Quotes of All Topics . Occasions . Authors
While the concert is instant communication with the audience, composing is a creative process where a song comes up out of nowhere and then transmits happiness to many, translates into money, fame, or whatever.
I was about 10, and I was supposed to be playing the piano at the school concert, and I got up in front of the whole school and said, 'I'm sorry. I'm changing the agenda. I want to play some songs I've written.'
There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.
I originally wanted to go into sports, but my first concert was KISS at the shooting of 'KISS Meets The Phantom Of The Park.' The minute I saw Gene and Paul... it was all over. I knew that's what I wanted to do.
I've been fortunate that when Frank Sinatra was in concert, he would say, 'Here's a song by a wonderful young songwriter, Jimmy Webb,' and I'd be in the front row and stand up. That gets people talking about you.
We have not had a ton of innovation and marketing in the concert industry, much like the record industry. We have been a fairly old-school business compared to Coca-Cola and the big packaging/marketing companies.
When I'm playing with my band, I designate different parts to feel different things. The bass pounds in your chest when you go to a concert. It almost replaces your heartbeat. Then the drums you feel on the floor.
In L.A., I played with Joe Pass and Gabor Szabo. Mick Goodrick plays guitar in the Liberation Music Orchestra, and he's a real special player. Then I did a duet concert with Jim Hall at the 1990 Montreal Festival.
The music lovers of London and the country deserve to have something where orchestras can flourish. You have no idea how wonderful an orchestra like the London Symphony Orchestra can sound in a great concert hall.
I'm not a frustrated concert composer, and the concert pieces I've done have been a small part of my work. What I've sought there is instruction, variation from the demands of film and relief from its restrictions.
There's a huge AIDS epidemic in Africa, and one of Bad Boy's plans this year is to give more awareness to that. We're gonna be doing a big charity concert helping to save some of the brothers and sisters in Africa.
Most recently we've been working in concert situations rather than clubs. because there aren't too many rooms there like Ronnie Scott's, that are pure music rooms, where people come specifically to listen to music.
That's what Kiss is all about - not just music, but entertainment, y'know? We're there to take you away from your problems, and rock and roll all night and party every day for those two hours you're at the concert.
In a sense, the god we trust politically is a slightly different god than the one we bring into the fray when we enter a rock concert. One of the things I can say with absolute conviction is that I worship that god.
I do not understand where the idea came from that opera is only for privileged people, I am as happy singing before 70,000 people at the Millennium Stadium, as I am in front of a few hundred in a small concert hall.
I love doing concert choreography because everything is about your vision, come heck or high water. Of course, you also take the blame for everything, but it's wonderful to be able to make up dance for dance's sake.
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
I saw Berry in concert a couple of times in the late '70s - and like almost every North American male of a certain age, I went because a friend was hired by Berry that very day to be part of the legend's backup band.
These capitalists generally act harmoniously and in concert to fleece the people; and now that they have got into a quarrel with themselves, we are called upon to appropriate the people's money to settle the quarrel.
That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
I was much more interested in the orchestra than the piano, but I did become fairly proficient as a pianist and my teachers felt I had talent and wanted me to become a good concert pianist and earn my living that way.
We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good.
I would quite like to play a big concert as Freddie Mercury. I can't sing that great and I haven't yet found a use for the over large size of my teeth. I quite fancy a mustache like that and he was such a great showman.
A Kiss concert experience is like sex or anything else that's done with more that one person. It's the give and take that makes it so great. When the audience takes it to the next level, we can kick it up another notch.
As far as those kinds of things, I also played at the concert to call for the release of Nelson Mandela when he was a political prisoner in South Africa. We were celebrating his 70th birthday and calling for his release.
In 2007, I studied with Peter Erskine because I was doing a Buddy Rich tribute concert, and I wanted to take my big-band drumming up a level. I went over to Peter's house with my sticks, feeling like a 13-year-old again.
My dad dragged me to a Bruce Springsteen concert as a kid. It was my first concert, but I fell asleep in the middle. My second concert was Weezer on the 'Pinkerton' tour, and 'Pinkerton' is the reason why I'm doing this.
