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I gave my last concert in 1976. For 32 years, I had given everything I had. I wanted to stop. My last big debut was in Russia in 1973. After I retired, I didn't have to worry about going out in bad weather. I could stay up late.
Life is very busy now. I find that in today's cities, the public is very tired after working the whole day. When concerts start at eight o'clock, the wife pushes the husband to go to the concert, where some promptly fall asleep!
I want people to know that I appreciate every piece of music they buy and every concert ticket because that's what keeps this going. Knowing that people are coming to the shows and enjoying my music makes every long day worth it.
A lot of people have said, 'Do a Westworld tour!' I definitely have ideas, because we could do a whole concert from just the first season. The player piano plays such a huge role in that one, so it's a must-have as a centerpiece.
I'm fortunate that I've been able to work on Broadway, but it doesn't give me an outside life. So I decided to go into the concert world. I do 40 to 50 shows. That takes one to three days a week, and I'm home the rest of the time.
When I got inaugurated in 2010, OneRepublic donated their time and played for the inauguration. And my stepfather, who is 86, came out. He usually goes to bed at eight o'clock, but he stayed for the entire concert. It was awesome.
I think L.A. radio is learning from the Bay. The Bay is a very classic place. Mac Mall, C-Bo, all that stuff, they love their artists, they're old school up there. My first big concert was playing in the Bay; I played the Fillmore.
The whole point of an album is to understand the artist and enjoy the music - it's supposed to make you want to go to a concert to see them in the flesh and get the album on vinyl and be a part of everything. That's what I'm about.
We are the kind of people who obsess over one word... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.
When I was studying... there weren't any black concert pianists. My choices were intuitive, and I had the technique to do it. People have heard my music and heard the classic in it, so I have become known as a black classical pianist.
One of the things about live music that's so incredibly important and can't be replaced and automated is the common focus of a room full of people having that human contact and being immersed in the sensory overload of a rock concert.
I think the most important thing for a listener is to realize that he, too, should not listen to music in a passive way; that if you sit in a concert hall and expect to be moved or taken off your seat by the music, it will not happen.
A concert is my experimentation time. I practice playing something several different ways, but in a concert, inevitably I get more ideas onstage, in that combination of focus and adrenaline, than I could ever get in the practice room.
Last year in Germany at a town hall in Leipzig there was a game music concert played by the orchestra and some of the Final Fantasy scores were played. This year there is another concert scheduled in the same location, for game music.
My grade 3 teacher put on a kids' Christmas concert, and I played the kazoo, so my mother bought me a trumpet. I took lessons for eight years, was in the Kitsilano Boys Band, and I played in the Vancouver Junior Symphony for two years.
Maybe you're going to a concert thinking you're not going to hear anything but music. But you may walk away from there with an answer to a problem that you're carrying around with you that you didn't think you were going to hear about.
I have always been a huge fan of reggae music. I remember going to see Bob Marley And The Wailers at the Hammersmith Odeon when I was 13. I went with my big sister, Cordelia, and it remains the most wonderful concert I've ever been to.
I see little girls at my meet-and-greets who are like, 'Kelsea! It's my first concert and I came to see you.' And I'm thinking, 'I don't want to post anything online that your mom would be mad at me for, because you're important to me.'
America does not need gorgeous halls and concert rooms for its musical development, but music schools with competent teachers, and many, very many, free scholarships for talented young disciples who are unable to pay the expense of study.
To do more of a concert thing, it takes so much preparation. You don't just show up and wing it. You're putting countless hours in the studio, not just to write and produce stuff, but to come up with edits and special things for the show.
I went to a Radiohead concert with Mr. Aaron Paul and became instantly hip. He's a great tweeter and took a photograph of the two of us. He said, 'Man, look at this! We've already got 800 hits in five minutes!' So this old dog became hip.
I don't want costumes and makeup between me and the audience - I want more direct communication. There's something for me about being honest on stage, and I'm at my most honest when I'm behind a piano. So I prefer my concert performances.
I was playing surf music with my band when a girlfriend of mine who had come from Los Angeles took me to a James Brown concert. That show really changed my whole outlook and thought processes, especially about music and different cultures.
From their '61 Cavern Club debut to their last rooftop concert eight years later, The Beatles gave every serious artist in their wake the songbook and sound for their career. It's the musical trough from which nearly every musician drinks.
Music education was always big for me. Ever since I was a young kid, I always said it was the reason I went to school sometimes and knowing if I didn't do well in class that my mom wasn't gonna let me sing in school or sing at that concert.
New Year's Eve, we're going to be doing a concert with the Philadelphia Orchestra in Symphony Hall. It makes me feel good, because of all the people they could have had, they wanted me! We do have to do a little work with the rhythm section.
