Quotes of All Topics . Occasions . Authors
Copywriting probably did make me a commercial writer. Nobody wants to read advertising copy, so you have to keep it punchy; you almost have trick them into reading it. You have to make every sentence work.
I write in all sorts of places; it's a legacy of my time as a journalist, where I could turn out copy in a hotel corridor. But I have a little office that I rent in my local town, and that's my ideal place.
Reading the final copy of my book was like walking down memory lane all over again. Sure, the writing process was emotional, but when I had the final copy in my hands, it was a completely different feeling.
When France was the only reference for chefs to learn, you could go everywhere in the world, and they would copy dishes directly because they didn't have much expanded imagination or technique or knowledge.
I'm forced away from what I would call my music. I can't do another thing like 'Maxinquaye.' But if people didn't go out and copy it, I might have done another three or four 'Maxinquayes.' Which is terrible.
After being in one movie, it didn't seem like that would be my life. I had done several jobs, briefly. I'd been a shipping clerk, I worked in a copy shop, I didn't think the acting was going to go on and on.
Don't copy another writer's style, because that is not authentic, and that's how it will sound. You develop your style over your whole life and through countless influences. Don't impose something artificial.
Oftentimes, when a movie turns into a series, you never retain the creative auspices. You buy the idea, you buy the franchise, and then you bring in a whole new creative team and copy the tone or sensibility.
If I don't get enough sleep, my brain gets fatigued, and the voice suffers. If I'm doing some retail work and trying to read and record legal copy, I start sounding like I had a few too many the night before.
For a while there, I was a stringer. The expression comes from the old habit of stringing together the column inches that you had written. They'd measure it and pay you 10 cents an inch for your printed copy.
I don't like traditions, I am very personal, very independent, I don't like intimate ladies, I mean in German lieder there's a lot of copy, a lot of imitation, a lot of tradition, and this I have put it aside.
Billy Barnes signed me and got me my first role in an interracial love story filmed in Atlanta called 'Together For Days' with Clifton Davis. My mother thinks it was my best work. You cannot find a copy of it.
If I listen to 120 stories, I'd love 10 of them, seven would go on floors, four would get completed, three films will have the first copy ready, and one will release in theaters. This is how it has been for me.
I tried to copy some of his mannerisms at first but it didn't work. And then I just let the spirit of the character grow in me and it just took its rightful place. I started to speak the lines and it felt right.
As for Kate Bosworth, I've always admired her. I watched her in a movie called 'Girl in the Park,' which has never been released - not even on DVD. I had a copy, and it was bravura acting I had not seen from her.
Even if it was a difficult operation to copy a song, it only takes one person to do it. After that the spread of the song via the Internet or other means of propagation is only limited by the honesty of the users.
There's still a place for someone to come up with a strong headline, some copy in a commercial that's well written. I'm not saying it was better in the old days; it's just a totally different way of communicating.
Most fledgling and mid-list writers are lucky to be offered a 4-figure sum and are not only expected to deliver copy that needs minimal editing but also take an active part in marketing and publicizing their work.
With a computer, you make your changes on the screen and then you print out a clean copy. With a typewriter, you can't get a clean manuscript unless you start again from scratch. It's an incredibly tedious process.
When I was sixteen, I borrowed a copy of 'To Kill a Mockingbird' from the mobile library. Democrats and Republicans were standing for very different principles, and I could see which side was going to represent me.
I remember I was in grade school, the fourth grade, in a free reading period in the library. Someone in my class found a copy of the Forbes 400, a list of the richest people in America, and my dad's name was on it.
First. I began my career as a copy girl. and the White House coverage, for example, was in the then-Women's section. So it was social coverage. It wasn't news, although we often got rather startling news out of it.
I still believe in putting something out and not asking people to buy the record, then buy a ticket to my show and then buy a t-shirt and then a, like, copy of the show they just saw on CD. That's undignified to me.
When a company identifies how to integrate the processes needed to give the consumer a sense of job completion, it can blow away the competition. A product is easy to copy, but experiences are very hard to replicate.
When I was fifteen, my father gave me a first edition copy of Ray Bradbury's magnificent work, 'The Martian Chronicles.' I had read other science fiction by noted authors, but this book was something else altogether.
