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Unlike other professions - doctor, lawyer, teacher, journalist, sales clerk, stock broker - when a cop makes a bad mistake, it could mean someone is dead. They take home mental baggage unlike anything carried in almost every other job.
I was an infantry Marine, and there are only so many things you can do when you get out of the military that you can apply your job to. Either a janitor or a cop. I tried to do both of those things because what else are you going to do?
There's something very surreal about driving a truck, looking in the rearview mirror, and seeing 20 cop cars behind you. Even though you know, 'We're just shooting. This is just a scene; we're making a movie here,' it's very unsettling.
Persistence and determination are incredibly important. But sometimes you need to analyze the situation and understand when you're wrong. You need to be able to cop to being wrong, learn to change, and continue to grow as a human being.
I've learned a lot with every character, everything from being a cop, to a lawyer to a tattoo artist. And underneath that stuff, I've been really able to find myself through the characters. It's served as a cheap form of emotional therapy.
I'm not excusing the illegal act. I am here illegally. I'm here illegally, without authorization. That's a fact. That's nothing you can call the Orwellian cops about. But I am a human being, so therefore I am not illegal. That's also a fact.
Vishous's chest expanded. . . and his diamond stare slowly swung to Butch. There was a heartbeat of intensity. Then V reached out and repositioned the cross so it once again hung over Butch's heart. "You did well, cop. Congratulations, true?
When 'Supernatural' came out, there were a lot of procedurals and you were either a doctor or a cop or lawyer, otherwise the show didn't stay on TV. And then we came around, and I don't want to say we were trailblazers, but we found our niche.
I never went through a period were I wanted to be a doctor, a cop or even a rock star. All I wanted to do was play short stop for the Yankees from the time I was about 5. Then I turned 15 and realized how silly that was and just gave up on it.
Every year there's five cop shows, five medical shows and five 'Law & Orders,' but when it's a show about women, they want to pit everyone against each other. I don't think they'd do that if it was a guy show. I think there's room for all of us.
It was a department where you had honesty and integrity stamped right on you when you came into the Los Angeles Police Department. If you violated that, or if you were a dishonest cop, you were terrible. We got rid of you as quickly as possible.
When a black man is stopped by a cop for no apparent reason, that is covert racism. When a black woman shops in a fancy store and is followed by security guards, that is covert racism. It is more subtle than 1960s racism, but it is still racism.
God damn, it's a brand new payback From the straight gangsta mack in straight gangsta black How many motherfuckers gotta pay Went to the shelf and dusted off the AK Caps gotta get peeled Cause "The Nigga Ya Love to hate" still can "Kill at Will"
I'm not saying I do evil things. I'm just saying if a cop stops me when I'm speeding, sometimes - not all the time - I might get out of that ticket. Let's just say I don't have any points on my licence in Ireland, and I drive relatively quickly.
I used to go and cop stacks of blanks CDs and sit there and burn copies of my mixtapes and print up my own mixtape covers and post up in downtown Oakland and Telegraph in Berkeley and literally was selling my mixtapes for five bucks, hand-to-hand.
I always seem to love the shows with cops. I really want to play a cop - I want a badge and a gun. I'd love to do a guest spot on 'Breaking Bad' or 'Castle.' I think 'Once Upon a Time' is a great time. Fun stuff. I like to have fun with characters.
'Maaligai,' where I play a dual role of a cop and a princess, initially was to be made as a Kannada movie. My producers from Mumbai and director Dil Sathya felt that it should be made as a bilingual in Tamil also, as I have a good market in K'town.
If you're driving, and a cop is behind you, you automatically think they're going to pull you over, but cops have so much more going on than to think about pulling you over. The last thing a real cop wants to do is write a ticket. That's the truth.
I wanted 'Southland' to feel immediate, like a ride-along, and to make it the closest thing possible to a cop reality show. We've got real cops out there every day. A lot of times we'll say, 'You guys just do what you normally do and we'll film it.'
But what astonished me is that this Croatian, this Mirko Cro Cop guy, called me the best in the world, a legend in front of me, but behind the computer he's talking a bunch of crap. What kind of man are you to say this crap online and not to my face?
I feel that the movie in which I've played a cop or army man have been bigger hits. That's why people remember me more as a cop or army person. I've even noticed that a lot of films in which I've played a variety of wonderful roles haven't done well.
I've physically seen profiling. I've seen me walking up the street with my friends, and the police officers get out of their car and bust the hell out of my friends. And they can't do anything about it, and the cop gets back in his car and drives off.
Justice is expensive in America. There are no Free Passes... You might want to remember this, the next time you get careless and blow off a few Parking Tickets. They will come back to haunt you the next time you see a Cop car in your rear-view mirror.
I've never considered being a cop. I could be a teacher, I could be a minister, a social worker or a professor. As long I don't have to see blood and see people die every day, if I could inspire or help in their lives, that's something I'd want to do.
When I first started the show, I was known as the 'cop nerd.' I was in the 9th Precinct in the East Village every day. I'd be at work wearing a fake bulletproof vest with foam in it, then I'd leave and put on a real one to ride around with these guys.