When you fly to New York, sometimes they put you on hold and you just go round and around in a holding pattern. Sometimes in a concert, I feel other spirits in a holding pattern that they want to land through my heart and through my fingers.
I did the one concert, and I was not bitten by the conducting bug, and I thought I was done, but then the phone started to ring, and gradually, over time, I started conducting more and more. Now a third of my performances are with orchestras.
I remember seeing McCoy Tyner in concert, and thinking that the music was incredible, but wanting to be invited in. I figured that humor was the way of letting the audience in. I've gotten a hard time about it, but I love to be funny onstage.
But we will play 6, 7 new songs each evening, approximately a third in the concert. I think it's a good balance. It will be very interesting to see the public's reaction. But i think when we'll play the very first new piece, we will be scared.
The idea of standing five feet away from Norah Jones and listening to her sing Neil Young's 'Down By The River' was just phenomenal. I compare that to what my kids know of at a concert, which is sitting in a stadium and watching a huge screen.
I believe we should use all means necessary to prevent the acquisition or fabrication of nuclear weapons by countries or groups hostile to the U. S. We should act in concert with our allies who are similarly working to protect their countries.
Working together in concert more smoothly not only helps us move more quickly; it changes the nature of what we can undertake. When we have the confidence that we can orchestrate the group effort required to realize them, we dare bigger dreams.
I loathe hecklers. I haven't got a good syllable to say. When you come out of the club circuit and into the concert hall, they should be gone. There's an element of manners that should tell you that the ticket is dear and it's a different venue.
Somewhere along the line, a concert became a variety show. It was no longer enough for four dudes to play together in front of some guitar amps. Costume changes, an army of dancers, and Broadway theatrics suddenly became standard for a 'concert.'
I've had to ban my mum from coming to see me play. She gets so nervous before any show. I've always got a few nerves but she's so much worse than me. You'd think she'd be able to handle that kind of situation. After all, she is a concert pianist.
I used to get very nervous before a concert. It's okay when you are in a band. You can kind of disappear. But when it's just you... yes, that was difficult. I would not say it is easy now. But when you do it for a long time, you do learn to cope.
Complete strangers can stand silent next to each other in an elevator and not even look each other in the eye. But at a concert, those same strangers could find themselves dancing and singing together like best friends. That's the power of music.
We have become bound by a political straitjacket that frames every debate: Too much federal government. Yet our forefathers forged this system for us. The federal government can accomplish what the states, acting alone or even in concert, cannot.
For me, the most enjoyable type of singing is opera. It allows you to move, to wear a costume... to do something with your body. When singing in concert, you have to stand up in front of the audience, next to the conductor, which is less natural.
The new age of terrorism isn't on the battlefield: it's in your own backyard. Whether it's at a concert in France or a restaurant in the United States, terrorism doesn't have to happen in a military installation by any stretch of the imagination.
I think every classically trained film composer feels to some extent, maybe on some level, that they took the low road, that they could have maybe pursued a career in the concert music world, and perhaps been involved in a higher quality of music.
Now, if King Crimson accepts responsibility for innovating its own tradition, you can't accept responsibility for the audience. And there is an enormous tangible weight of expectation, which comes from an audience attending a King Crimson concert.
In horror movies, you can write music that if it was performed on the concert stage would have the audience running out of the room with their fingers in their ears. But in a movie, all of a sudden it becomes incredibly accessible and appreciated.
I've done a show at the Largo Theater called The 'Thrilling Adventure Hour.' We read, like, radio teleplays. It's a send-up of radio dramas from the '30s and '40s. We just did a Kickstarter for that so that we can do a web series and a concert film.
I opened the Woodstock Festival even though I was supposed to be fifth. I said, 'What am I doing here? No, no, not me, not first!' I had to go on stage because there was no one else to go on first - the concert was already two-and-a-half hours late.
I was going to be a concert pianist, and when I was in high school, my parents were scared to death that I would focus too much on that too soon. And that I'd end up in some sort of dead end, and not fulfilling whatever potential they thought I had.
As an architect, you have to provide a shelter to enjoy art. And you have to love art. It's like when you make a concert hall. You must love music. This is the reason why you make the space, to enjoy music - making a space for art is the same thing.
People forget how outcast 'They Might Be Giants' can be. They have a reputation for writing really deft, funny, clever melodies, and they also make a lot of music for kids, which is terrific, but when you see them in concert, they can rock the house.
Whether it's performing a concert with my quartet or sitting in with my peers, enjoying musical conversations at home with my brothers or hanging and playing choro with my friends - sharing moments in that bright space of music are the happiest times.