I was the first tenured woman at Columbia. That was 1972; every law school was looking for its woman. Why? Because Stan Pottinger, who was then head of the office for civil rights of the Department of Health, Education and Welfare, was enforcing the Nixon government contract program.

In a way, 'Lost,' or maybe TV in general, is a kind of a contract between the writers and the viewers. And the actors - of course we have a great deal to do with it - but where the drama's made, sort of where the meeting of minds is, is between those two parties: writers and audience.

For so many in the UK, the social contract is broken - the idea that if you work hard and play by the rules, you'll reap the rewards. Advances in robotics, artificial intelligence and other technologies are just as capable of fixing the social contract as they are to weaken it further.

I had knockback after knockback before I got anywhere. After I got my first record deal I thought that was it, then Gut Records went into liquidation. I was 20. I had no idea what that meant. I had a few days to get myself out of that contract or my work would be owned by someone else.

Newt Gingrich had to work hard - getting Republican candidates to sign the Contract with America - to nationalize the election that swept Republicans to victory in 1994. A Democratic anti-Tea Party campaign would do that for the Republicans - nationalize the election, gratis - in 2010.

As far as I know, Vera Miles had a terrible time with Hitchcock, and she wanted to get out of the contract. He didn't let her. She did 'Psycho,' and I believe, if you look at 'Psycho,' there isn't one close up of Vera, not one. After that, she would never even speak about him to anyone.

I moved from New Zealand to Melbourne when I was 17. I'd planned to go to university to study French, but I was offered a contract to write and record an album that was too good to pass up. Looking back now I think that was pretty young but, at the time, I was ready to have an adventure.

When guys talk about going to the league in college, they're thinking about flash and bling. But my first taste of the NFL was a relatively small non-guaranteed contract, a crappy room at an extended stay hotel and a sense of panic every time my phone rang because it might be the cut guy.

We always talk about how you have to build a brand from the inside out, not the outside in. Brands are not wrappers. Brands are based on the values of the founders, and then they spread to the people who work for the company, and then that psychological contract is spread to the customer.

Patrick Wilson and Rose Byrne made very good money from both 'Insidious' movies. Word travels fast, so as soon as you have a success and do what you say you're going to do in a contract and pay out that money, we had a lot more established actors come to us and say they want to work with us.

Liverpool have always shown a great warmth to me, so when they came to me with a proposal, I did not need to think twice to renew the contract. I have always been looked after very well by this football club, and I am very happy at this football club, so I didn't even have to think about it.

I wanted to have a label to not only release my own stuff but to also give young talent a chance to release their music without signing away their life. I had a great time with Spinnin', and the people I worked with were amazing, but the contract wasn't really for me. It wasn't what I wanted.

A smart contract is a mechanism involving digital assets and two or more parties, where some or all of the parties put assets in, and assets are automatically redistributed among those parties according to a formula based on certain data that is not known at the time the contract is initiated.

A friend told me about the casting notice for 'Queer Eye.' I was in Chicago and I had a contract with 'Esquire' magazine, so had been coming to New York City regularly and thought I'd catch a cheap flight, crash on a friend's sofa and do this hilarious audition that I had no chance of winning.

Animation tends to have several different writers who serve different functions. I think, on a lot of animated features, there are a lot of writers who don't get credited. It's the policy at Disney, for instance, in deciding who gets credit. It depends on the writer's contract, so many things.

Regarding my pay, my salary, that I don't 'earn a lot,' these are things that are a result of two years ago when I came to Inter. To me, it was a good contract for having arrived at Inter. I signed the contract with the excitement and desire to prove my worth and be an important player for Inter.

If you'd told me five years ago, when I was on my sofa with no professional contract, not a lot going for me and the dream fading, that I'd be going back to the Cottage playing for the opposition in a Premier League game against Fulham, who are already down, then no, I wouldn't have believed you.

If I went to a major, you never know - what if they don't like the stuff I do? I could just get shelved. And then I'm stuck in a contract, and I can't leave. And if that happens, you're gonna realize, you're going to start hating it, so the power with being indie is you could do whatever you want.

The pro athlete is a sad tale. He signs a big contract and thinks he's set for life. I didn't think I was set for life, and I don't now. As athletes, we are important, celebrities, in demand and rich. Then we are out of the game and we are not important, not celebrities, not in demand and not rich.

People tell me if I don't eat vegetables, I'm going to get scurvy. Well, what the hell. But I was never overweight as a player. There was a clause in my contract that said I had to weigh in at 270 every Friday morning. I always made it. I'd have dinner on Monday, and then I wouldn't eat until Friday.

Because of outdated regulations, workers in different types of contract often have unequal access to healthcare, pensions, education, and training, as well as other social benefits. This has to change for countries to remain competitive and for our businesses and workers to survive in the digital age.

You can't do business with a man who doesn't know the meaning of a contract. You can't do business with a firm who swears they'll do one thing one day and does just the opposite the next. You can't do business with a company who takes your goods on a cash basis and then pays you off in bum harmonicas.

Yeah, the first contract I signed, that was the first time I realized, Oh man, never mind, I don't want to do this anymore, but it was too late. I realized it was a bad thing because I wanted to try out for 'American Idol' and all these different things couldn't do that because I was in this contract.

When you get to 16 at Barcelona, it's the age that you sign your main contract. I was about to sign that, but we knew there were a lot of other options because you always get them from other teams at that time. I didn't have the option to come to Arsenal until I was right about to sign with Barcelona.

I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.

For me, it's always been a financial kind of scenario. I was actually the first one who signed the 'exclusive to Ring of Honor' contract. I was the first guy who ever signed one of those contracts. That was tough for me because I had no one to talk to. I had no examples to go on. I was the guinea pig.

