When something works for you or another brand, ask yourself, 'Why?' Then don't copy it but think about what you can do that's unique to you and better.

I just saw 'Tiny Furniture' and became so obsessed with it that Judd Apatow jokes that I'm the distributor of it. I was making copies and giving them out.

Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.

We were at Pye Studios for half an hour so we set the gear up and we did two tracks. A month later we found out it was selling thirty thousand copies a day.

Poison is one of the first, if not the first, truly independent bands to sell 3 million copies of our first record. It was before we were with a big company.

Novelists want to be published and need a publisher to decide to print 20,000 copies. So you need to entertain on some level. I want to reach out and connect.

I read a ton of paper every day. I read the newspapers, I read my intelligence materials, I read all the briefing materials. I read the newspaper in hard copy.

I stopped by Politics & Prose to sign a few copies of 'Constellation.' A couple days later, I learned that Barack Obama also stopped by and left with one of them.

This book, 'Stupid White Men,' has sold now over four million copies worldwide. Probably about half of that may be in the U.S. and Canada, and the rest, overseas.

Actually the copies of characters is something I don't particularly like to talk about in articles but just for your information, most characters there's only one.

If I do five, six records that sound great, I want it to come out as fast as it can. I don't care how many copies it sells. It's about musically moving the needle.

I'm the type, when I used to go to the record store I used to buy two or three copies of certain records so I've got a pretty large selection of a lot of 12 inches.

Let us cleave to Christ more closely, love Him more heartily, live to Him more thoroughly, copy Him more exactly, confess Him more boldly, and follow Him more fully.

Unless any book is selling 30 million copies, like 'Fifty Shades of Grey' did, the big studios are not going to make movies out of them because the cost is too high.

I started writing movie scripts. They excited me a lot, but I didn't like them when they were finished because they were simple copies of the films I saw in childhood.

Turns out, what I love doing is making games. Not hyping games or trying to sell a lot of copies. I just want to experiment and develop and think and tinker and tweak.

'Youngblood' #1 was my first brush with Internet bashing. Message boards were just emerging, but the criticism was drowned out by millions of copies flying off shelves.

I'd started doing fanzines from the age of nine. I'd been doing as many copies as you can get carbon paper into an upright typewriter, and I'd try to sell them at school.

When I'm writing a book - say I'm going to write a parenting book. I'll go out and buy the 100 top parenting books and I will read those, not so I can copy them for sure.

I have this first album that sells more than 100,000 copies in its first week, debuts at number two, goes gold, the single goes platinum, we're doing Madison Square Garden.

On two or three book tours, I have visited bookstores in the Mall of America and signed copies of my books and introduced myself to store employees who I hope will sell them.

We always thought if 'Beauty and the Beat' sold even 100,000 copies, we'd be real happy and a successful group, so when it reached a million... Hey, we just laughed about it.

'X-Force' #1 sold 5 million copies. By default, the second issue dipped and did 1.3 million copies. But the cover of 'X-Force' #2 is Deadpool. It's not X-Force, It's Deadpool.

I naturally own a lot of very old magazines. And I enjoy going to old magazines because the advertisements in those magazines tended to have thousands of words of copy in them.

Some people try to paint in my style. Some simply sell pirated copies of my work. Some claim to be my publisher or agent or even my exclusive representative, when they are not.

Raoul' sold a respectable 700,000 copies without a hit single. It didn't take off. If you don't sell 8 million albums or 4 million albums again, everybody deems it a big failure.

When I was in middle school, some of my so-called friends found a catalog ad I did for Superman pajamas. They made as many copies as they could and pasted them up all over school.

The painter who draws merely by practice and by eye, without any reason, is like a mirror which copies every thing placed in front of it without being conscious of their existence.

When I was in middle school, some of my so-called friends found a catalogue ad I did for Superman pajamas. They made as many copies as they could and pasted them up all over school.

'The Tin Drum' is one of my favourite books of all time - I've probably got 12 or 15 copies with different covers, different translations - but it's also just about my favourite film.

Digital books and music are often different from their physical counterparts in that consumers buy licences to a work, revocable under an ongoing contract, rather than their own copies.

'New Mutants' #100 went out the door with over a million copies. It is the highest-selling last issue of any comic ever. And that's when I knew that I spoke fandom. I spoke their language.

We got involved with the RepRap Project, a community focused on making 3-D printers that could make copies of themselves and help create a world without money. We started making prototypes.

I was an underground artist, but the underground status was successful. Coming from where I came from to see where rap is now, now artists are selling from a million to eight million copies.

You know when you first get rich, and you, like, just buy everything that you see? I did that for several years. And I have sheds full of things, maybe sometimes nine copies of the same thing.

I looked back at some of my earlier published stories with genuine horror and remorse. I got thinking, How many extant copies might there be, who owns them, and do they keep their doors locked?

The 'Frampton' album sold better than all of the other solo records that I'd had, put together. It was over 300,000 copies, so that was a good signal that we were poised for my first gold record.

I would love mainland Chinese to read my book. There is a Chinese translation which I worked on myself, published in Hong Kong and Taiwan. Many copies have gone into China but it is still banned.

The most painstaking phase comes when the manuscript is set in 'type' for the first time and the first proofs of the book are printed. These initial copies are called first-pass proofs or galleys.

I do think that copyrights and intellectual property are important - it's important to be able to keep people from making verbatim copies of a particular creation that could somehow hurt the creator.

I'm not big on reading business books. I get copies of all of them, because people want me to put a comment on the jacket. Every once in a while, I'll get interested and read one all the way through.

If a book sells a few hundred thousand copies or a million copies, which is great, it's perfect for PassionFlix because we don't have the same overhead as some of the studios do to make these movies.

So much magazine writing is playing to an empty room. You work like a plow horse, your words get printed on a half-million or more copies, and then it often just disappears into this national vacuum.

'If I Can Dream' is my all-time favorite Elvis song. It was a big record, but not as big as it could have been. It was one of those records where you'd think it sold 10 billion copies, but it didn't.

Record companies worrying more about market share than developing artists - I hear there was a time when if your first record didn't sell 8m copies, you were still given a chance to grow as a songwriter.

I was really overwhelmed by the amount of roles that I got offered that were carbon copies of what I did in 'Up in the Air.' I got every offer for every ambitious, unfeeling practically robotic character.

From the age of six I wanted to be an artist. At that point I meant a painter, but it turned out what I really meant was I was someone who was very interested in watching the world and making copies of it.

I think the power of the platforms is outstripping the size of the audience. We can't charge $150 for a game. And when the best-selling game of all time has sold only 20 million copies at $60, do the math!

But thankfully, my first album, 'Wide Screen,' was sort of a critics' darling - everyone raved about it, but no one bought it. They only manufactured 10,000 copies; I wasn't even in the running for failure!

And, since the model he faithfully copies is not going to be hung up next to the picture, since the picture is going to be there on its own, it is of no interest whether it is an accurate copy of the model.

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