Quotes of All Topics . Occasions . Authors
Black Lives Matter organizers hold the same values of America's age-old enemies, who have always fought the ideals of our Constitution and our nation. That they have now taken on as their costume a false concern for Black America only adds to their depravity.
As a writer, I think I'm mainly interested in contemporary themes, so when I create my own stuff, it's inherently that. But as an actor, I would like to do lots of different things. I would love to play someone completely different from myself in a costume drama.
Halloween is all about being bold, daring, and creative! You get to be someone else for the night thanks to makeup and a costume. I pretty much do that on the daily, so I am not that big on Halloween, but I do appreciate a good costume and some incredible makeup.
For millennia, human beings have been finding new ways to look at the world through each others' eyes: from projecting ourselves onto the characters in novels or movies to dressing up in costume to devouring the details of some celebrity's life in 'Hello' or 'OK.'
I cannot draw to save my life, and I'm not a big art scholar, but I worked with many designers throughout my career - in theater, in dance, costume designers, set designers, and I have a lot of artist friends and I do photography, and I think it's kind of in my life.
'Turtles' was by far my favourite TV show when I was growing up. It would be the show that I would wanna watch more than anything. We'd record it on the big VHS tapes, and I'd watch it before school, after school, on the weekend, wear the costume, have all the weapons.
People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.
I wouldn't say one is easier or more difficult, but when you're inside a costume and a mask, you have to endure heat - and, often, difficulty seeing. The vision is not very good in a mask. And you have to cope with that, as well as trying to think about this character.
I didn't want to do Chekhov or Shakespeare. So I switched my major from acting to costume design. Eventually, I got a job working as a wardrobe assistant for a theater company. I would dress the actors, fix their costumes, do the quick changes for them and all that stuff.
Timberlake was once a boy-band idol with mismatched baggy attire and the curly, frosted locks of a Cabbage Patch Kid doll. His early fashion missteps included a full denim costume complete with rhinestones and a cowboy hat, and for a time, his hair was twisted in cornrows.
I played Simone, the French tutor for the daughter of a rich Manhattan couple, who goes to a costume ball as Marie Antoinette. While everyone else in 'CSI' races around in police gear, I had to wear a ballgown and bustle and two wigs. It was very heavy on the make-up side.
Doctors, dressed up in one professional costume or another, have been in busy practice since the earliest records of every culture on earth. It is hard to think of a more dependable or enduring occupation, harder still to imagine any future events leading to its extinction.
I turned my hand to costume design a few years ago when I created the outfits for 'This Is the Sea,' with Richard Harris and Samantha Morton. It's a very different discipline to being a fashion designer, though - you have to rein in your own vision and work to a tight brief.
Actors' performances in films are enhanced in a million different ways, down to the choice of camera shot by the director - whether it's in slow motion or whether it's quick cut - or... the choice of music behind the close-up or the costume that you're wearing or the makeup.
My wife Juliana and I first saw Eurovision while on our honeymoon in Greece in 2006, and we were amazed by it. They basically recreate a music video onstage, and pyro cannons, LED video screens, background dancers, fireworks, costume changes, and wind machines are their tools.
If I want to make people moved or cry in a film, I figure out what the room looks like, what the people are wearing, what time of day it is, what the light is, how to photograph it, where to put the camera. It involves optics and costume design and set design and architecture.
I hate the terminology of 'costume' because my clothes are not costumes at all. I think they're high fashion, avant-garde, and more couture, definitely, and yes, some of my pieces are not particularly wearable, but I wouldn't say they're costumes, I'd say they're more couture.
Since childhood, I have been a fan of Spider Man because, according to me, he has the maximum humanity; he is very human, very mortal. So he even gets hurt. He has a poor background, but when he wears the costume, he forgets all of that, all the pressures of the society on him.
There is a scene in one comic from the '60s-'70s where Batman finds a film, a newsreel film, of his father. This newsreel film is from the '50s, and his father has come to this costume ball in a Zorro costume, which strangely enough looks a lot like a Batman suit in the footage.
I hope people will never stop dressing up as Harry Potter. It feels less to me like something you wear because you think it's a great costume idea and more like something you wear because you really like wearing your Hogwarts robe, and you really only get the one chance per year.
Ever since I was younger I wanted to be on stage, singing my songs in a glittering costume. And that happened and is still happening. I have to remember that this is what I wished for and be grateful because there are 500 other girls right behind me that are ready to snatch it up.
I do love the clothes on 'Mad Men' because my character has been so elegant and I would never have had access to these clothes. I think Janie Bryant is a costume designing genius. They'll call and tell me, 'It will only take an hour,' and I'm like, 'I will try on the whole truck!'
The worst job I ever had was working as a Lady Liberty sign-twirler for a tax services place, where I'd just dance and have fun. The way I talk about it makes it sounds like a fun job - but then I got a staph infection from the costume. So that was probably the worst part about it.
My father has developed a tradition of surprising us at some point by appearing in fancy dress. He buys a new costume each year and typically gets carried away. A couple of Christmases ago he appeared in an inflatable sumo outfit. It's endearing, really, and only quite embarrassing.
Filmmaking is so heavy: there are so many people and trucks and teamsters and costume people and hair people and makeup people. I try to make it light and as simple as possible. It's great for actors. It puts the story up front. It's not about shots and dollies and lighting and sets.
