Quotes of All Topics . Occasions . Authors
In terms of the legal matter of creating a contract between two people that's called marriage, and allowing them to live together with the protection of law, it seems to me is the way we should be moving in this country.
One of the biggest wake-up calls of my career was when I saw a record contract. I said, 'Wait - you sell it for $18.98 and I make 80 cents? And I have to pay you back the money you lent me to make it and then you own it?'
When I first quit my day job, I was terrified. I called my editors and said I'm trying to make a go of this, and they threw every contract at me they could. And for two years, I had a book or an anthology out every month.
I want to do acting as much as I can. When you're on contract with a show, you can't really do other shows. It's hard to do film. I haven't had the opportunity to even audition much for films because I don't have an agent.
Delivering a successful presentation could mean landing a major new contract, better prices for your services, or getting the funding you need. Failure can mean lost customers and a business that never gets off the ground.
I worked in three local news markets and in every single one of them, they said: 'You're a lousy anchor. We would love to renew your contract and have you be our lead reporter here, but we're not going to have you anchor.'
In the NFL they talk about 'contracts,' but it's not really a contract, it's a one year agreement. If you have a 10 year contract, it means nothing. If you get cut in the NFL, you get nothing. People don't talk about that.
It was weird at Fiorentina, because I wouldn't sign a contract and commit, so they played somebody else. But I definitely think it was still a good move and living in Florence was probably one of the best times of my life.
The passionate fans, pumped full of adrenalin, think they own their club and, by extension, the players because they play for their club. They don't. It is the club who 'own' the player, and only while he is under contract.
Anyway, how can you sack anyone who still hasn't got a contract. I'll be there for the game and I'll stand behind the dugout giving instructions to the players from there. They will respond to me more than the next manager.
I have learned from my mistakes... the business we are in is cutthroat. I have seen too many older blokes give their all for clubs, then be told they are not wanted. Even blokes still on contract are told to look elsewhere.
I love Scott Coker and I love Bellator and I love what we have built together and it's a little uneasy to think that I will no longer be under contract with Bellator after I knock out Benson Henderson and get my hand raised.
I was emancipated at 15 and off to Japan on a contract working. I felt for my parents. I apologized profusely years later, but I was just very strong-willed and strong-minded and had my own idea - thought outside of the box.
I first saw 'West Side Story' on stage in 1958. I was in the army, having been conscripted while under contract to MGM. I caught the musical in New York, fell in love with it, bought the album, and memorised the whole thing.
I decide my future. I decide what I want to do. Nobody else. If I decide this will be my last year, maybe it is. If I decide it will be my last contract, I decide that. Nobody else. So I will decide when the moment is there.
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
Over the years, there have been challenges about who can use our name. It's quite simple: A majority of people left in the band at a certain time own the name. It's not like I'm the guy who has the name under my own contract.
You can't write a screenplay if you've been doing a zero-hours contract. Which means that the people who write drama, the people who commission dramas, and the people who direct dramas all come from a small circle of society.
If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal. Up until now, I made movies - and I have a nice house, a nice car. I'm fortunate, happy and grateful. Life is good.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength.
One way to become more attractive as an employer to millennials is to offer different kinds of contracts - not only the classical contract of indefinite duration, but also to be open to having more contractors and flexibility.
When I review my contract, it is to make sure that I am not going to get in trouble or not paid. Then afterward, people say, 'Did you make sure they gave you a green room,' and I'm like, 'No, I didn't get any of the cool stuff.'
I was directing as a kid in movies, and that was always my strongest interest. When I was under contract at Universal, I conned an editing room out of them and spent my money to rent a camera and shoot film and make some movies.
In broadcasting, especially 'cause people are more public, it's hard to be like 'so what are you making?' Finding that information is huge when you're negotiating a contract. You wanna make sure that you're in the same ballpark.
There's no doubt that when the Republican Party took over in 1994, the 'Contract with America' was an opportunity to implement some things - like welfare reform and some of the other initiatives. Then, it kind of lost its steam.
