Quotes of All Topics . Occasions . Authors
Each person is responsible only for his or her own sins. Even the Christian doctrine of 'original sin' does not mean that humans are punished for the sin of the first human pair but, rather, that humans seem inevitably to copy the sin of the first human pair.
I have very talented art directors in my agency who start out telling me, 'Well, this is what the picture is... ' I ask, 'Well, what's the headline?' and they say, 'We haven't done that yet, but it looks this way.' But I'm still writing copy, almost every day.
'Mr. Peanut' is not about a man who dreams of killing his wife; that's jacket copy, to me. 'Mr. Peanut' is about the dynamism of marriage and the distances - some tragic, some redemptive - that marriages travel over time, and those travels ain't always pretty.
Mass prosperity came with the mass innovation that sprung up in 1815 in Britain, soon after in America, and later in Germany and France: It brought sustained growth to these nations - also to nations with entrepreneurs willing and able to copy the innovations.
We authors certainly don't know what is going to happen to our books. Are they going to disappear into the ether, following music downloads, or are ebooks going to open up a whole new world of readers? And how much are we being paid per copy? We haven't a clue.
The last copy of the Chicago Daily News I picked up had three crime stories on its front page. But by comparison to the gaudy days, this is small-time stuff. Chicago is as full of crooks as a saw with teeth, but the era when they ruled the city is gone forever.
I bring a copy of 'Dracula' with me wherever I go, the book. It's my favorite book in the world, it's absolutely incredible. My great-great grandfather was the guy who printed the first edition, so he's the first person to ever put 'Dracula' on the written page.
You can imagine a soul as being a detailed, elaborate pattern that exists very clearly in one brain. When a person dies, the original is no longer around. But there are other versions of it in other people's brains. It's a less detailed copy, it's coarse-grained.
What teens share online is dwarfed by what they consume. Pre-Internet, you had to hoof it to the grocery store to find a magazine with celebrity bodies - or at least filch your mother's copy from the bathroom. Now the pictures are as endless as they are available.
I tried to emulate my favourite guitar players, the old bluesmen like Blind Willie McTell and Big Bill Broonzy. I used to sit by the record player and copy Chuck Berry and the Beatles. You can never copy someone completely, so you end up developing your own style.
If you're ever bcc'd, do not go near 'reply all.' 'Bcc' is 'blind carbon copy.' It means you're a fly on the wall, dude! If you hit reply all, it's beyond bad etiquette to out the person who gave you the superpower of invisibility. It's like screaming, 'I'm a spy!'
I have been a journalist, off and on, since I was 17. I was a copy boy for the 'New York Times,' when it had an edition in Paris, in 1963. I sold the paper in the streets by day and tore wire copy off the tele-printer for the editors making up the edition by night.
If you take all the factories in the world today, they could make all the parts necessary to build more factories like themselves. So, in a sense, we have a self-replicating industrial system today, but it would take a tremendous effort to copy what we already have.
I oftentimes say that I design my collections off my phone. I'm in a group chat with my team in Milan. I copy and paste. I draw. I look at trends. I don't really have an assistant. It's a modern way of working. I don't know if it's sustainable, but it's how I do it.
I've always avoided publicity. I've never been good copy at any stage of my life. I don't strive for it, because I don't think it's important whether I'm good copy or not. The two can go together, if that's your personality, but every person on this earth is unique.
To get high data transfer rates in communicating information, you would love to use optical fibers. The problem is that light is extremely hard to manipulate. So we make a perfect copy of the information carried by the light. We transfer it to matter - the condensate.
Children up to the age of seven are like sponges. They look up to adults and copy what they do. So I thought if I could create a positive role model - a superhero, if you like - who moves around and has a balanced lifestyle - then they would be motivated to move more.
I don't really see myself in a lineage which is fine with me. Sometimes I do try to explicitly copy an exact song, an arrangement, a sound - and I fail. And so you can't even tell I was trying to do that thing. It makes sense in my own head but I'm incapable of copying.
I am a free man. I do not need to copy Petrarca or Boccaccio. My own genius is enough. Let others worry themselves about style, and so cease to be themselves. Without a master, without a model, without a guide, I go to work and earn my living, my well-being and my fame.
People want to listen to a lot of music and do whatever they want with it. They don't want DRM, they don't want subscriptions. They don't want a player that only can do this but can't do that and you only have one copy. They don't want that. You know? I don't want that.
Far be it for the public schools to teach this, but the U.S.A. was founded on basic Judeo-Christian principles. Don't believe me - take a trip to Washington D.C. and tour the Supreme Court building. There you will see a sculpted copy of the Ten Commandments on the wall.
I didn't look at the previous 'A Wrinkle in Time' movie. I wrote ideas down from the book, but I didn't really want to copy that Meg. We're the same, but we're different at the same time. I wanted to make myself Meg. I didn't want to use somebody else or use a reference.
'Don Quixote' is a very political book that has been used by diplomats, politicians, guerrilla fighters, to inspire people, to convince them that they themselves can become quixotic. George Washington had a copy of the book on his desk when signing the U.S. Constitution.
I think the biggest challenge is going to be finding a place that sells comics. Ideally, you want someone to come out of a movie theater, look across the street, see a newsstand, walk in and find a copy of the 'X-Men' sitting there. But that's not what's going to happen.
Upon receiving my notification of acceptance to the university, my parents noticed that they were obliged to submit to the university, among other things, a copy of my official family register. After much mental anguish, they decided to inform me of the secret of my birth.
