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Political life is like this - elections go back and forth. Representative democracy can only be successful if one sits down and says, 'That's it. I will connect myself,' - as I did - 'connect my existence to a political project.' Then you automatically have in your party a lot of people who say, 'If that fails, so do I'.
I realized I had a novel on my hands, but didn't know where it was going to go. So I thought, 'I'm going to do everything that you're not supposed to do when you plan a novel; I'm going to step back and let this thing take itself wherever it wants to go, and I'm not going to worry about how things connect until later on.'
I don't go for holidays or celebrate my success because I know nothing is permanent. I don't let it get to me - like I am India's top director with too many hits. If that happens, I might lose the connect with my audience. The day I go wrong, they will run away from me. I want to be like an assistant director all my life.
I'm way better in person than I am on things like Twitter. I know Twitter is the best and fastest way to connect with fans who really appreciate you but I'm still not cool with it - although I am trying! I try my best but I'm a one-on-one person and I don't want to tell people I'm on the toilet or I just brushed my teeth.
For me, it is especially important to maintain my interior life. My spirituality, my connectedness. That is the way I think. That is the way I deal with life and tough moments. I keep in touch with something bigger than me. And I connect with people who have an interior life - a connection with something bigger than them.
Out of the Slow Food movement has grown something called the Slow Cities movement, which has started in Italy but has spread right across Europe and beyond. And in this, towns begin to rethink how they organize the urban landscape so that people are encouraged to slow down and smell the roses and connect with one another.
My wife has now made a point of, after losses, to bring our son into the bed when he wakes up in the morning. So when I'm waking up and I'm still obsessing over whatever happened the night before, I see this little guy right in front of me smiling and wanting to connect with me. It's totally changed how I compartmentalize.
My second freshman year of college, that's year two of seven, my father got very sick and though he was going to die. He gave me a Rolex, a bottom of the line one. I wore that watch everyday. He didn't die. On my 40th birthday, he gave me a very nice Rolex that belonged to him. That's the one thing we connect on: the watch.
As our values are the core to who we are as human beings, they are also the easiest way to identify and connect with others in meaningful ways. Think about it - most political campaigns are based around values. Barack Obama's 2008 election campaign galvanized millions of youth behind two very clear values - hope and change.
I feel like when you do things with such a small budget, it actually makes you be more creative... and allows you to concentrate more on the story and the characters. I think that there is something about dirty, gritty and raw filmmaking that makes it feel a little more natural and makes it easier to connect with the action.
Jazz music is America's past and its potential, summed up and sanctified and accessible to anybody who learns to listen to, feel, and understand it. The music can connect us to our earlier selves and to our better selves-to-come. It can remind us of where we fit on the time line of human achievement, an ultimate value of art.
When I first started playing the banjo and miraculously fell into a record deal in Nashville, TN, there was a period when I didn't go to China. It hurt. Like a pain in my gut... that pain you feel when you know it's time to connect with your parents or your God or your child or your past or your future... and you don't do it.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
Much protective self-criticism stems from growing up around people who wouldn't or couldn't love you, and it's likely they still can't or won't. In general, however, the more you let go of the tedious delusion of your own unattractiveness, the easier it will be for others to connect with you, and the more accepted you'll feel.
We'll continue to see more and more brands integrate social causes, charitable components and environmental issues as underlying themes to their campaigns and messaging. Humans connect with humans after all, and brands are using this as a point of connection to engage with their audience, especially charity-minded Generation Y.
I'm a firm believer that embracing the imperfections of making music is so much of what makes something groove. Getting rid of these imperfections runs the risk of removing a lot of the magic that makes this music really special, and diminishes music's ability to connect with us as human beings. We are all imperfect, after all.
Bumble is all about community and safe, empowered connections, and the Hive represents a natural extension of our brand and our values. We love that we've given people an opportunity to connect digitally, and the Hive allows us and our users to take that to the next level in a space where connections can come to life in person.
It's never been difficult for me to say no. I have never given excuses like I don't have dates. I have never over-quoted to avoid a project. I simply say that while the script might be good, I can't connect with it. My strategy is that while I wouldn't want anyone to waste my time, I shouldn't be doing that, either, with others.
These superhero movies are starting to give more love to not only black characters but also to more female characters, which is necessary because you have boys and girls of all colors who are looking at these superheroes saying, 'I want to be that. I want to look like that. Show me somebody that I can automatically connect with.'
I'm a character actor and I get lost in these characters, so I think it's only recently that people have begun to connect dots and go, 'Oh, that's the same person that did this, this, this, this and this!' which I take as a compliment. One time somebody called me an illusionist, and that was the nicest thing anyone has ever said.
A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.
I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true.
It looks like the writer is telling you a story. What the writer is actually doing, however, is using words to evoke a series of micromemories from your own experience that inmix, join, and connect in your mind in an order the writer controls, so that, in effect, you have a sustained memory of something that never happened to you.
I don't connect to a certain girliness or talking about girly things - I feel unauthentic and uncomfortable in that world - maybe I'm just more butch than I realize! I have, however, been fortunate to have a number of great girlfriends. You don't meet as many girls as you do guys in my line of work, so I do cherish my friendships.
