Each of our 900 shows so far was different - maybe that's what makes the fans come back to our gigs time and again. And that they're always part of the show. Phish concerts are a communal experience.

When I started my own business, my main reason for designing clothes was that I wanted to dress rock stars and the people who went to rock concerts. It didn't go beyond that aspiration at that point.

In my final year of law school, everything became real. Malaysian TV shows wanted me to perform big concerts. So, after graduating, I decided to go for it. I didn't think I'd be a good lawyer anyway.

Every once in a while I'll find a new way of playing something, it will suggest itself. But generally speaking, there's a set sonic potential, and that's in concert with a set instrumental technique.

You can't force something like that. But we have encouraged our audience, because we avoid the confrontation of regular rock concerts: us up here, you down there. Instead, we're looking for interaction.

My dad was the one who took me to concerts and introduced me to new artists. One time, he drove me from Pittsburgh to Washington, D.C., on a school night to see 'U2' - he was a pretty dedicated Bono fan.

I'm a firm believer that lighting affects mood, and twinkly lights on strings bring something magical to occasions ranging from concerts to weddings, though I'm fond of using them as year-round home decor.

I sense that the sea of smart phones lit up at concerts is a temporary phenomenon. The integration of technology, sharing, and social into our physical world, on the other hand, well, that ain't going away.

I've been to dozens of concerts where attendees proudly wore NRA hats and t-shirts. In fact, the NRA partners with a number of artists for their NRA Country brand and puts on shows across the country every year.

I run around, I listen to a lot of music, go to a lot of concerts. And when I see someone that gases me, I try to go out of my way to involve them somehow in what I'm doing or get involved in what they're doing.

Oh yeah - for sure - hardly a week doesn't go by when I don't hear something wonderful that someone has made in some low-budget situation, primarily with a view to selling a few hundred copies at their concerts.

I have been working for Africans since I was 18, when I got involved with the Nelson Mandela concerts. I got involved with debt cancellation because Desmond Tutu demanded that the world respond to that situation.

I love a song that will usher in the very presence of God. Then there's no Andrae; there's no fabulous band, there's no greatness of ours. I've had hundreds of concerts like that, and that's what I try to achieve.

My favorite thing about going to concerts has always been looking around and thinking that there's a lot of people in here that are very much like me, a lot of people in here I could have a full conversation with.

Just going to Bangladesh was an experience... if you go into small villages in the U.K., they're backward and culturally devoid. But if you go into small villages in Bangladesh, they have classical music concerts.

When you're watching 1D Youtube videos and going to their concerts and tweeting them, there's always a desire for more - and there's nothing like sitting down and spending time with them in the form of fan fiction.

The wonderful thing about having your songs on the radio is that people are going to go out to your concerts and buy your merchandise and that sort of thing, and it feels good to get that level of name recognition.

There is a kind of adventure- and risk-seeking audience in classical contemporary music that is really empowering and part of what draws me to it. The people that come to these concerts are open-minded and curious.

I've heard Jerry do mini concerts while driving, especially when the music of The Beatles or a handful of other 'British Invasion' bands aired. Hearing Jerry Lawler sing with a British accent is quite an experience.

The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.

I used to be selected for the Pennsylvania all-state orchestra. It was a thrill to go from my home town of Aliquippa clear across the state to Lancaster for the concerts. No kid is immune to that kind of experience.

This sounds weird, but some of my concerts have been kind of dangerous sometimes. I've had a few girls actually sent to the hospital because they faint and all that kind of stuff, which is really, really weird to me.

The best gift I was ever given was the arts. My mum gave me those on a silver platter. Growing up, her and my grandmother would take me to ballets, classical concerts, even smoky jazz clubs I wasn't supposed to be in!

The Dead's best venues were the outdoor concerts. I've been to a few, including one outside of Kansas City on the Fourth of July, but my fave was Shoreline Amphitheatre - a beautiful outdoor arena built on a landfill.

I started playing the violin at age 3, and I was very fortunate because there were people who heard me who were influential in getting me auditions. By the time I was 7, I was playing concerts - it was just ridiculous.

I'm not a type of grandmother sitting in a rocking chair. I'm a lot in the theater. I'm a lot at concerts. I'm a lot at friends.' I like to go out for dinner. I don't have to be home one night a week if I don't want to.