I'm at the point, frankly, where I'd rather deal with a misogynist with a copy of Tucker Max's book in his backpack over someone in sensitive emo-boy clothing, because both are misogynists, only the one with the backpack is more honest about just how scared of women he is.
I'm definitely trying to make songs that people can sing along to and remember. If you can recognize a chorus and leave with it in your head, it's usually a good sign. But then with the verses, I can get a little more free form. I don't really like to copy and paste things.
What happened in the region in the last 30 years is not the Middle East. After the Iranian revolution in 1979, people wanted to copy this model in different countries; one of them is Saudi Arabia. We didn't know how to deal with it. And the problem spread all over the world.
Before 'Veronica Mars,' I was not, and probably am still not, much of a crime reader. My mom left out a copy of 'Helter Skelter' when I was 10, and I secretly read it, and then I spent all my teenage years afraid of hippies. I kept away from crime books for, like, ten years.
While I began writing 'Rules of Civility' in 2006, the genesis of the book dates back to the early 1990s, when I happened upon a copy of 'Many Are Called,' the collection of portraits that Walker Evans took on the New York City subways in the late 1930s with a hidden camera.
In Hollywood, they think drawn animation doesn't work anymore, computers are the way. They forget that the reason computers are the way is that Pixar makes good movies. So everybody tries to copy Pixar. They're relying too much on the technology and not enough on the artists.
It's like I was always not quite sure even how to move in space somehow; I would watch people and then copy them. I found it really hard to walk straight. My brother was always on at me for walking off the pavement. I guess I always expected people to bring me back into line.
Women of child-bearing age steadily run out of eggs by the continuous process of cell death. While reading a copy of the 'Guardian' carefully from cover to cover, a normal woman will have lost on average two eggs - while, typically, a normal man will have made 70,000 new sperm.
For the three years I lived in New York leading up to moving out to Los Angeles for 'Mad Men,' I was an office temp at Ernst & Young in Times Square. That's about as desk-jobby as it can get. There was a lot of, 'Go two floors up and make a copy of this and then bring it to me.'
When we had our first son, four different people gave us the same present: a copy of Ezra Jack Keats' 'The Snowy Day.' A new child often inspires duplicate gifts - we were given a dozen mostly useless baby blankets, just one more thing to spit up on - but this one was different.
I tried a few grad school programs because I didn't know how to make it... Eventually, I was desperate for a job, and there was a new newspaper opening up in Washington, D.C., called 'The Hill.' Even though my interest in politics wasn't huge, they gave me a job as a copy editor.
A Boosh fan bought me an original copy of 'The Jungle Book' - like, the first print from 1894 - so I've just started re-reading that and am really enjoying it. But the last book I read in its entirety was 'Willard and his Bowling Trophies,' by Richard Brautigan, which is amazing.
I vividly remember my first 'Superman' comic, which my granddad bought me when I was about 7. From that point on, all I wanted to do is draw comics. And specifically, superhero and science fiction comics. Basically I used to copy comic books, and draw my own comics on scrap paper.
Beto's copy of the Bill of Rights goes from one to three. Mine includes the Second Amendment. But there are a whole host of people here in Washington... they would be happy to confiscate America's guns. And if you don't believe that, then you probably also still believe in Bigfoot.
I was a fan of 'Six Feet Under' and was very sad when it ended, so I was not ready to switch my allegiance to another show. So I was like, 'I'm not watching this 'True Blood.' Then a friend got a bootleg copy of the first four episodes, and by the third one, I was irrevocably hooked.
Gone are the days when your indiscretions at university were recorded in a roneoed college newsletter of which there is only one copy left tucked in a filing cabinet at the back of a library. Today that same college newsletter is online, accessible by the whole world now and forever.
The way I write is, I listen to things in my head, and then I copy them down. I memorize conversations and things like that; I seem to be able to do that pretty well. I suppose in that respect there's some improvisation, although I work over the stuff after I've got it down on paper.
Thomas More's birth was noted by his father upon a blank page at the back of a copy of Geoffrey of Monmouth's 'Historia Regum Britanniae'; for a lawyer John More was remarkably inexact in his references to that natal year, and the date has been moved from 1477 to 1478 and back again.
I spent a lot of time at my grandparents in the school holidays, and the only books in the house were a copy of the Bible and Agatha Christie's 'Murder at the Vicarage.' I developed a taste for murder mysteries and then later discovered libraries, second-hand bookshops, and jumble sales.
I don't say I create. I copy, of course. I've never been interested in the point of view of the tailor or creator. Fashion is a visual impression. This is why I often refuse the name of fashion designer. It's a superficial, stupid job. The social-psychological aspect is more interesting.
I want to evolve each season. I never want to be one of those brands where people know what they're going to see. I always want an element of surprise. One thing I never want to do is copy what anybody else is doing. I have a signature, and it's very important to me to stay true to that.
When I was 13, listening to Choice FM, I would listen to a lot of R&B from America, and whenever a British person tried to do it, it didn't really work, they just sounded like they were trying to copy that whole style. Now the music sounds British, something real rather than an imitation.
My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions.
We should find inspiration in the senses that already exist and try to copy them and apply them to us. If we compare our senses to the senses of other animals and species that we don't have, we can get ideas for new abilities that we can adapt to humans by applying cybernetics to the body.
I was on holiday recently and I came home to find that one of the papers here had 'bikini'd' me on the beach. I was wearing a grossly unflattering costume and they had published photographs of me taken from behind. I looked dreadful. I went into our local newsagent and bought up every copy.