Oh, man, the first concert I ever went to was Boston and Sammy Hagar, and it was absolutely incredible. I was just blown away by both bands, and, once again, it was my first concert, so that made it super, super special.
People have taken time out of their day and spent their money to come sit down at a concert. And it's jazz music-it's not easy for them to get to it. I don't want them ever to feel that I'm taking their presence lightly.
I mostly play old period songs, as they suit a ukulele more. I bought it when I saw the tribute concert to George Harrison. Joe Brown came on and sang 'I'll See You In My Dreams,' and there wasn't a dry eye in the house.
My team and I have discovered, over decades of study, that mushroom mycelium is a rich resource of new antimicrobial compounds, which work in concert, helping protecting the mushrooms - and us - from microbial pathogens.
When I was young, I played the piano and studied classical music and jazz. I wanted to be a concert pianist, and if I'd devoted myself to it, I could have been. But it would have been too much work and a very lonely life.
For me, the exhausting thing about touring is the sitting around, which is why working on my concert music is really great - and also seeing concerts and seeing friends and, whenever possible, getting out to see a museum.
You couldn't be performing if it weren't for the audience. I appreciate them being there. So why not applaud them? They took time out of their schedule to show up and sit in the concert hall and be part of the experience.
When you see a crowd of people jumping up and down at a pop concert, all gloriously in the moment, I don't think you'll ever see a comedian there. They'll all be standing at the sides, looking at how it all fits together.
I took a musician friend of mine to a Rolling Stone concert once, and all he did was cringe. I asked him what was wrong, and he said, 'Keith Richards' guitar is out of tune.' But 'Tumbling Dice' still sounded great to me.
I grew up on a farm in eastern Tennessee with a very southern lifestyle, so my roots are super country and southern, but my first concert was Britney Spears. I think that you can hear both of those influences in my music.
Recorded engine sounds, however, are a deliberate deception. They're like going to a concert and listening to a recording. On the other hand, I wouldn't mind buying a BMW recording and installing it in my '96 Jeep Cherokee.
It's not music you can evaluate in traditional ways. If you look around at a concert, you might see what look like bored people, or maybe they're drifting, but they're just having another kind of experience, an inner thing.
I think the atmosphere of a Prom concert can change your life, in the best way. It's so deep, the feeling you have there. The audience is so close, and there are so many of them, that you feel they are almost embracing you.
My first-ever concert was the Barney concert when I was, like, six. My mum took me because I was obsessed with Barney. Barney was actually my first crush... He's, like, literally better than all the guys in the whole world.
One of the most rewarding things is meeting someone after a concert who has never been to a concert before. It is incredibly rewarding when they say, 'This is my first classical concert.' It is really exciting for everyone.
Until I started performing in public, when at the end of the concert people would come to me with teary eyes and say that my performance took them to a trance zone, I had no idea that I can create an impact with my singing.
My first concert - maybe it was 1979 - was a blur. I'm not sure whether it was Blue Oyster Cult/Cheap Trick/Pat Travers at San Jose Civic Auditorium or The Police/The Knack/Robert Johnson at Berkeley's Zellerbach Auditorium.
It takes tough love to order kids to step away from the iPhone or iPad during dinner or to take the devices away if they're interrupting and interfering with everyone else's pleasure at a movie, concert or other public event.
Diamond Resorts delivers world-class events and high-caliber hospitality; I look forward to representing Diamond and performing in the 2017 Diamond Resorts Concert Series to help make vacations unforgettable for their members.
Music and philanthropy have a long, benevolent relationship with one another. Record bins are rife with charity singles, and concert history is filled with benefit shows for every imaginable cause. Musicians like to give back.
I talk about beepers going off in the middle of a concert and people being late and not apologizing, and people not RSVP-ing, and adult children going back to live with their parents, which we didn't have in the '60s and '70s.
In college, I would follow Bob Dylan around, and I would show up to a concert, and he would sing some song he hadn't sang in a long time, and it would speak to something, and I would think it had some great fateful implication.
I want to expand jazz; I don't want to keep the audience limited. I want to reach people who have never come to a jazz concert before. One way to do that is by making records that have a lot of different kinds of music on them.