I was lucky enough to get to perform on stage in front of 20 million people on TV, and 150 thousand in concerts. For 15 minutes I got to be a rock star, the 15 minutes is great! It turns into Spinal Tap after 20 minutes.

What is the source of power of musicians who are financially browbeaten, most of whom work for minimum wage or less? Musicians who cannot even afford to buy tickets to operas or concerts in which they themselves perform?

I live again the days and evenings of my long career. I dream at night of operas and concerts in which I have had my share of success. Now like the old Irish minstrel, I have hung up my harp because my songs are all sung.

When you go to a great concert something that happens is there is a deep sense of communality and connectedness one to another - as though we are all looking to eachother and saying yeah, we get it, we're all on one page.

As an actor, you're supposed to take jobs that will challenge you or force fans to see you in a different light. By the '90s, I wasn't really an actor anymore. I was someone who went on the road with these gigantic concerts.

I'm touring right now and you'd be surprised to see all of the kids that come to the concerts just to see Rita Marley because it's Bob Marley's wife. I might do three or four of Bob's songs in my repertoire and they go crazy.

It is interesting that our biggest fans are the greatest names of the classical music scene, such as Julian Rachlin, Janine Jansen, Mischa Maisky and Gidon Kremer. They even make guest appearances in our concerts occasionally.

I wanted to get my recording and become a musician again, work; with other people, do that kind of thing because I kind of got away from that for a while once we started happening, you know, selling records, sold out concerts.

I have new music coming out. I'm working on some television shows. I still do a tremendous amount of concerts. I'm doing my restaurant. I got a club coming in New York. The restaurant is called Doug E. The club is called Fresh.

I don't like to hold too much formality in concerts. It's not that I don't like seeing people who are really polished and put together. But I'm more excited by things that are a little bit breaking apart as you're watching them.

It's people, not possessions, that make home for me. It's not that I get much time to entertain, or any of that, what with the television production schedule and, now, singing concerts all around the country and making recordings.

I always tell my audiences not to listen to such artists who play audio CDs at their concerts. Such shows shouldn't be called live shows. People like AR Rahman, Sunidhi Chauhan, and Arijit Singh are the ones who hold true concerts.

Which is why, in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.

I really enjoy what I do, and who I'm with and where I am. Having said that, I'm not really a person of habit, because what I do in my job is travel around the world and play concerts to people, and occasionally do very weird things.

The desire to share is not a vague, windy sentiment, not when you see the massive rise in live concerts in response to the phenomenon of downloading music... People want to get rid of the headphones and be part of a shared experience.

Any of Bette Midler's concerts should be required viewing for every actor/performer. She has the audience in the palm of her hands at all times and can switch emotions on a dime: Great singer, great actress, great comedian - fearless.

I can remember dancing around living room with my two sisters to the music of Paganini and Mozart. I can still remember my dad combing the newspaper, circling all the free concerts in town, and on the weekends, we would go as a family.

When I broke 20, I said to myself, 'I will give concerts until I'm approximately 30.' And I made it a year and a half late, but, nevertheless, that's what I did. When I broke 30, I said, 'I think I should be recording until I'm about 50.'

I used to suffer from stage fright, which at times was an ordeal. I won't perform live again. I'm going to do some TV shows and videos but nothing else... I don't like to travel too much or do concerts. I'm more of a studio and home girl.

I remember the first time I received a cassette tape of a band called The Clash. I became an instant fan of the Clash and then bought their albums after that and went to their concerts and gave them my money... but I first got it for free.

I think it's cool to do a summer outdoor show because, growing up, like, those were always the shows and the concerts that I would get to see, where I would be sitting on the grass with my friends and hanging out, and it was such a moment.

Barbra Streisand is without a doubt one of the most honest people I have ever known. There is no doubt in my mind that she will not be doing any more concerts. Of course, she still will be making records and starring and directing in movies.

I'm now doing three things: concerts, conducting, and teaching, and they each support each other. I learn to see things from different perspectives and listen with different ears. The most important thing that you need to do is really listen.

The Great Guitar Escape is built around world-class seminars, concerts and jam sessions. It's a chance to learn and be inspired by some truly amazing musicians. And it's just a great way for everyone to hang out together in a beautiful place.

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