I think it has other roots, has to do, in part, with a general anxiety in contemporary life... nuclear bombs, inequality of possibility and chance, inequality of goods allotted to us, a kind of general racist, unjust attitude that is pervasive.

I've always loved the blues, ever since I was a kid. It has a depth to it that a lot of contemporary music doesn't have. It has pain and suffering in it, but funny stories, too. And it is built on storytelling, which is something I really love.

Anyone reading contemporary poetry - especially contemporary African-American poetry - will quickly see that race is an enduring subject. What some don't realize is just how diverse the handling of that subject is. It's as diverse as blackness.

With contemporary poetry having approximately as many fans outside the immediate field as there are devotees of undergoing knee surgery, any sentient, breathing reader who's genuinely interested in poetry... not scared of it... seems a godsend.

Part of the problem with producing contemporary political theater in America today is that many theaters don't have flexibility or resources, be it hiring a lot of actors or staging a work that might be tough for some audience and board members.

The only thing I wanted to accomplish was to finally get recognized by the music industry. If you know the awards, answer me this question: Do you see an award for soul music? No. They have R&B, funk, hip-hop and all sorts of contemporary things.

Our goal at Home Theater Films is to inspire and entertain our audience. We want to make great movies that everyone can enjoy and elevate them with contemporary, relatable characters that naturally demonstrate their faith in real world situations.

The 'beach read' has become such a ubiquitous concept in contemporary literature that we assume it has always been around. In fact, the term only emerged in the 1990s, usually in book trade publications such as 'Booklist' and 'Publisher's Weekly.'

Steampunk, the repurposing of Victorian culture and technology for contemporary fun and profit, is so ubiquitous - in media, books, fashion, music, cosplay, and maker culture - that we tend to imagine its superficial aspects are all that define it.

Now we have so many different genres of music, it's amazing to me. Even in the gospel music arena, you've got hip-hop, you got contemporary, urban contemporary, you got traditional, you got neo-soul gospel, you've got all of these different things.

Traditional arguments for the existence of God and contemporary attempts to use fine-tuning and cosmology to back up the case for his existence always strike me as kinds of games, since hardly anyone believes on the basis of these arguments at all.

When dancing for mass numbers, you can throw your hands and legs anywhere, but contemporary dance is a whole different ball game. Every move has to be pointed, graceful and must look elegant. It's not easy trust me, but is a lot of fun nevertheless.

I don't like to read contemporary fiction while writing - I need a sense of isolation, a kind of silence, and I don't want a jumble of other people's voices or visions getting in my way. Nineteenth-century voices don't create static in that silence.

I have an unconscious burglar living in my mind: If I read something, it's mine. I can read Middle English stories, Geoffrey Chaucer or Sir Thomas Malory, but once I start moving in the direction of contemporary fantasy, my mind begins to take over.

My own interest in art was because of my mother. My father didn't like contemporary art, so he didn't give her large sums to spend. So, she began buying prints and drawings. During my school days, I remember sitting in on many of the early meetings.

In little more than a generation, feminism has obliterated roles. If you wonder why so many men choose not to get married, the answer lies in large part in the contemporary devaluation of the husband and of the father - of men as men, in other words.

In the 1990s, from the estates of Scotland came the phenomenon of Irvine Welsh. 'Trainspotting' demanded its place not only in the high ranks of contemporary fiction but as a describer of a Britain that literally and metaphorically was in a deep mess.

By 3000 B.C. the art of Egypt was so ripe and so far advanced that it is surprising to find any student of early culture proposing that the crude contemporary art of the early Babylonians is the product of a civilization earlier than that of the Nile.

I have a passion for modern and contemporary art. I spend a lot of time in museums; I particularly like the Guggenheim, MoMA in New York or LACMA and the Getty Museum in Los Angeles, for example. I cannot wait for the Louis Vuitton Foundation to open.

I listen to very little music, particularly contemporary. If I listen to it, it's going to be my own music, some arrangement or something. I spend so much time listening that the way I relax is by watching things, a comedy; that's my way to wind down.

Footballers' 'lack of loyalty,' for instance, is not an indication of players' moral delinquency. Instead, the capacity to move on quickly without forming lasting attachments is a skill that the contemporary capitalist world inculcates and relies upon.

I once wrote that Lord Moran, Churchill's doctor, had doctored his diaries as well as his famous patient. That was true but unfair. Although their authenticity as contemporary, daily accounts is often questionable, the observations are quite wonderful.

For thousands of years, the most physically imposing buildings on earth were temples, churches, and mosques. But in the 20th century, new houses of worship came to dominate the landscape. Yankee Stadium is the most storied of these contemporary shrines.

One of the sad things about contemporary journalism is that it actually matters very little. The world now is almost inured to the power of journalism. The best journalism would manage to outrage people. And people are less and less inclined to outrage.

But you know in the contemporary art world, you pose a very interesting conundrum. All sorts of people collect very contemporary art, yet when it comes to the music which is analogous to that sort of art, they are not interested, or perhaps even hostile.