Steven Gerrard was someone I looked up to massively. I'd always try to copy him, right down to the boots he was wearing. It was his attitude on the pitch that stood out - you could really see how much he hated losing.
I was in my mid-teens when someone gave me a copy of 'Pears Encyclopaedia of Myth and Legends' as a birthday present. It sat on my shelves for many months before I looked at it. When I did, I couldn't stop reading it.
If you look at a copy of EO 11110, you will find that it does not order the issuance of Silver Certificates. It orders an amendment to EO 10289... Those functions did not include the power to issue Silver Certificates.
I had no confusion about making a superhero film. From the very day one, I knew I will make a movie of this genre which will have an Indian superhero. I never wanted to copy my superhero from any of the Hollywood ones.
Look at Inuit clothing. Their stuff still works better than Cabela's. I've made my own parkas, mukluks, footgear, and it is good to 60 degrees below zero. All I did was copy the patterns that came down from the Inuits.
I've always said - I've been making games for twenty years, and from the first day I got in this business, I've been saying, 'All I have to do is sell one more copy than I have to, to get somebody to fund my next one.'
I take a certain pride in having maintained a reputation for fast copy throughout my newspaper career. Fast-breaking stories left my typewriter in a hurry. Not great literature, perhaps, but fast, and usually accurate.
Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!
'Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.
My colleagues and I would spend a lot of our own money on copy, paper, and pencils. I just figured there are people out there who would want to help teachers like us if they could see exactly where their money was going.
I own a copy of the original 'Talking Heads' by Alan Bennett, which I purchased many years ago shortly after they were first broadcast. It's been lovingly well-thumbed over the years. They are magnificent. A masterpiece.
There have been times when I reread - or at least leafed through - something because I'd sent a copy to a friend, and what usually happened was that I noticed dozens and dozens of clumsy phrases I wished I could rewrite.
Any child who dreams to do good in the world has Mandela as his hero. I own a dog-eared copy of 'Long Walk to Freedom' and visited Robben Island, where he was imprisoned, to stand in a cell only as wide as an arm's span.
As you get older, whatever your struggles may be - how you sound, how you look, how you dress - you grow into yourself a little bit more. You end up realizing the world wants you and not a carbon copy of six other people.
Except in very narrow cases, where there's breakthrough science that needs patent production, worrying about competitors is a waste of time. If you can't out iterate someone who is trying to copy you, you're toast anyway.
If you have a personality predisposed to liberalism, you might gravitate more to the artsy crowd or the anti-establishment crowd. And then those peers will affect you, and they will give you values, and you will copy them.
I've learned my tricks watching videos on the Internet with friends. I'm always trying to copy what I've seen at home, what I learned from my friends. But you have to repeat it again and again to get it right on the field.
The transition state of manners and language cannot be too often insisted upon: for this affected the process at both ends, giving the artist in fictitious life an uncertain model to copy and unstable materials to work in.
I know some of my memories are made up and they are far more powerful than the things that actually happened. For example, I always remember my brother posting me a copy of 'Dubliners' from Africa, but he says he never did.
I put the copy of 'A Christmas Carol' that my grandfather had first read to me 60 years ago on my desk, and I began to write. The result, for better or for worse, is the 'Christmas Spirits.' I plan to read it to my grandson.
I think it killed the performance on a lot of the systems in the Labs for years because everyone had their own copy of it, but it wasn't being shared, and so they wasted huge amounts of memory back when memory was expensive.
It was my great good fortune, while I was still a student at college, to have possessed a copy of an English translation of his great work 'The Sensations of Tone.' As is well known, this was one of Helmholtz's masterpieces.
We Americans love original ideas. But truly, there are already plenty of good ones out there, ours for the taking. If I were too proud to copy the ideas of others, I likely wouldn't have even a fraction of my current success.
Perhaps the most versatile and useful plug-in in the collection is Mass Copy. It is certainly the one I use the most. Due to limitations in how plugins can interact with Finale, Mass Copy has a somewhat unusual user interface.
When I was a kid, my father brought home the autobiography of Sid Luckman, the great Chicago Bears quarterback - probably an extra copy from the sports department where he worked. It was the first sports biography I ever read.