Quotes of All Topics . Occasions . Authors
A distributed ledger is basically a shared database that allows institutions to directly send and receive money in a trustworthy fashion without a middleman. As a result, we have the capacity to connect the world's payment systems for the first time.That's a big deal.
When you sign up for Facebook, the service first searches for any mentions of your name and suggests you befriend anyone who has mentioned you in their posts. It then asks to access your e-mail account so you can connect with anyone with whom you regularly correspond.
Of all the fictions we heard last week in Tampa, the one I find most troubling is this: If we all just go our own way, our nation will be stronger for it. Because if we sever the threads that connect us, the only people who will go far are those who are already ahead.
The more aware of your intentions and your experiences you become, the more you will be able to connect the two, and the more you will be able to create the experiences of your life consciously. This is the development of mastery. It is the creation of authentic power.
There's no Hollywood tradition of maybe not telling people that you're gay to protect your future ambitions. The YouTube world is a little unprecedented. I think what people are seeing is that the more true to yourself you are, the more an audience will connect with you.
When I first read 'The River,' I had theories on what it was about, but once we got into rehearsal, I realized it's much simpler: It's about how human beings try to connect. The play holds a mirror up to the audience, and they take from it what's relevant to their lives.
Yeah, you know, I performed occasionally. I was in such despair because I just - if I didn't have my music to connect with, I couldn't figure out what I was supposed to be doing. There was never a 'B' plan here; it was just this. So it took me a long time to find my way.
No support of one star or one director or one producer can make any individual actor a star. You have to connect with the audience; the audience have to like you. That is something that cannot be manipulated or fought for or tried for. Either they like you, or they don't.
I went with a friend to see Frank Sinatra in Las Vegas, in the last year that he was performing. He wasn't necessarily on top form, but the way he could connect with an audience and the way he communicated through the lyrics was something I hadn't ever really seen before.
I've been around young, talented, non-coachable players. I've been around veteran, talented, non-coachable players. No matter what you do, sooner or later - even if a coach comes in that's able to connect with them - if that's who they are, they're going to go back to it.
Mr. Trump, you were elected mainly because you found a way to connect with the average blue-collar worker who's sick of the games politicians have been playing for years. Those same blue-collar folks, who go to church, want to feed their families, have to pay their taxes.
Everybody watches free-kicks, and when you watch them, you enjoy them. You have got to learn how to shoot and connect with the ball and how to move your leg. For everybody, it is different, but if you want to score lots of goals, then free kicks is an extra way to do that.
The beginning of a friendship, the fact that two people out of the thousands around them can meet and connect and become friends, seems like a kind of magic to me. But maintaining a friendship requires work. I don't mean that as a bad thing. Good art requires work as well.
It's always exciting to see different cities I love, and go on tour buses. It's so much fun to travel. My favorite part is being able to perform live in front of all these amazing people; being able to connect with them and seeing their reaction makes me feel very special.
Regardless of the technology, we at Cisco believe that there is a need to 'connect the unconnected,' whether it is using 3G, 4G or Wi-Fi. We are working on enabling heterogeneous access across different technologies. The basic need to 'connect to unconnected' still remains.
To really be on stage and not know what you're going to say, and to be able to say something that makes people laugh, or do something that's sort of abstract or off the beaten path and have people connect to it by just putting your ideas together, that really makes me happy.
It's always a weird feeling being on the red carpet, but the more I go, the more I try to connect myself to the here and now. And breathe. That's the way I make the experience a good one. If I think too much - if my head is somewhere else because I'm stressed out - it shows.
I remember the first day of school my first year in the classroom. My stomach churned with a mixture of excitement and anxiety. Could I do the job? Could I connect with the kids? Will there be the chemistry to build relationships and get the job done, or will I totally flop?
When I meet someone who I really admire, I enjoy nothing more than trying to connect with them and asking them about their career. I want to know who the people are behind the performances and how they relate to their performances. But it's maybe not as novel as it once was.
I've never been someone who's been given work because of the way I look or because I have some box office appeal. I get work because people know I'm swinging as hard as I can, trying to connect, giving it my level best. I have a face for radio, but here I am doing what I do.
When you play in a band, you're in phase with people. When you're a DJ, you're totally off-phase. Your work time is 3 A.M. - 5 A.M. and I don't think you can connect. You're miserable the whole time. Whenever I see a DJ in the airport, they are always on the verge of crying.
When I first thought about wrestling, I thought about it as this foreign thing that I would have so much trouble accessing, and then, day one of researching it, I was like, 'Oh, I know what this is! This is theater. This is playing pretend.' It was really easy to connect to.
Genre is a really great shorthand you can have with an audience. In the same way you can use music to create a connection with an audience, it brings so much of their knowledge of what genre really is to the table. You have a shortcut to connect with them. I really like that.
The world's urban poor and the illiterate are going to be increasingly disadvantaged and are in danger of being left behind. The web has added a new dimension to the gap between the first world and the developing world. We have to start talking about a human right to connect.
He doesn't make it so complicated but just really allows the lyric to come through even though there's a lot of production going on. I think that's the key and that's the magic, it's making sure that people could still connect with the lyrics while they're on the dance floor.