I was frustrated in the past, like, 'Wow, why do they have to throw me in the R&B urban adult contemporary lane?' 'Woman' was a no. 1 hit at Urban AC, so there's no disrespect to that lane. But did it get a fair shot at urban radio? No, I don't think so.

That's true but I think the contemporary problem that we are facing increasing numbers of black people and other people of color being thrown into a status that involves work in alternative economies and increasing numbers of people who are incarcerated.

There are a whole lot of historical factors that have played a part in our being where we are today, and I think that to even to begin to understand our contemporary issues and contemporary problems, you have to understand a little bit about that history.

Jimmy Baldwin was the creator of contemporary American speech even before Americans could dig that. He created it so we could speak to each other at unimaginable intensities of feeling, so we could make sense to each other at yet higher and higher tempos.

Barack Obama is an elegant and literate man with a cosmopolitan sense of the world. He is widely read in philosophy, literature, and history - as befits a former law professor - and he has shown time and again a surprising interest in contemporary fiction.

When I was a teenager, I worked in New Orleans for a chef named Paul Prudhomme. That was a very important time in my life as a chef. I developed my palate and learned a lot. And here I am now. I specialize in modern Mexican and contemporary Latin cuisines.

Long regarded as central to the contemporary understanding of medical ethics are four principles that must be satisfied in order to fulfill the requirements of moral decision-making. These principles are autonomy, justice, beneficence, and non-maleficence.

I read recently that the problem with stereotypes isn't that they are inaccurate, but that they're incomplete. And this captures perfectly what I think about contemporary African literature. The problem isn't that it's inaccurate, it's that it's incomplete.

So when I got to be about 13 or 14, I started listening - even though my parents music was way cool - to contemporary hard rock at that time, which was Aerosmith, Cheap Trick, Black Sabbath, AC/DC, Ted Nugent and all that, and that's just where I came from.

Mother liked beauty wherever she found it, and she found it in many different places, both in nature and in contemporary art. And that's where they pretty much parted company. Father... anything that was abstract would to him automatically be not very good.

Over the course of my 20-year history as an executive in the music business and as the owner of a firm that specializes in in-culture advertising, I have come to the conclusion that the Grammy Awards have clearly lost touch with contemporary popular culture.

I've always loved writing emotionally rich, character-driven novels that explore the way people fall in love and deal with life's triumphs and tragedies. I enjoy writing the contemporary and historical books equally, though perhaps 'enjoy' is the wrong word.

Most people in the U.K. discovered me playing a standard on Parkinson. In America, it was on VH1 singing an original called 'All At Sea,' which is a contemporary pop song. So the people that know me there tend to think of me in the singer/songwriter category.

I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.

In Portugal, my sculpture 'She Changes' refers to the town's fishing history, to the era of seafaring trade and discovery. The contemporary site is industrial, surrounded by red and white striped smokestacks, which is mirrored in the pattern of the sculpture.

The iPhone is made on a global scale, and it blends computers, the Internet, communications, and artificial intelligence in one blockbuster, game-changing innovation. It reflects so many of the things that our contemporary world is good at - indeed, great at.

I tend to have an endless number of ideas for writing projects. I don't necessarily say that as a good thing. Maybe it's a good thing, but I have ideas for all kinds of projects: contemporary novels, graphic novels, anything that happens to go through my mind.

I wanted to show the community you can build something here without having to raid taxpayers' dollars. What better way to show the community what we're all about, as a welcome to come to the Institute of Contemporary Art and be a part of what we're doing here?

It annoys me when contemporary films and television shows create artificial tensions that could easily be resolved by a quick email or the use of a search engine. 'La La Land' was guilty of this several times, as well as a more generalised aesthetic nostalgia.

I look at graphic design as communication, meaning that the work has to have a vibe to connect to the viewer or perceiver. I make a black and white drawing and then add color digitally, bringing in a contemporary pattern to the composition to create a vibrance.

Some critics said, 'Hey, why are you writing historical novels?' I say they're not historical, they're contemporary, because people walking around who lived through this, even a little bit, they carry it inside. The contemporary isn't just what you can see now.

'If The Weather Permits' was closer to my heart because it was a woman closer to my age, with a contemporary background like mine. I felt for that character. I've seen so many women like that - smart women who are a wreck when it comes to their emotional lives.

I had the honour and the privilege to launch the brand Dodo and Moa together with Amazon Fashion at the Amazon Fashion Studio. The brand is a brainchild of Zashed Fashiontech. It is a new age brand for women with a collection that is contemporary, fun and modern.

As a writer, I think I'm mainly interested in contemporary themes, so when I create my own stuff, it's inherently that. But as an actor, I would like to do lots of different things. I would love to play someone completely different from myself in a costume drama.

There is a small world of people who are very interested in contemporary art and a slightly bigger world of people who look at contemporary art. But then there is a much larger world that doesn't realise how influential art is on things that they actually look at.

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