When I first came to New York I was a dancer, and a French record label offered me a recording contract and I had to go to Paris to do it. So I went there and that's how I really got into the music business. But I didn't like what I was doing when I got there, so I left, and I never did a record there.

Your agent should be invested in the success of your book past the contract stage. After all, if it sells well, she's going to be getting 15 percent of every dime you make. She can be your best advocate in fighting for your book - not just with editing and the cover, but with marketing and sales as well.

There are positives to moving around and changing companies: you put things in perspective; you can compare living and working conditions. Living in one city, you tend to take things for granted; your view is much more narrow. In Europe, a dancer can leave for a year and still keep her original contract.

So I called and said, 'Mommy, I'm doing a political film with Jean-Luc Godard. You have to come and sign the contract.' She thought I was lying, so she hung up the phone. But then she came the next day, even though she had never taken an airplane in her life. She came to Paris and she signed my contract.

You want to give the person as much freedom as you can within the boundaries of being a responsible producer with a contract to a studio. It's about giving as much freedom as you can, and the more the filmmaker proves he or she is on the track that you feel good about, then you just kind of watch dailies.

I come from a background where people have had their own business, where it has been incredibly tough for a long period of time, and you are only as good as the last contract you have got, as the last job you have done, where the notion of a precarious existence does exist, as it does for a lot of people.

As I look back on the day I signed my professional contract in 1973, I've never gone to sleep wondering if I could pay the bills or take care of my family. That's what basketball has done for me. It's given me the greatest of thrills from high school to college to the Olympics to coaching to broadcasting.

Most of my folks back home think Social Security and Medicare are sacred commitments stronger than the strongest contract. And yet if you look at the details here in Washington, they're not even promises. They're scheduled benefits. I think we need to do all that we can to make sure those benefits are real.

Everything started with my mom. When I was five, she asked me if I wanted to sign up for soccer, but I had some pretty wild contract demands. 'I'll only play if you're my coach.' So my mom went to the library and brought home a bunch of books on how to coach soccer, and that was it. She was my first manager.

People may have thought that we changed a lot. I don't think we came in with that intention. Certain things I can't stomach. But I tried to be as collegial as possible. When you sign that contract, you're tied to that opera house to try your best. But every different team will play with a different intensity.

They're human beings before they're footballers and it's important to understand how can I help them. What do they need? How can they feel part of this? How can they feel they're improving in their career, because my job is to help them get better, play better football, earn a better contract, whatever it is.

I was at Watford and got a knock-back when I was 16 and didn't get a YTS contract. They said I could find another club or go in and train three times a week after school. I'd been there since I was 10, so I got my head down and proved them wrong. Within a year, they had signed me up, and I haven't looked back.

In the NFL, you have a short shelf life. As a running back, if you're the first pick, and you're NFL life expectancy is only 3.5-6 years, your first big contract might not come until three years in - well, you might never get there. They need to get those signing bonuses up front because nothing is guaranteed.

I wanted to quit the industry when I was eighteen and finish '70s', finish my contract on the show and go to college because I was pretty convinced that after '70s' and after being on a show for eight years that I would be very much pigeonholed for something specific that I didn't want to be a part of anymore.

The basic social contract is that citizens agree to follow the law, pay their taxes, and devote their love and loyalty to their country, and in exchange, the nation commits to preserve and protect and serve their interests, safeguard their freedom, and return to them in kind their first allegiance and loyalty.

Corruption in Saudi Arabia is quite different from corruption in most other countries, as it is not limited to a 'bribe' in return for a contract, or expensive gift for the family member of a government official or prince, or use of a private jet that is charged to the government so a family can go on vacation.

Samasource's largest clients are technology companies such as Microsoft, Google, Getty Images, and TripAdvisor, which contract with my company rather than a traditional outsourcing company in order to participate in 'impact sourcing' - conscious efforts to reduce poverty by moving money into places that need it.

I've done a contract with my district. I have term-limited myself. I am not taking the pension. I am not taking pay raises, and my family and I are bringing our own health care to Washington, D.C. And my dad taught me as a kid to lead by example - Congress should not have anything better than the American people.

In fact, I believe the first companies that make an effort to develop an authentic, transparent, and meaningful social contract with their fans and customers will turn out to be the ones that are the most successful in the future. While brands that refuse to make the effort will lose stature and customer loyalty.

So, I'm thinking of a name for a villain that has a sense of humor. I thought of 'The Joker' as a name, and as soon as I thought that, I associate it with the playing card, as my family had a tradition of champion playing; my brother was a contract champion bridge player. There were always cards around the house.

I've always wanted to do acting. The biggest thing I ever did was 'The Dirty Dozen.' My contract was for three months, but the picture was taking longer to make than they thought it would. I stayed for seven months, and Frank Sinatra told me to leave. He said the public is very fickle and that they'll forget you.

If you become their property it is much clearer for you, for the club, for everything. It was a great experience to play in three different teams, different leagues, different experiences, but if I wanted to improve I had to break this cycle and make my own way. That's why I signed this contract to come to Stoke.

Paul Ryan whipped the votes to get fast track Trade Promotion Authority to sell our jobs to foreign countries. He absolutely worked on that. Paul Ryan owns it. He can't say he doesn't agree with it, because when he did that, that contract was already written. It was already set up - that treaty was already set up.

At my first Olympics, I didn't have a contract, and I wasn't making any money. After my first Olympics, I was working at 24 Hour Fitness at the front desk. I would go to practice in the morning, run home, shower, grab some food and then go straight to work. I didn't get off of work until 10 or 11 o'clock at night.

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