Quotes of All Topics . Occasions . Authors
In the spring of 1988, my wife, Joan Didion, and I were approached about writing a screenplay based on a book by Alanna Nash called 'Golden Girl,' a biography of the late network correspondent and anchorwoman Jessica Savitch.
The idea of being a foreign correspondent and wandering the world and witnessing great events, having adventures and covering the activities of world leaders, appealed to me greatly. It was a very glamorous life in those days.
When I started as a White House correspondent, there was a lot of criticism from guys saying, 'She focuses too much on the person but not enough on policy.' I never understood that argument at all. I just didn't agree with the premise.
I started writing and photographing for different publications and finally ended up being the correspondent in South Asia, for the Geneva-based Journal de Geneve, which at one time used to be one of the best international newspapers in Europe.
I had been a foreign correspondent in Japan for the 'Wall Street Journal' when my editor there became Washington bureau chief - this was 2007 - and he said, 'How would you like to go to Iowa and cover Hillary Clinton?' I was 28. I went to Iowa.
I mean the idea of this is that it's a good thing for the public to hear interviews like this and that there will be an inevitable amount of fewer interviews if people that the press talks to wind up thinking, well, it's not really a CBS correspondent.
I knew from an online search that the Wisconsin State Historical Society, on the vast University of Wisconsin campus, held the papers of Sigrid Schultz, a spunky correspondent for the 'Chicago Tribune' who became one of Martha Dodd's friends in Berlin.
The first time I met President Obama was 2006 in Baghdad. He was the senator from Illinois; it was a month before he actually ended up declaring. He had to come to Baghdad to kind of check that box, and I was the correspondent for 'Newsweek' at the time.
Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.
Holding political leaders accountable on behalf of voters is at the core of what I do every day in my role as Chief White House Correspondent, so to do it on the national stage at a critical moment in the primary is a responsibility I take really seriously.
I would say that the war correspondent gets more drinks, more girls, better pay, and greater freedom than the soldier, but at this stage of the game, having the freedom to choose his spot and being allowed to be a coward and not be executed for it is his torture.
They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.
I'm always interested in furthering our sport. Like, I would love to be a correspondent newsperson, somebody who informs the fans a little bit more and able to bring a little more closure to our sport where it's more of a black and white as opposed to the gray area.
Initially, I tried to become an aid worker and someone who could help people, but I was unsuccessful in convincing anyone that I could be of any use. So I went and became a war correspondent without any experience in war or in being a correspondent. So that was daring.
Abu Musab al-Suri is someone I got to know pretty well because he's a Syrian. Very bright guy, lived in London. He actually was the person who took myself and correspondent Peter Arnett and the cameraman, Peter Juvenal, to interview bin Laden for his first TV interview.
Chia Chang, the Washington correspondent for the privately owned Taipei news organization 'United Daily News,' was told to leave the ICAO building after producing a Taiwanese passport to ICAO media accreditation officials. Canada recognizes Taiwanese passports. Beijing does not.
For many years as a foreign correspondent, I not only worked alongside human rights advocates, but considered myself one of them. To defend the rights of those who have none was the reason I became a journalist in the first place. Now, I see the human rights movement as opposing human rights.
I started at 'The Daily Telegraph' as a daily news reporter. I moved then to 'The Guardian,' and then I moved to New York as the correspondent for 'The Guardian,' moved to 'The Times of London.' And really, it was the best job you could imagine. You could cover any story you wanted in America.
The greatest promotion I ever had on a newspaper was when 'The Washington Post' suddenly promoted me from city-side general assignment reporter to Latin American correspondent and sent me off to Cuba. Fidel Castro had just come to power. It was a very exciting assignment, but also very serious.
I think I'm still chewing on my years as a foreign correspondent. I found myself covering catastrophes - war, uprising, famine, refugee crises - and witnessing how people were affected by dire situations. When I find a story from the past, I bring some of those lessons to bear on the narrative.
Like all young reporters - brilliant or hopelessly incompetent - I dreamed of the glamorous life of the foreign correspondent: prowling Vienna in a Burberry trench coat, speaking a dozen languages to dangerous women, narrowly escaping Sardinian bandits - the usual stuff that newspaper dreams are made of.
Years ago, NPR tried to stop me from going on "The Factor." When I refused, they insisted that I not identify myself as an NPR journalist. I asked them if they thought people did not know where I appeared on the air as a daily talk show host, national correspondent and news analyst. They refused to budge.
My dad, Bob Blum, used to dash across Grand Central's main terminal catwalk several times daily as a young CBS correspondent, running copy from newsroom to studio and back - because CBS' first broadcasts were from Grand Central Terminal. The pictures on people's television sets used to shake when the trains came in!
The great thing about being a print journalist is that you are permitted to duck. Cameramen get killed while the writers are flat on the floor. A war correspondent for the BBC dedicated his memoir to 50 fallen colleagues, and I guarantee you they were all taking pictures. I am only alive because I am such a chicken.
There's very little you could do to prepare to be a correspondent on 'The Daily Show,' because it's not being a journalist, it's not being an actor. It involves elements of both of those things, but they're not required necessarily as job experience. It's helpful if you know how to improvise, but again, not a requirement.
I was a news reporter for 16 years, seven of them a foreign correspondent in the Middle East, Africa and the Balkans. Perhaps the most useful equipment I acquired in that time is a lack of preciousness about the act of writing. A reporter must write. There must be a story. The mot juste unarriving? Tell that to your desk.
I don't ever think of myself as coming from a particular class because my father was working class but made his living as a newspaper foreign correspondent - someone of no fixed abode, as he used to say - who was as comfortable dining with the Mountbattens in India as he was having a pint with the boys. He was very gregarious.
My four years in Russia end, then, in dramatic fashion: with a textbook Soviet-style expulsion. I am the first western staff correspondent to suffer this fate since the end of the Cold War. I'm stunned. But my expulsion is not, I reflect, a surprise. It's something I have always accepted as a real, if far-fetched, possibility.
But for me, a physician, chief medical correspondent for a major network, and women's health expert, the thought of exposing myself to millions of people as someone who'd been completely blindsided by the suicide of my children's father, and by the impact of that suicide on Alex and Chloe and me, was nothing short of terrifying.
I'd gotten myself into a kind of journalism that wasn't really compatible with rearing an infant. I'd been a foreign correspondent for a long time and had this subspecialty in covering catastrophes. It had spoiled me a little because you have a tremendous amount of autonomy, and I couldn't really see being an editor in an office.
My father was a little frightening - a huge man, six foot four - and he looked like God. He was always a visitor, as far as I was concerned, because my parents separated when I was nine. We only became friends when he was old and began to shrink. During the war, he was a BBC war correspondent and did some extraordinary broadcasts.
Working as a correspondent for 'Business Week,' I felt that I was simply informing people, not empowering them. I saw a parallel problem in the world of education. In too many educational settings, teachers simply 'inform' or 'instruct' learners, rather than providing learners with opportunities to explore, experiment, and express themselves.