Mel Gibson taught me to run properly. You've got to pump your arms and move your feet faster, or you just don't look cool.

I met Drew Barrymore, and she was so cool. She told me, 'I know I just had my baby three weeks ago, and that's why I'm emotional, but I cried when you performed.' And then she pulled out a tissue and said, 'Look, I was sobbing.'

If you go to my shows, 90 percent of my fans are females between the ages of eleven and eighteen. People look at me like a living mannequin; all of these girls want pink hair. They want the cool makeup and contact lenses and cool clothes.

But this is Miami, you can't come to Miami and not show any skin. You gotta show something. If you're all covered up in this heat, you're gonna make me pass out out just to look at you. It's sweaty in Miami-but the diamonds will keep me cool.

To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots.

Period costume films are fun to discover, but they're not relatable. It's more, 'Wow, that's cool - did it really look like that back then?' Whereas with a comedy, you're like, 'Yeah, that's me, that's my friends.' No matter what, I want people to relate.

Oftentimes people say to me, 'Oh I didn't know you could do so much with locs until I saw your videos or I saw photos of you at events.' So whenever I hear that people have been really inspired to experiment with their hair or their look because of me, it's very flattering and really cool.

'The Watch' is first and foremost a comedy, but since I got to shoot the film using elements from the sci-fi genre, I wanted to make sure the alien didn't look goofy. I got to make a real alien that looks dangerous. That was a big plus for me because I got to do something really fun and cool.

There are all kinds of things evolving in filmmaking I'm not sure I'm comfortable with. A friend of mine just showed me an immersive 360 movie where you move from environment to environment and can look in any direction you want while you're experiencing it. Which is cool - but it kills directing, as far as I'm concerned.

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