Since the end of World War II, American leadership has been essential to maintain world peace. Whether we liked it or not, we were the world's policeman. There was no other cop on the beat. Now, that leadership is gone. So, increasingly, will be peace.
Being a regular in a television series, for me - if I wanted to be a cop, I woulda went to cop school. If I wanted to be a doctor, I would've gone to medical school. You get trapped in your normal episodic television shows, basically doing the same thing.
National diplomacy strategies are usually focused on promoting one's interests against others' interests. By emphasizing the global 'we' rather than the national 'I' in the climate change debate, COP 21 proved to be a case in point for a change of lenses.
When I was younger, I wanted to be a cop. Then I watched 'The Wild Wild West,' and so I wanted to be in the Secret Service like James West. At some point I realized, 'That guy is not in the Secret Service. He's an actor.' That sounds like a good idea too.
Playing a cop goes a long way. I have a lot of friends who are working as actors, and as soon as I started playing military characters or cops, and not the actual criminal that we're chasing on this show, they all said, 'You actually can have a career now.'
In France they spend six months training policemen, then they give them a gun and put them on the streets, and I don't know that that's enough. The film's not against the police - although I think that if someone wants to be a cop there's got to be a problem.
When 'Line of Duty' started on BBC2, there was a feeling that it couldn't ever become a big show because the BBC2 drama budget is much smaller, and a returning cop series would take away from the Stephen Poliakoff/David Hare stuff that they love to commission.
I've been treated really well for 'Stick It.' There was this cop and he pulled me over and he was like, 'Oh my God, you're in 'Stick It.' I said, 'Yes. Yes. You're the last person I would think would be pumped up by this movie'. He let me go, so that was nice.
To play a cop's wife - there's so much in that world, the wives or partners of anyone who is a first responder - it's not an easy job. It's not an easy way to live, to say goodbye to someone in the morning and not know what's going to happen throughout the day.
I was born in Manhattan, raised in Queens, went to high school and college in Brooklyn. My father was a city cop for over 30 years. To me, New York values are being patriotic, being strong, not panicking when there's a crisis, and trying to help each other out.
It's like trying to be a traffic cop and write a poem at the same time. You need an executive head to handle all the vast paraphernalia of moviemaking. You need another, more sensitive head to get the delicate human emotional values you are trying to put on film.
I remember being at the premiere of 'Beverly Hills Cop II' and the tremendous reaction from the crowd outside, then going to a party at a hotel afterwards where the speakers were blasting 'Shakedown,' a song from the movie. That felt like a show biz moment to me.
The stuff that I find really intriguing is always how do ordinary people behave in extraordinary circumstances. And that's why we have a lot of cop shows and lawyer shows and medical shows is that you're looking for situations that just always heighten the stakes.
It's kind of up to the actor to deconstruct the scene and deconstruct the character and figure out how to make it real. That's what I love about this job: It's sort of a puzzle each time, and figuring that out is sort the key, whether I'm playing a cop or a killer.
I remember those moments in my life when the tape came out on that Tuesday, and I went to Sam Goody to cop it. And sitting and listening to it. In awe of the music I was listening to, but also imagining this music at the hip-hop clubs and with the homies in the car.
Cops, the law's the law. You see somebody break it, you've got to be willing to enforce it. And doing that enhances the confrontational aspect of the whole circumstance. The more the confrontational aspect is ratcheted up the more danger is involved. It's gutsy work.
For horror movies, it's great because I know exactly what I am doing and what should be done. But for a cop drama, I can't calm my face down, and so it's really nice to be able to be in this genre where nothing is too much, and no one yells at me for having big eyes.
One of the things that I like about 'Narcos' is that not only Pablo but with all the characters - this is not a black and white show. This is not a regular American cop show where two cool cops go to save a country from a bad guy. All the characters are very complex.
I wanted to be an undercover cop, blending in with the public, looking like a black militant or a long-haired hippie yet having a gun on my hip, a badge in my wallet, and able to enforce the law. To me, that was the neatest thing in the world. It was also challenging.
I'll tell you what I really enjoy. We all go to the movies, we all watch television, we know what they're about, how they work. When the main character is a cop or a spy, it's very exciting, but I also very much enjoy when the main characters are nobodies - a trucker.
What 'Shaun of the Dead' and 'Hot Fuzz' and 'World's End' do is smuggle a different movie under the guise of a zombie movie or a cop or alien invasion movie. Even though they all have action and carnage, they are really films about growing up and taking responsibility.
It's a tribal state, and it always will be. Whether we like it or not, whenever we withdraw from Afghanistan, whether it's now or years from now, we'll have an incendiary situation. Should we stay and play traffic cop? I don't think that serves our strategic interests.
The fact is that my mother is a cop and generally kids of cops are a little different from their parents - they tend to be quiet. In my case, I was never interested in joining the police force, because right from my childhood I have seen the challenges in a cop's life.
'Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.
There are different types of double act: the classic dumb-and-dumber, like Morecambe and Wise; the good cop/bad cop, where one's a bit spiky and the other's daft. Sue Perkins and I take what we might call the Ant and Dec approach: the double act came out of our friendship.