Quotes of All Topics . Occasions . Authors
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
Americans have grown a great deal more realistic about lawyers and the law. I think that's all for the good. A lot of people will say to you these days, 'If you are looking for justice, don't go to a courtroom.' That's just a more realistic perspective on what happens in the legal process.
American liberals have become addicted to the courtroom, relying on judges and lawyers rather than elected leaders and the ballot box, as the primary means of effecting their social agenda on everything from gay marriage to assisted suicide to the use of vouchers for private-school education.
I just play it safe when it comes to television because it is WWE's intellectual property. But it is literally my legal name, like on my ID. My name hasn't been Cody Runnels since I was 17. But it's theirs. At no point would I ever want to go into a courtroom with a company I have love and admiration for.
I agree with Scott Turow: A courtroom is inherently dramatic. You walk into court - it's like an ER, you know? Life and death is going on there. And it's moment-by-moment, and it's packed with energy. And even though you think you know what a witness is going to say, you can be wrong. Witnesses surprise you.
It's a competitive business and obviously a lot of money is involved in the sport and the regulators sometimes have difficult decisions to make, but hopefully for the benefit of Formula 1 and all the fans across the world, we can move forwards into 2008 with all the focus on the race track rather than in the courtroom.
I think if somebody is so set in their ways about what they feel about something - and you get this a lot in academia, of course, and also different sorts of journalism too - you're going to sweep under the carpet the facts that don't suit your thesis. And I think that happens quite a lot in the courtroom, for instance.
With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.