The connect that I have with the audience comes from my hard work and sincerity towards my craft and also because of the opportunities that I have had. I have been able to engage with my audiences. They observe my performances minutely. They think I will do some magic on screen. They like me because I don't do over-the-top acting.
The world of TV debates is antiquated. What looked smart and modern in 1960, with Kennedy versus Nixon, looks quaint and over-rehearsed between Obama and Romney. We need a new format; even if we have the same moderators and candidates, there needs to be a more nuanced way for audiences to connect with and shape presidential debates.
The audience for 'Lootera' is far less than for my other kind of films. Just because I pulled it off doesn't mean I will change my tastes. I love to watch masala films, and I love to sing, dance and say those larger-than-life dialogues. But whenever I get a chance, and I really feel the connect, I will do a performance-oriented film.
With respect to sticking accelerator pedals, we failed to connect the dots between problems in Europe and problems in the United States because the European situation related primarily to right-hand-drive vehicles. Toyota will increase its outreach to government agencies charged with protecting the safety of motorists and passengers.
When it's your words, and then you watch it connect with an audience as the artist, I kinda reflect back on the writing process and why those words were important to me. And to watch people sing it back, I mean, that kinda means everything because that's the whole point for me - performance and songwriting - is to connect with people.
Every day, I absorb countless data bits through emails, phone calls, and articles; process the data; and transmit back new bits through more emails, phone calls, and articles. I don't really know where I fit into the great scheme of things and how my bits of data connect with the bits produced by billions of other humans and computers.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
Health is certainly extremely important, and we've done a number of things at Facebook to help improve global health and work in that area, and I am excited to do more there, too. But the reality is that it's not an either-or. People need to be healthy and be able to have the Internet as a backbone to connect them to the whole economy.
My parents' example of a loving, caring relationship, I think, has affected my songwriting a ton and allowed me to start writing love songs that people could connect to without sounding like you're being cheesy, because they're coming from a real place, something that I saw coming up. I think they're a huge influence on my songwriting.
I think any new technology that helps connect and create social cohesion is great. But at the end of the day, you and I are analog creatures. We have to take 'oohs and aahs' and convert them to 0s and 1s and then convert them back to 'oohs and aahs.' Narratives that work in social networks are the exchange of stories that are told well.
The next time you feel unworthy, inadequate or inferior, remember that these experiences have nothing to do with humbleness, any more than lowering yourself to connect with another individual has to do with humbleness. There are no lower or higher individuals in the perception of a humble person. There are only souls. There is only love.
As I look back and connect the dots, all I want to do is go back and hug my scared young self, who took a lot of steps out of impulse not knowing what will happen. So many nights of disappointment, so many others of being disillusioned where I would have just gone ahead and quit it all - I still do not know what kept me hanging in there.
Video has become much more social, and as a result, there are many opportunities to use video as a way to connect people, to give them opportunities to play and participate, to make things together and have a shared social experience. I think we are just at the beginning of really exploring what social video is and what we can make of it.
If you think about Cisco's offerings like TelePresence, where it's an immersive way to communicate for businesses to connect and have conversations in a real-time immersive mode, how that will change health care, how that'll change retail business, how that'll change actually travel. There's lots of changes that we will see going forward.
As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.
Club culture is always going to be a reflection of youth culture, but I think we're maybe moving into a time when the club is a place where older people can go, too. And it's a place people go to connect to themselves, it's not always about the party. It's also about letting off steam and expressing yourself and connecting to other people.
I have a very awesome seat in the house every time I play. When the lights come up, and the sound turns on, I'm playing for a roomful of human beings. And geographical and political borders just all dissolve. And we unite through rhythm inhalation. I mean, I'm so grateful that, you know, audiences around the world connect to English music.
After two years working with bitcoin and blockchain companies and corporate leaders, we identified that a significant issue hindering the widespread, global adoption of blockchain is the inability to quickly connect with the right combination of partners for testing and deployment of the technology to address real-world business challenges.
I have read a thousand screenplays, and I have acted in a handful of them, and I have felt when it feels good, the writing, and it feels natural, and feels funny or sad or honest or whatever it may be. You connect. And I felt when it feels like writing, when it feels stale, or when it feels artificial or forced, or too theatrical or whatever.
In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.
Sometimes I want to withhold judgement on whether something is good or bad, but I do feel like identifying with TV characters - connecting to them emotionally more than you connect to literal, physical people in your life - causes problems. They just don't have the same existence or boundaries as you do. They resemble us, but they are not us.
If I can get the audience to connect with the characters emotionally - and they love who they are, they love the larger-than-life situation that they're in, but most of all get the audience invested in the characters - then I always feel like I can sort of put them in the most outrageous circumstances, and the audience is okay to go with that.
Taking chances is my job; some will connect and some won't, and certain films find their audiences in different ways. I think 'Spotlight' probably is a better movie because of 'The Cobbler.' You learn with every movie you make: you learn from your mistakes, and you learn from your achievements, and I really do have that approach to filmmaking.
There's a misconception that I can't relate to the quote-unquote 'Asian-American experience' because I didn't grow up with an Asian mom and dad. And that's just not true. I am Asian American, and so playing a girl who is half Korean, half white, but her white dad tried really hard to connect with her mom's heritage - that's very familiar to me.