When you're even on a regular movie set, you still have to suspend your disbelief. You're working there with only 3 walls of a room, and you're in costume, and you have a camera 6 inches from you and have a crew of 75 watching you. So even there, you have to crank up your imagination.
With the rabbit as our emblem, when we got to the point in 1960 of opening the first Playboy Club... one of our executives suggested the possibility of a bunny costume. We tried it out, and I made some modifications - added the cuffs and the bow tie and collar - and the bunny was born.
There was a kind of madness in the country. Eamon De Valera, the prime minister, had this vision of an Ireland where we'd all be in some kind of native costume - which doesn't exist - and we'd be dancing at the crossroads, babbling away in Gaelic, going to Mass, everyone virginal and pure.
I was on holiday recently and I came home to find that one of the papers here had 'bikini'd' me on the beach. I was wearing a grossly unflattering costume and they had published photographs of me taken from behind. I looked dreadful. I went into our local newsagent and bought up every copy.
My first day on the set of 'John Adams', I was just supposed to fly to Virginia for a costume fitting. But the director figured, why not shoot it, too? So they threw me into a dress that didn't fit, gave me lines I hadn't seen, in a dialect I didn't know, and two screaming, arching infants.
I think one of the major differences between Wonder Woman and Jessica Jones is that Wonder Woman is iconic and much better known, so you get into a lot of ridiculous expectations, like what's her costume going to look like? Well, nobody knows who Jessica Jones is, except for fangirls and boys.
I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.
Nothing will turn you into more of a 'Star Wars' fan than being on a 'Star Wars' set. When you see how lovingly that world is rendered by the set designers, costume designers, props department, art department, they genuinely build an actual world. That is not an exaggeration. They build a world.
I think that sometimes people don't understand that a costume that has to be worn every day and doesn't change the whole movie becomes iconic. It's very important because it requires a different design process, since you have to make something that people aren't going to get tired of looking at.
Transformational acting was the reason why I became an actor in the first place. Your hair and make-up and the costume are the tools that you have, and it makes you feel like that person. When you look in the mirror, you don't feel like yourself, and it changes the way you move. I love that stuff.
Here's what I'm going to say about that: my personal thought about the brilliance of 'Peeno Noir' as proven by the fans' appreciation is that, when watched back, what makes it so exciting is the random locations and the random costume changes and the multiple shots that we've done all over the city.
Singing is the rawest thing. Having been naked in films or naked in photo shoots, it's nothing compared to singing. It's absolute nakedness. You are stripped bare! It's very strange. Acting seems much easier, in fact, because you are putting on a costume - whereas here, you are taking everything off.
I'm very much into the costuming of any character that I portray and it's one of the great things about making movies is it's a collaborative art form so you get all these artists who are looking specifically about for this instance your character's costume and what that might tell about your character.
I always loved Michelle Kwan's outfits. Most of them were designed by Vera Wang, and they're just so simple, but the fabric that they used and the way that it was sewn together look so elegant and rich. You could tell that time had been put into it. It wasn't just another spandex, stucco-covered costume.
There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.
I was always snobby about soap operas, and commercials, too, but one does have to eat. I remember auditioning for a commercial for a mouthwash or chewing gum or something, and I had to pretend to be the back end of somebody in a horse costume. After that, I said, 'That's it. That's it. You've sunk too far!'
Put me in a costume, and I'm your man. I must have one of those faces which seems to suit period drama more than modern films and TV programmes. But I'm not complaining, I love going back in time. I feel quite lucky because nobody knows who I am. I can walk about and have ordinary conversations with people.
It makes a huge difference in how you feel, the way your costume holds you. When you look at yourself in the mirror, it makes you feel a certain way. Actors like to talk a lot about working from the inside out, but there's a lot to be said also about working from the outside in. It can be extremely helpful.
Three children have become adults since a phone call with Jo Rowling, containing one small clue, persuaded me that there was more to Snape than an unchanging costume, and that even though only three of the books were out at that time, she held the entire massive but delicate narrative in the surest of hands.
I don't remember that I ever really went all out to come up with a costume or a persona that could compete with everyone around me. I didn't know what to do. I found Halloween scary for just that fact - it meant that I had pressure to get up and be scary, makeup and all that. That was pretty horrifying for me.
At school, there was an annual school disco and I'd be standing in my bedroom wondering what to wear for hours on end. Eventually I'd arrive at a decision that was just the most ridiculous costume you could have ever devised - I think it was probably knitted Christmas jumpers on top of buttoned-up white shirts.
Costume designers don't care about trends. They appreciate, above so many other qualities, that tailoring is everything, which is a mantra for the way I dress. Ladies: The most important thing in clothing is to find a good, inexpensive tailor, because clothes at the stores are made for bodies that are anomalies.
Our modern understanding of cultural appropriation is highly individualised. It's all about what Halloween costume you wear, or who's cooking biryani. But the way in which the idea was first used was to describe a relationship of dominance and exploitation between a global ruling class and a globally subjugated one.
I grew up in a small town in Washington State, so I wasn't really aware of costume design as a career growing up, but I loved clothes. I remember I saved all my money, and the first thing that I bought was a white blazer, which was to the horror to my parents. But I have always had a strange connection with clothing.
Yes, I love going to fittings and talking about the history of a costume. For 'Versailles,' a play set in 1919, the costume designer told me that pocket squares had just been introduced. The tango was becoming fashionable in London, and dancers used them to mop their brows. I love to learn fascinating stuff like that.