What I did sign was a tentative contract with Impact Wrestling when they were still Impact. That contract had a clause for me, because I was already working on some stuff in other areas of television. That clause basically said that if something else in television were to happen for me, they can't be uncooperative.

State-sanctioned marriage is a civil contract, period. A contract is not a judgment of moral value. It is a legal agreement between two parties that testifies to a meeting of minds between those consenting entities. It is not a religious act or rite and so has nothing to do with Adam and Eve or Steve or even Harvey.

Many writers will get a contract by selling chapters and outlines or something like that. I wrote the entire novel, and when it was all finished, I would give it to my agent and say, 'Well, here's a novel; sell it if you can.' And they would do that, and it was good because I never had anyone looking over my shoulder.

I've been interested in the idea of forgiveness and the necessity of it. I think of it as the most critical piece of any relationship, whether that be business, or romantic, or familial. We fail each other. We make mistakes. If we contract to go on after those mistakes, forgiveness is involved. Forgiveness is required.

I don't generate a storyline and then fill it out in the course of writing. The story actually generates in the course of the writing. It's one of the reasons I've never been comfortable doing screenplays, because in order to get the contract for the screenplay, you have to sit down and tell them what's going to happen.

When it comes to setting the market values, I let that stuff take care of itself. I know my value in this league, and I know the team appreciates me. I'm going to continue to make myself an indispensable part of this roster. When you do that, when your time comes up to get a contract, you usually get a contract extension.

The NFL is the only sport where you can be on a team five years, and your contract's not guaranteed. You can go through the whole process of training camp, and then as soon as it's the season, it's a week-to-week job, and they can cut you at any moment, or you can get hurt at any moment. It's not like that in other sports.

I loved teaching social studies. And I loved starting each year by teaching about John Locke and the social contract. That lesson helped me teach not just about our rules for the classroom, but how, in our democracy, we give up some individual rights to ensure we collectively have the right to live and prosper in a society.

Unfenced by law, the unmarried lover can quit a bad relationship at any time. But you - the legally married person who wants to escape doomed love - may soon discover that a significant portion of your marriage contract belongs to the State, and that it sometimes takes a very long while for the State to grant you your leave.

When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.

People don't understand what fighters at the top have to go through. You know what, even half the fighters don't understand what the guys on top are going through. You're being pulled in so many directions. Contract negotiations, business opportunities, people come out of the woodwork, and it all happens when you're so young.

During contract negotiations, when I started to notice as well as hear from friends about Jeff Jarrett's shady business tactics, I did two things: I immediately filed a trademark for 'Broken' Matt Hardy, and started to record every conversation between Matt and anyone at that TNA office, including Ed Nordholm and Jeff Jarrett.

It's a social contract we make. We're willing to give up certain things. We give you the right to tax us. We give you the right to lock us up. We give you the right to put us on surveillance, search our homes, whatever and, in exchange, we get a functioning society that keeps us relatively safe, and that's the tradeoff we make.

We have soon to have everywhere smoke annihilators, dust absorbers, ozonizers, sterilizers of water, air, food and clothing, and accident preventers on streets, elevated roads and in subways. It will become next to impossible to contract disease germs or get hurt in the city, and country folk will got to town to rest and get well.

After 25 years sitting on my own in a room, I was looking for a more companionable job and wanted to work more collaboratively. I've also been very lucky in my career, with good advances and multibook deals. But there is some extent to which I worried that I was writing for the contract and not for the impulse of the thing itself.

Conversations about money, culture, power, class - it's at the center of my identity. I think it's a combination of being born to immigrant parents, growing up relatively poor, and really living in a world where formal institutions, like banks and anywhere that you had to sign a contract, was really feared and avoided at all costs.

I think, that it's sort of a dream, for many coaches to have a long contract with African countries. The problem in Africa, they do the qualifiers with some coaches, and when the World Cup comes, they change to have bigger names. And then, they recruit a coach for two, three months and when the World Cup finish, they send him back.

Trade, migration, and modern communications have given us networks of friends and associates in other countries. We owe them much, but the social contract with our fellow citizens at home brings unique rights and responsibilities that must sometimes take precedence, especially when they are as destitute as the world's poorest people.

I made promises to myself and my family that I'd be in the UFC before my first daughter was born, that didn't happen. I was almost at breaking point a week before I got that contract, I was going to go back to concreting - that weekend I get my major sponsor, which was huge, and I end up getting my UFC contract the weekend after that.

I hope the next actress offered millions to play the 'fat girl for the day' stops to think about this before she signs the contract - even if just to ask, like any professional actress would in any other situation, 'Why does she weigh 350 pounds? And why me for the part?' If the director can't answer these questions, don't do the movie.

When you make a film, you sign a contract with somebody, and it's not only legally binding but morally binding. You agree to give this man a certain number of weeks of your life, and you just go for it as much as possible. Because, whatever happens, the film is going to come out, so you might as well try very hard to make it a good one.

I experienced the G League in two forms: one as an assignment player, and then one of actually being in the G League after I got cut by the Bulls. Obviously, both situations are different. You actually sort of still get treated like an NBA player when you're on assignment. When you're in G League on contract, you're down there for real.

I believe if an individual wants to join organized labor and work under a union contract, they should have the legal right to do so. At the same token, a person who does not want to work under organized labor and wants to work should have the ability to do so without the threat of having to join and having to pay dues to organized labor.

In the 1940s, I was doing something called the Equity Library Theater in New York, when a movie company came to see the play I was in and offered me a contract. But the deal was, my nose was too big and they wanted me to have surgery. My jaw was crooked, and I'd have to have that fixed, too. And they didn't like my name; it was too common.

'All-Star Wonder Woman' would get worked on in what is laughably referred to as my 'spare time.' I just ended up with less and less time to devote to it. Eventually, we all realized that it was taking forever, so we just all agreed to hold off on it 'til the time was right to do it properly. Well, I still have a contract; DC never tore it up.

When you are 28, 29 years old... you are aware that this is going to be your last big contract of your career. You have to make up your mind: What is it that I want? Do I want to find something new, a new culture, a new league, a new language, new teammates, a new city? And what is it that I need to be happy? What is it that I need to perform?

Unlike the Contract with America, which was created by Washington pollsters and insiders, Families First was developed from the grassroots up. Congressional Democrats from across the country spent months meeting with people back home, asking them what issues were important to them, and what Congress could do to make their lives a little easier.

People can say what they want about Eric Bischoff, and I've heard a lot of people make negative comments about him. I'll comment on his booking. His booking is not what I look for in wrestling, but that said, I will always be appreciative and thankful to Eric Bischoff for offering me the contract he did, when did because it saved my financial life.

Share This Page