Quotes of All Topics . Occasions . Authors
The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.
With historicals, the research is half the fun. Contemporaries are especially easy. People are right out there in front of you; you meet them every day. You can concentrate wholly on the story and characters.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
I enjoy doing action a lot more because my films have a sense of violence. That's because I have a broad structure, and if I hit someone, it looks believable. Maybe my contemporaries are meeker-looking in comparison.
Having no contemporaries left means you cannot say, 'Well, so-and-so will like this,' which you do when you're younger. You realize there is no so-and-so anymore. You are your own so-and-so. There is a bleak side to it.
It is extraordinary the extent to which Darwin's insights not only changed his contemporaries' view of the world but also continue to be a source of great intellectual stimulation for scientists and nonscientists alike.
I saw how many people were poor and how many kids my age went to school hungry in the morning, which I don't think most of my contemporaries in racially segregated schools in the South thought very much about at the time.
I suppose I'm led to do so by the fact of what happened to my contemporaries - people whom I've admired, people who I thought were ten times better than me when I was in my twenties and early thirties. I may have been right.
I'm old enough to have friends and contemporaries who have long since retired, and that's their prerogative - enough is enough; it doesn't mean a thing to me. But I haven't got any money, so, you know, I just keep on working.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.
There is no real agreement among scholars as to whether Homer and Hesiod were contemporaries or whether Homer came a hundred or so years later or earlier. How could there be, given that both poets recited and sang in an oral culture.
A particularly fine head on a man usually means that he is stupid; particularly deep philosophers are usually shallow thinkers; in literature, talents not much above the average are usually regarded by their contemporaries as geniuses.
What kind of pupil was I? Well, I was a swot, but I was allowed to be without any ill effects by my contemporaries because I was excused from games due to my asthma. So being a swot was something to compensate for not being to play football.
I do value the respect I get from my contemporaries, but to have Oasis cover my song, to have Puff Daddy cover a song, to have Goldie come along to my gigs - that's where my ego is at. To have my fellow musicians like what I do, that's very cool.
Alice Munro is not only revered, she is cherished, her stories handled lovingly, turned over and over, gazed at and studied and breathed in with something approaching awe. She has never, over the years, written the way any of her contemporaries have.
It is nice to be out there, amongst contemporaries on a global scale. You meet different people, see different things, meet different producers, eventually grow to collaborate in different ways. The world is getting smaller. It's nice not to be insular.
Ranbir has the ability to be a natural in front of the camera. There is nothing artificial about him. When I watch him on screen, I always feel that he is not acting. And I see this quality only in him among my contemporaries. I am a big Ranbir Kapoor fan.
Every time an article is written about me or any of my contemporaries who's had the fortune and discipline to look good at a certain age, I am struck by the tone of astonishment, and the certainty that something is being done secretively to beat the devil.
Just after graduation in 1966, like many of my contemporaries, I applied for research training at the National Institutes of Health. Perhaps because his wife was a poet, Ira Pastan agreed to take me into his laboratory, despite my lack of scientific credentials.
My teacher, my great cello teacher Leonard Rose, was such a great cellist, and nurturing man, very patient. But I grew up not only admiring him, but obviously Casals, Rostrotovich, Jacqueline du Pre, and many others, including many of my peers and contemporaries.
How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.
Jesu's walls of distortion are uplifting in comparison to those of its doom-driven contemporaries. The band's 2009 album 'Infinity' has its bleak moments, but that album's single 49-minute song resolves into something inspirational and grandiose by the time it's over.
I started from B-grade films, and today I'm the number one actress of this country... whereas other actresses, whom you might call my contemporaries, they have had no growth in whatever platform they were launched... they are still there and have not risen to another platform.
It cannot be so very surprising that I adopted a Communist viewpoint in the 1930s; so many of my contemporaries made the same choice. But many of those who made that choice in those days changed sides when some of the worst features of Stalinism became apparent. I stayed the course.
Because I didn't go to graduate school or have mentorship out of college, meeting other playwrights and developing those friendships as a result of being a 'grown up' playwright - that's become an essential community for me. My contemporaries are all my mentors whether they know it or not.
The letters and journals we leave behind and the impressions we have made on our contemporaries are the mere husk of the kernel of our essential life. When we die, the kernel is buried with us. This is the horror and pity of death and the reason for the inescapable triviality of biography.
Since puberty I've always had this strange awareness that all the keener experiences I would have in my life would happen later than it would to my contemporaries. When it came to the career thing, I never worried about it. It's better if you're still peaking when you're 60, which I feel I am.
No honest writer today can possibly avoid being influenced by Freud through his pioneering work into the Unconscious and by the influence of those discoveries on the scientific, philosophic, and artistic work of his contemporaries: but not, by any means, necessarily through Freud's own writing.
I am very ambitious and have set goals for myself. I really don't keep a tab on what my contemporaries are doing. I want to push myself as an actress and don't want to get into the rat race. With every film, I want to grow as a person and an actress. The character I play needs to change me in real life.
Being scared is really a good thing. It's being scared of being scared that's bad. Being scared of walking through your fear, going to a place of true creativity - that's what an artist is, that's what he does. If you do that, then being inspired by your contemporaries or people from the past is really great.
I feel I have been protected all my life. I am still here, for God's sake, and a lot of my contemporaries have gone. I'm very fortunate. No matter the difficulties - and we all have difficulties - I am definitely one of the fortunate ones. If I have any really good characteristics, one is that I am resilient.
I had worked on the markets with my father before going to university, so I possessed an apparent street-smartness, had access to a colourful costermonger vocabulary, and tried passing myself off as a bit of spiv. But my contemporaries saw through me. At heart, they knew I was as bookish and oversensitive as they were.
I haven't done as many films as I would have liked. A lot of my contemporaries have done more. I don't have 'I will be a movie star' emblazoned on anything, but I'd like do a bit more screen stuff and then when the time is right come back to theatre. When it is good, theatre takes a lot of beating both to watch and perform.
Here's how I work: It's 2013, and most marketers are operating like it's 2009. I'm always trying to market like it's 2015, but not like it's 2020. A lot of my contemporaries who understand where the world is going, go too far out, and aren't practical. I have always prided myself on being visionary, with a heavy practicality.
It's funny - until 'Catfish,' none of my films were angled at young people except for the fact that they were angled at me and my contemporaries. And that's who I'm constantly making things for. I'm not imagining a younger audience I'm trying to impart wisdom to; I don't want to seem pretentious enough to think I can impart wisdom.
Clement Attlee, the man who led us out of the rubble of the Second World War and into a more modern, egalitarian Britain, is one of this country's greatest Prime Ministers. One major reason for this is that he was better able to recognise the wants and needs of the British people than some of his more polished political contemporaries.
I think any of us who have been involved in the mission of Iraq have developed a great deal of affection for the Iraqi people and are emotionally invested in what we think is a vital mission... So I think any of my contemporaries would welcome the opportunity to go back and make a contribution to this extraordinarily important mission.
At age 26, I was chairman of UB Group but living like a 26-year-old. I lived my age. Which youngster doesn't like a Ferrari? Which youngster doesn't like a good time?... but my contemporaries were R. S. Goenka and Dhirubhai Ambani, captains of the industry but twice my age. You wouldn't necessarily expect them to be driving around in Ferraris.