alarming, bomb blasts and gunfire lighting up TV screens from coast to coast.
I think probably the first time I wanted to be an artist was when I was about six or seven years old. I used to get British comics and I clearly remember seeing my first American comic: an issue of 'Action Comics', with Superman on the cover with a treasure horde in a cave, and Lois saying something like 'I don't believe Superman is a miser!'
When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.
Color is definitely an important factor for me during all phases of producing a cover. I always start out with a loose idea of what I want to see when I'm doing my initial sketches. This choice can be informed by anything, but I usually tend to lean toward more simple color schemes... something with a very obvious push between warms and cools.
Puerto Ricans who find they can no longer afford to keep their pets often choose to drop their dogs, sometimes even whole litters of puppies, at a beach - sometimes under cover of night, in secret - rather than surrender the animal to a city or state-run shelter where the animals will face grim conditions and almost certain death by euthanasia.
As a child, as a cinemagoer, I think there is nothing better than being in a cinema or watching a film. I think it's just a while magical... it almost feels like you're at a big party in India, where you're singing, you're dancing, you're laughing, you're crying, you feel like you're at a wedding because our films invariably cover all emotions.
I find myself asking questions that as a filmmaker I never thought I would ask. Like I get a call from a magazine for a feature and my first question is, 'Cover or not?' Interview invite from a leading channel? I have stopped asking the topic. I'm just like 'Primetime or not?' If I am invited and put in the second row, I can be distraught for days!
When we first started out we only had five or six songs we could play live, so if we ever got an encore, we used to do our cover of City High's 'What Would You Do?' We'd be playing it and people's mouths would be moving singing all the words, but they'd be thinking, Where is this song from? It's such a brilliant pop song but the lyrics are so dark.
I think I started doing covers when I was... what, like 9 or 10? I would always do the songs that I wanted to do and the songs that my parents wanted me to do. You would see me cover every Adele, Christina Aguilera, Taylor Swift and Carrie Underwood. Then I'd have to do 'Sweet Child O' Mine' and 'Crazy Train,' and it was a really weird combination.