It is a process of finding the right music then planning a costume to fit that style of music.

Nobody beats Superman. Everybody else needs a costume - Superman needs a costume to be normal.

I like a character, not a costume - the idea of putting on clothes and you become someone else.

To sum up my idea of on-ice costume fashion sense, it's probably that too much is never enough.

I love to put on a wig, a costume, inhabit a different world and be called something different.

There's no mystery to it. Nothing more complicated than learning lines and putting on a costume.

I went to America to get away from constantly being cast in costume dramas, playing posh people.

I like to think that at the end of a show, you can just take your costume off and go to the pub.

Whenever I put on a colored thing, I feel like I'm in a costume. Like when I put on a gray shirt.

I just love doing costume dramas; I am very lucky, as I see myself as a part-time time traveller.

The right costume determines the character, helps the actor feel who he is, and serves the story.

I put the costume on and said 'It's not very comfortable, but it looks amazing,' so it's all good.

Don't kid yourself; the guy who's onstage in ripped-up jeans is wearing as much a costume as I am.

When I create a sports costume, I remember that it must not look - how do you say? - 'bedraggled.'

People want to see something that isn't necessarily somebody walking around in a superhero costume.

It gives me a lot of joy when I wear my design at a show and someone asks me who designed my costume.

The Costume Institute Benefit became my baby. It was something that I lived, breathed, day and night.

I hear from many a man around Halloween that's dressed up as Mama for Halloween. It's a great costume.

I remember, as a kid, wearing the Batman costume for Halloween and feeling empowered by that as a kid.

I love costume jewelry, the stuff Givenchy/Riccardo Tisci do, and old school rock n' roll jewelry, too.

Everything is for sale in Hollywood; the fairy tale, the costume, the pumpkin, the footman and the mice.

I love Pinterest! Pinterest is absolutely phenomenal when you're trying to come up with a costume design.

I've done approximately 15 films, and most of the things I've done have either been stunt or costume work.

Once you embody the language, the character comes really naturally, especially when you put the costume on.

Clothes are interesting and they're there to be played with. I like the idea of costume rather than fashion.

I love fashion, and I've always wanted to do costume design, but I'm in jeans and T-shirts most of the time.

During my school days, I was doing a play, and my costume fell on the stage. I really wish it didn't happen.

I love having a costume for The Vixen as getting into the look allows me to be a bit more snarky and snippy.

All my siblings became artists. One's a novelist, my brother is a painter, my sister was a costume designer.

I think Jenny Beavan is a masterful costume designer and very deserving of the Oscar for 'Mad Max: Fury Road.'

I want to create things while I have time on Earth, and the art of costume and culture has always inspired me.

Most drag queens, they put on music like it's a costume. It's not in their bones. It's not in their background.

I hate bananas. I just hate them. But I also think a banana suit is the funniest fruit costume a person can wear.

I've never thought of acting as rocket science - you put on the costume, get your hair cut, and that's it, really.

My favorite event of the season is the Costume Institute Gala at the Met in May. To that I'll wear custom Vera Wang.

Yes, I would love to step outside the costume drama category and play a young urbanite, something closer to who I am.

Fashion offers no greater challenge than finding what works for night without looking like you are wearing a costume.

Most superheroes, when you look at origin stories - before they invent their costume, they just go with what's around.

I think of clothes a lot like costumes. I think of what I wear in real life as being my real life character's costume.

Halloween is not only about putting on a costume, but it's about finding the imagination and costume within ourselves.

People are often a bit more adventurous with swimming costume prints; they like the idea of something a bit more jolly.

I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.

My mom made me a Shawn Michaels costume when I was a kid. I wore it every day and ran around the house dancing like him.

For me, I tend to enjoy wearing any period costume. I love how fashion and clothing has changed and evolved through time.

Costume is a huge part of getting into character. Your body soaks in what you're wearing, and you turn into someone else.

I always liked clothes; since I was very, very young, I was interested. I studied costume as part of my theatre education.

I am, in fact, Superman. Every morning I wake up and go into a telephone booth and change my costume, and then go to work.

I love drawing Ryan Reynolds in his Deadpool costume. He looks amazing and is the true embodiment of the Merc with a Mouth!

I love fashion as an art; I love fashion as costume, as a character. I don't like dictates and the phoniness of appearance.

As a costume designer, I first try to figure out what the character's economic situation is and hit the stores they'd shop.

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