Quotes of All Topics . Occasions . Authors
Every once in a while I'll say something...I dropped the F-bomb early on in my career. There was this lesbian couple and they looked super-hip. One of them looked at me and shook her head, like "Don't do that." I think she was doing it to say, "It doesn't work." She didn't say anything but it was this cautionary moment. I knew it didn't work. There are just so many other words to choose from.
And, well, mine are kind of on the heavy side anyway. The first day or two, I don't want to do ANYTHING. Make sure you keep away from me then.' I'd like to, but how can I tell?' I asked. O.K., I'll wear a hat for a couple of days after my period starts. A red one. That should work,' she said with a laugh. 'If you see me on the street and I'm wearing a red hat, don't talk to me, just run away.
This case is not about whether marriages between same-sex couples are consistent or inconsistent with the teachings of a particular religion, whether such marriages are moral or immoral or whether they are something that should be encouraged or discouraged.... Quite simply, this case is about liberty and equality, the two cornerstones of the rights protected by the United States Constitution.
When I think about sanctification, a couple things immediately pop into my head. One is how slow it actually is. I think everybody wants the silver-bullet, the thing that makes sanctification move like a superhighway rather than the dirt path that it is. The other is that, by in large, the greatest single asset in ongoing sanctification is a serious pursuit of joy in the face of Jesus Christ.
We always see the Holocaust in terms of black-and-white images, barking Germans, cowering Jews. We know very well-known fixed places like Auschwitz, Birkenau, Treblinka, and Beltzec. Instead, war can live in a couple having a spat, when we say, "That was a real war." We very rarely have the Holocaust live in the terms of today. And I think that's a problem, because it becomes ancient history.
I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.
I think we came out the last couple of game and have been able to get it going. The first couple we were tentative a little bit, that energy, maybe excite. I saw in the last couple of games we've been able to channel that and use it in a positive way to go, be aggressive, physical and skate. When we're skating and physical we're at our best and put a lot of pressure on the other team that way.
I had to pay an incredible amount to get insured on it and, after a couple of weeks of driving it around, I realised it wasn't quite my style. I'm not flash by any means but a bright red Ferrari is a definite head-turner and I hated that. It was also incredibly impractical, particularly when it came to finding space for a friend or for my tennis bag, so I decided to sell it after a few months.
I've tried the female thing. I was in a movie called Dinner for Schmucks a couple of years ago with Steve Carell and I created a female character for that movie. And after a few months of trying her out on the road it just didn't work. I mean, I can think like a terrorist, I can think like a white trash guy, I can even try and think like an African American, but I can't figure out how a woman.
I can write any kind of novel I want, any time, and sell it, but there's not that many people watching it. Even a low-rated TV show is a couple million more people than read my books. You want to be read, in essence. If you're a television writer, you're a writer and you want people to read your stuff. You're still reaching a bigger audience, that way. That's a philosophical way to look at it.
Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.
I don't think the political class has the slightest idea even yet what is in store for them. And I'll tell you something else, too. I'm not sure, based on a couple things, that even the Republicans in the House and Senate are ready for this. I mean, the breakneck pace with which Trump is going to attempt to get his agenda implemented and the techniques and the methods that he will use to do so.
Although here - Los Angeles 2014 - we can have a lighthearted movie about romance and living your life without persecution, that freedom does not exist in the rest of the world and not even in the rest of our country. There are places where they are going backward, away from freedom. Places where same-sex couples are beaten, killed, not allowed to raise families, forced to hide their lifestyle.
Strangely enough, for many many years I didn't talk about my childhood and then when I did I got a ton of mail - literally within a year I got a couple of thousand letters from people who'd had a worse childhood, a similar childhood, a less-bad childhood, and the question that was most often posed to me in those letters was: how did you get past the trauma of being raised by a violent alcoholic?
I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"
If you ask any economist, they'll tell you all the mortgage interest deduction does is raise the price of the house. So a couple is out looking at the house, they say, "Oh, we love this house, but we couldn't make the monthly payment." And the realtor says, "Yeah, but you're going to get a tax break." So people pay more than they would otherwise. You take a loss even though you're making a gain.
You can talk all you want about Russia, which is all a, you know, fake news fabricated deal to try to make up for the loss of the Democrats and the press plays right into it. In fact, I saw a couple of the people that were supposedly involved with this but they know nothing about it. They never made a phone call to Russia, they never received a phone call, it's all fake news. It's all fake news.
The government has to treat all citizens equally. I am a strong supporter not of a weak version of civil unions, but of a strong version, in which the rights that are conferred at the federal level to persons who are part of the same-sex union are compatible. When it comes to federal rights, the over 1,100 rights that right now are not being given to same-sex couples, I think that's unacceptable.