We thought that the Internet was going to connect us all together. As a young geek in rural Maine, I got excited about the Internet because it seemed that I could be connected to the world. What it's looking like increasingly is that the Web is connecting us back to ourselves.
My entire career has been built on the understanding that I am not only not the smartest person in the room, I am definitely not the smartest person in the world. And I am instead going to try to create as many opportunities to connect those great ideas and help them be great.
I need to react to a script, to feel strongly about it in some way. And I need it to be a complex character for sure. And also, I think a lot about what kind of audience there is for the film, what they're looking for and ways to connect with them in the playing of a character.
You get to relive your childhood when you have a baby and you see these toys and these books you read when you were little - the innocence that you are able to maintain because you have to find that again in order to connect with your child keeps you in a special state of mind.
There's been a vacuum with movies that people can relate to. There's been a paucity of dramas that people can relate to. I think audiences are clamoring to connect - particularly after 9/11 - with things that are genuine and real and I think documentaries are filling that need.
I feel my writing comes from a desire to... well, it's motivated by many things, but it's inherently a contradiction in that I'm writing for myself, and it's a very interior journey. On the other hand, I feel that writers do make that interior journey out of a desire to connect.
Contemporary paganism gives me a subjective lens through which the world in which I live can be interpreted on an aesthetic and an ethical basis. I'm interested in narrative, myth, and story, in folklore and the way we connect to the turning of the seasons and the natural world.
Write what you want to write, write what people want to hear, and write about what they're going through, because if you could connect with the people who are listening to your music and coming to your concerts and coming to your meet and greets, then you're doing your job well.
I think for new artists the hardest thing is putting the face with a name. People maybe heard our song on the radio or something but until they get several impressions of who you are - from whatever it is, whether TV or a live show, I feel like they don't quite connect the dots.
Sometimes I don't go into the studio for quite a while because I haven't found enough good songs. They have to have a certain caliber and connect with me because I'm going to be playing them for the rest of my life. I start off with a circle of friends whose songs I love anyway.
Some writers may hate interacting on social media. And if you do, don't do it, because it shows. If you are uncomfortable being out in public, that shows, too, and makes the reader uncomfortable. So find the best way for you to connect with your readers and a way that you enjoy.
People failed to realize that when you're living such a hyper, super reality of a life, where you're just doing shows and you're on TV and you're talking to this magazine, that doesn't bode well for trying to talk about everyday stuff that hopefully you'll connect with people on.
We're living in a time, unfortunately, where, you know, a lot of young men, particularly young men of color, being raised by single mothers. And their mothers so desperately want to connect with them, but I found, in talking with a lot of young men, that sometimes it's difficult.
As technology evolves, it manipulates our culture, and there's a huge opportunity to push ourselves further. I think it actually makes ourselves maybe more human, or at least human in a different way, that we can connect together in amazingly different ways and powerful new ways.
Our landscapes connect us to our history; they are the source of our character as a peopl, as well as our health, our safety, and our prosperity. Natural resources enrich us economically, yes. But they also enrich us aesthetically and recreationally and culturally and spiritually.
If I want people to connect to my words and my stories, I need to tell them where they came from. Because then, when you break into song, they have kind of a blueprint for why I wrote that song, so they can come to it with something they went through that helps them connect to it.
We live in a bubble sometimes, and you can get out of touch with your fans. You go to the studio, you come home. But coming to Comic-Con is a real opportunity to connect with the people that made your show happen and are responsible for its continued success. It's really humbling.
I watch films, so I know what it is to be there in a theatre as the audience. So I always want to communicate with them when I make films, but that is not the only thing. I also want to say something which I feel deeply, and which I feel I can connect with the rest of the audience.
It's critical for girls to see role models like myself that are in technical fields. Looking for ways to come in as speakers or do a career day, or just find a way to connect with students or invite students to their workplaces to shadow them for the day... is critically important.
People are so fearful about opening themselves up. All you want to do is to be able to connect with other people. When you connect with other people, you connect with something in yourself. It makes you feel happy. And yet it's so scary - it makes people feel vulnerable and unsafe.
We spend billions on international aid annually, but we don't find ways to connect people to dignified work. I realized that if we don't think about ways to harness private capital to solve problems, we're leaving large amounts of money on the table and doing ourselves a disservice.
I believe your home tells a story about who you are and who you aspire to be. We represent ourselves through the things we own. I don't believe in trends. I believe in collecting things that you connect with. We should surround ourselves with things we care about, that have meaning.
I may have a little bit of a talent for music, but I've learnt to tap into my own self when I write. When I put the drill bit inside my heart, sometimes I come up with something light and frothy, sometimes with something deep and painful, but it's great to connect with the audience.
We want to connect all these musical worlds together. We just improvise; we know straight away if its going to work or not. They're not covers - I hate the word cover. We do a transcription: mix it up, put our own spin on it. I think people will be surprised how powerful our show is.
I think one challenge is that having few women in your work environment makes you feel a little isolated and alone. I'm an extrovert; I like talking to people, and I make friends easily, but if your personality is somewhat different, I think you would struggle to connect with people.