Leaving Impact was a very difficult decision, as I had six months left on a very lucrative and talent-friendly contract. Anthem lived up to that contract and always treated me with the utmost respect as a businessman and a person.
Once you sign on the dotted line, in terms of a contract with a musical, it's a huge commitment. When you're younger, that's fine; you can take it on, and I still go out, and I still sing 15-20 songs - and I can do that - a night.
Men even contract the dirty, filthy habit of chewing tobacco, and when the habit gets a good hold upon them they are never satisfied except when they have a wad of the stuff in their mouth. So with drinking. It is largely a habit.
Triple H is very hands-on and approachable. My whole 'Glorious' song is because of Triple H. Before I even signed my contract, we discussed what I wanted to do and what he felt like I could do. It's been a real joy working for him.
I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.
The Phillies liked the work I had done with the Cubs, and really wanted me there. They were on the phone as soon as my contract was up in Chicago, and it was just a great feeling to be wanted, to be appreciated for the work you do.
Work is the way we contribute to society, part of a reciprocal social contract - the giving of our effort and our taking when in need - that holds our society together. We work, we build our society, and we share in its prosperity.
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.
I'm very excited about my new agreement with the Heat. This contract allows me to address all of my family's long-term financial goals while allowing the Heat the ability to acquire those players that we need to win a championship.
The owners said that they wanted the salary cap and refused to promise that they would abide by the rules of the just-expired contract after the season ended. Believing we had no choice, the players went on strike in August of 1994.
One of the towering people in this industry said, why don't you go and make a five-year contract with somebody, make yourself several million dollars and put it away, then go and do whatever you want, work for public TV if you want.
Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price.
I had it in my contract with CBS, a very weird clause that was never written before and certainly not since, that if I wanted to do a variety show within the first five years of the contract, CBS would have to put it on for 30 shows.
I'm still a communist in the sense that I don't believe the world will survive with the rich getting richer and the poor getting poorer - I think that the pressures will get so tremendous that the social contract will just come apart.
I'm not just going to get a deal; I'm going to get the deal. And in my deal I got by signing with No I.D. to Def Jam, I got full creative control, the money was great, the contract was good, and I got to create the album that I wanted.
You just have to find a lawyer that won't let you sign certain things - and I mean the fine print, because I was gone from Phil Spector and signed with Gamble and Huff in Philadelphia, and Phil bought my record contract back from them.
On the death of his brothers, my dad lied about his age and joined the army in 1918. He was in the trenches long enough to be gassed and contract the early stages of tuberculosis from which he would eventually die just before my birth.
The primary social contract between the people of the United States and their government - quaint though it might seem to even mention it at this point - is that ours is to be a government 'of the people, by the people, for the people.'
Once I got a record contract, and I took my songs which weren't quite finished, or maybe they were a good idea, maybe they weren't. I took them into the studio and developed them. They came to life and they evolved... and they're great.
The best way to overcome joblessness is to create a social contract between the public and private sectors to provide decent jobs for the unemployed. The decaying infrastructure of our cities is in urgent need of repair and restoration.
During my seven-year contract with RKO, there were seven different studio presidents, from David O. Selznick to Charles W. Koerner. You literally had to check the name on the door so as not to call the new boss by the former boss's name.
Being a novelist and being a mother have exactly coincided in my life: the call from my agent saying that I had a contract for my first novel - that was on my answering phone message when I got back from the hospital with my first child.
There's a very delicate but important contract that a Royal has with the British public and it's this: Most people don't mind paying for the Royals as long as those Royals live a miserable, thwarted existence full of horrible compromise.
I do try to deliver a solid first draft, meaning it's my tenth or twentieth draft and then I call it 'first' and hand it in, much to the chagrin of the studio sometimes when they look at the contract and go, 'You've passed your deadline.'
As Ludwig von Mises conclusively demonstrated in 1912, money does not and cannot originate by order of the State or by some sort of social contract agreed upon by all citizens; it must always originate in the processes of the free market.