Susan hardly had begun to slow down when Tera appeared from between a couple of buildings and loped over to the car. I leaned forward, opened the door, and she got into the backseat. I threw her the extra clothes I had picked up, and she began to dress without comment. It worked," I said. "We did it." Of course it worked," Tera said. "Men are foolish. They will stare at anything female and naked.
At the MTV Movie Awards, I was wearing a dress, and that red carpet is outside, and Victoria Justice was going before me on the red carpet. Apparently she's like the biggest star in the world, so everybody was just like 'Victoria! Victoria!' so I am just standing there, and a couple of reporters were just like 'Hello.' And then my skirt just flies up, and I was like 'Take that, Victoria Justice!'
Shonin: I have composed a poem. Kokushi: Let's hear it. Shonin: When I chant, Both Buddha and self Cease to exist. There is only the voice that says, Namu Amida Butsu. Kokushi: Something's wrong with the last couple of lines, don't you think? (after a lapse of time) Shonin: This is how I've written it: When I chant, Both Buddha and self Cease to exist. Namu Amida Butsu. Kokushi: There! You got it!
Actually, social drug-taking went kind of low-key for a couple of years. Probably because of AIDS, people got very conscious of their health. But it seems to be making a comeback. Just the other night I was at a party where people kept disappearing into the bathroom every few minutes. I'm glad I did all that in my 20s and that I'm done with it. And that I wrote about it in Postcards from the Edge.
I don't think that people are necessarily going to films simply because they were adapted from comics, though I could be wrong. Comics aren't really misunderstood either, they've just been mostly silly for the past century, and those genre-centered stories have found their way into the movie theaters over the past couple of decades because a generation who grew up reading them has, well, grown up.
The American accent is a little bit tricky. We grew up with American TV shows, so we've had a lot of exposure to it and that helps, but there's little nuances and little details. Sometimes there'll be just a phrase or couple words that are really difficult to get your mouth around. At the end of every season we go over and revoice anything that has sound issues, including my kiwi accent coming out.
The inflections of community are important because they get at the very meanings of marriage. Marriage is a gift God gives the church. He does not simply give it to the married people of the church, but to the whole church, just as marriage is designed not only for the benefit of the married couple. It is designed to tell a story to the entire church, a story about God’s own love and fidelity to us
I have never written a novel that volleys back and forth between a couple of different first person perspectives. It's definitely a challenge because I had to think about who knows what, when do they know it, when are they sharing what they know or what they think they know, how the reader's perspective affects things. Telling the story in that way is challenging. It does require a lot of revision.
The only award I've been nominated for is a Scottish BAFTA. A Scottish BAFTA, it's like hearing that the animals have their own Olympics. You hear all this stuff about TV being faked. Of course it's faked. It's all faked. That documentary a couple of weeks ago about tribal warfare among monkeys, that was all filmed in a Yates wine lodge in Dundee. Comic Relief is faked. Everybody in Africa is fine.
What I've found is that there is an enormous shift taking place in our society. Suddenly there are all young women who are better educated and earning more money than men their age. When young couples today decide to marry, they have very different expectations of one another than their parents did. And there's even been change at the very top of the career ladder. People tend to underestimate that.
I discovered is that I have a couple of valves that were leaky and had been giving, gave me a problem then. But I hadn't noticed anything up until then.A couple of incidents of shortness of breath and checked myself into a hospital, but that one in France really sat me down for a few minutes - a very few minutes, because seven days later I was in the studio, and eight days later, I was no the stage.
Photography really is all about lines, and so is clothing. I worked for Oberto Gili for a couple of years after I was at ICP; we worked in fashion, travel, interior design, everything. I was inspired by his styling choices within fashion photography, and I think those experiences helped steer me towards fashion design. I love photography as a medium, so I think I will always take inspiration from it.
We went on tour with Phoenix. I don't really know anything about Phoenix I'd heard a couple songs. And I thought, I don't really know if I want to go on this, it's kind of weird, kind of a pain in the ass for us. But everyone was like YOU HAVE TO DO IT, it's going to be so good for your career. And I mean I don't know if it was good for our career but the guys in the band were super huge sweethearts.
Are you sure that being like everybody else will make you happy?" "I don't know any other way." "Let me show you." And then we're kissing. Or at least, I think we're kissing—I've only seen it done a couple of times, quick closed-mouth pecks at weddings or on formal occasions. But this isn't like anything I've ever seen, or imagined, or even dreamed: this is like music or dancing but better than both.
Over the last couple of years, the photos of me when I was a kid... well, they've started to give me a little pang or something - not unhappiness, exactly, but some kind of quiet, deep regret... I keep wanting to apologize to the little guy: "I'm sorry, I've let you down. I was the person who was supposed to look after you, but I blew it: I made wrong decisions at bad times, and I turned you into me.
During the course of my presidency, it feels as if a couple times a year, I end up having to speak to the country and to speak to a particular community about a devastating loss. The grieving that the country feels is real, the sympathy, the prioritizing, the comforting of the families, all that’s important. But I think part of the point that I wanted to make was that it’s not enough just to feel bad.
After we finished touring 'Ignore The Ignorant' we had this perfect idea that we were going to take a couple of years off, that was the plan. Because we thought we were definitely going to take time off, I was going to go back to college, that was what I was going to do. Because the whole idea of it was that I have spent ten years in this band and not even realised that that amount of time has passed.
Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.
The point of view foreigners will have of the film The Conquest isn't the same as the French public. What will interest American and international audiences is the love story between Nicolas and Cecelia that's a metaphor of today's occidental couple, namely the women in the shadows who carry their husbands into the spotlight, but the man is so absorbed with work so the woman leaves him for another man.
Consider the islands bearing the names of all the saints, bristling with forts like chestnut-burs, or Echinidæ, yet the police will not let a couple of Irishmen have a private sparring- match on one of them, as it is a government monopoly; all the great seaports are in a boxing attitude, and you must sail prudently between two tiers of stony knuckles before you come to feel the warmth of their breasts.
Married women vote Republican; single women vote Democratic. That's why liberals promote policies to break up families. Every social malady is a victory for the left. A couple gets divorced and liberals say, "Yay! Another Democratic voter!" A child is born out of wedlock and liberals say, "Yay! Another Democratic voter!" A person gets addicted to drugs and liberals say, "Yay! Another Democratic voter!"
He closed his eyes as she put her hand on his shoulder, and in that instant, nothing else mattered. Not the song, not the place, not the other couples around him. Only this, only her. He gave himself over to the feel of her body as it pressed against him, and they moved slowly in small circles on the sawdust-strewn floor, lost in a world that felt as though it had been created for just the two of them.
Well if I had my choice I would not - I wouldn't mind working with Alec Baldwin, but the mother role - I'm kidding. It's terrific. I'll tell you what happened with Alec Baldwin and myself. This is a couple acting together just this side of heaven. He's one of the best actors I've ever worked with in whole life. And I - I'm not overdoing it. I just think he's about the best around today. So I got lucky.
If you took a couple of David Bowies and stuck one of the David Bowies on the top of the other David Bowie, then attached another David Bowie to the end of each of the arms of the upper of the first two David Bowies and wrapped the whole business up in a dirty beach robe you would then have something which didn't exactly look like John Watson, but which those who knew him would find hauntingly familiar.
Culture is so much faster and so much more effective than anything else. If you go on a march, you march for a couple hours and it might be on the news that night, but if it happens culturally, it happens forever. Everywhere in the world, that TV show is being played. Someone is downloading it illegally. It's blowing someone else's mind. Culture marches so quickly, and it's a language we all understand.
And I think that’s a lot of the reason why when you start to fragment your audience, you start to think about what you’re looking for, you’ll go to different spaces, and it parallels what we do as adults. You go to different bars when you’re in the mood for different things. You see different people when you want to go listen to music or when you just want to have a quiet drink with a couple of friends.
As we curve around into the loop of the City Circle, I can see that a couple of other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from Distric 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic.
Macroeconomic stability will be more elusive and that will affect all of our lives: from the risks many will face in childhood, to the security of employment at working age, to the challenge of accumulating for retirement. More financial instability will introduce more uncertainty all down the line, and that will be a very different world than the one we would have lived in only a couple of decades ago.
I think Google's founders are both a couple of guys with some high ideals which have been to some degree reflected in the way the company has been run in terms of its having a very good workplace and good employee programs, and now that they're going public they want in some ways to be able to ensure that that kind of approach continues. So they've effectively put in place this notion of "Don't Be Evil".
In America, where you'd have thought the country's so huge it couldn't happen quite so cosily, everyone's giving his imprimatur to everyone else. You line up three or four well-known poets and a couple of eminent academics on the dustjacket, and the rest of academe follow like sheep. That's death really, if you take pleasure in it. Mind you, the occasional puff's hard to resist, but you shouldn't inhale.
My impression is that staying together as a couple does not correspond to the challenges themselves, but whether the very idea of breaking up is an option on the table. If it is, then some people take it. If it's not, then they will keep working at it. You must know people who were terribly suited who make it work. And there are couples who seem perfectly suited that break up. It's a mystery to everyone.
Marriage is not something that can be accomplished all at once; it has to be constantly reaccomplished. A couple must never indulge in idle tranquility with the remark: "The game is won; let's relax." The game is never won. The chances of life are such that anything is possible. Remember what the dangers are for both sexes in middle age. A successful marriage is an edifice that must be rebuilt every day.