Quotes of All Topics . Occasions . Authors
The concept of graphene came along in 1947, but nobody paid much attention to it. I was fascinated because it had a linear E versus K while everything else that people were working on at that time had a quadratic dispersion relationship. I wondered why this was and what was so special about it. That was my fascination.
When we talk about dystopias, especially in young adult fiction, a lot of them are essentially science fictional futures. They aren't necessarily tied to the traditional concept of dystopia. And so in that space, my impression is that kids love reading about weird, wild, adventurous places, and dystopia fits that bill.
A lot of jobs today are being automated; what happens when you extend that concept to very important areas of society like law enforcement? What happens if you start controlling the behavior of criminals or people in general with software-running machines? Those questions, they look like they're sci-fi but they're not.
Freud taught us that it wasn't God that imposed judgment on us and made us feel guilty when we stepped out of line. Instead, it was the superego - that idealized concept of what a good person is supposed to be and do - given to us by our parents, that condemned us for what had been hitherto regarded as ungodly behavior.
I use doodling for a variety of reasons: I use it to get clarity around a concept, I use it to relax, I use it to communicate ideas with others and get their refinement of them, I use it to map complex systems for companies, I use it to run innovation games for business, I use it to get insight on something puzzling me.
The 1969 experience has been a rude awakening for many hedge-fund investors and has left some of them with strong reservations about the whole concept. For the first time in their relatively short history, the funds are not growing: in fact, some have suffered large withdrawals of capital, and a few have actually folded.
I think it's particularly a distinctively American concept that resonates with American culture through biker culture. A motorcycle is an independent thing. You're like, 'I don't want to ride in a car with this person. I want to be independent and ride by myself. But, let's ride in a group. Let's be independent, together.'
When you look at what we can call the golden era of concept albums, which starts in the mid or late '60s and ends maybe in the early '80s, it's an interesting time for music. You see all these very established and popular acts and bands and artists that were somehow on the top of their game but really trying to experiment.
I have a tape recorder, and I just sing into it. I like to write that way. Sometimes I'll just get melodic ideas, and then I'll go home and sit down and add the lyrics. Or sometimes I'll get a lyric idea that I love. Usually it's pretty combined. Usually I get some kind of a lyrical concept and a melody and work with that.
When I come up against a director who has a concept that I don't agree with, or maybe I just haven't thought of it or whatever, I'd be more prone to go with them than my own because I want to be out of control as an actor, I want them to have the control, otherwise it's going to become predictably my work, and that's not fun.
The concept of historical necessity is the product of rational thought and arrived in Russia by the Western route. The idea of the noble savage, of an inherently good human nature hampered by bad institutions, of the ideal state, of social justice and so forth - none of these originated or blossomed on the banks of the Volga.
Democracy is a daring concept - a hope that we'll be best governed if all of us participate in the act of government. It is meant to be a conversation, a place where the intelligence and local knowledge of the electorate sums together to arrive at actions that reflect the participation of the largest possible number of people.
To me, what's really important about the Green New Deal isn't, like, one of the elements of it: it's the concept. It's the concept that we have a national emergency commensurate with a depression or a war. And then the second part of it, the concept that, in rising to meet that challenge, there's a ton of economic opportunity.
I love politics. It could be that, or it could be that my dad was always really big on, 'This is your job. You are going to work...' You know, it's really funny cause he was such a cowboy, and he doesn't like the concept of guys coming in like cowboys - unshaved and wearing flip flops - and stuff like that would eat him alive.
I seem to be thinking rationally again in the style that is characteristic of scientists. However, this is not entirely a matter of joy, as if someone returned from physical disability to good physical health. One aspect of this is that rationality of thought imposes a limit on a person's concept of his relation to the cosmos.
I don't feel that this concept of disruptive technology is the solution for everybody. But I think it's very important for innovators to understand what we've learned about established companies' motivation to target obvious profitable markets - and about their inability to find emerging ones. The evidence is just overwhelming.
Back when the concept of organ transplants qualified as science fiction, novelist Maurice Renard wrote a thriller called 'Les Mains d'Orlac.' Call it a bastard offspring of 'Frankenstein;' its plot revolved around the old theme of Science Giving Us Stuff We Shouldn't Have - in this particular case, restoring severed body parts.
Anthropomorphism is such an interesting concept. It means projecting human thoughts and emotions onto an animal. Which implies that thoughts and feelings belong to humans alone. Of course, if you believe in evolution, or if you believe in the Bible, that's not so. Both evolution and the Bible tell us that we're part of a family.
The humanitarian aid system is built on a concept that when disaster strikes, outside agencies provide a temporary helping hand until people can take back control of their own lives. But across the world, we see millions of people caught in semi-permanent crises. As each year goes by, they are less and less likely to break free.
I was taught to think outside the box. Before my grandfather was one of the original Mad Men, he and a group of other Air Force Intelligence officers formalized brainstorming as a problem solving technique. He taught the concept that creativity can be taught at Buffalo University. My dad invented toys. My mom was a photographer.
'Star Trek' is a 'Wagon Train' concept - built around characters who travel to worlds 'similar' to our own, and meet the action-adventure-drama which become our stories. Their transportation is the cruiser 'S.S. Yorktown,' performing a well-defined and long-range Exploration-Science-Security mission which helps create our format.
The best thing I ever learned from my dad was he knew he wasn't the best of singers, but he always knew he was a great entertainer, and I always thought that was a good concept to bring along, that ultimately acting is an entertainment art and you have to be aware of the fact that you want people to be excited to be watching you.
I tend to start with a kernel, a vague concept, and just begin to write things down - notes about a character, lines of dialogue, descriptive passages about a place. One idea fires another. I do that for about a year. By then there's a story, and I'll go on to a complete first draft that sews many of those ragtag pieces together.
In video you are starting with nothing but a black screen. There's no game there. With pinball you at least start with that basic concept, but not with video. The challenge of going from no game to something today is only different because you have to create something so damn fun people will pay $1.00 every two minutes to play it.
When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
It was reading Hamlet that ruined the concept of authenticity for me, not because Hamlet lacked existentialist credentials himself - indeed, as an earlier discontented Dane, he could be said to have laid the ground for Kierkegaard - but because the line 'to thine own self be true' was spoken by that humourless old ninny, Polonius.
When an industry matures, it means it's not advancing, and of course the jobs go overseas. That's the obligation of the multi-national corporation: to put the factory where it can make the widget as cheap as possible. Don't get angry when a corporation does that; we've all bought into this concept. We live in a capitalistic society.
A lot of people, when they say 'forgive and forget,' they think you completely wash your brain out and forget everything. That is not the concept. What I think is you forgive and you forget so you can transform your experiences, not necessarily forget them but transform them, so that they don't haunt you or handicap you or kill you.
I know what that tastes like, to be a rock-and-roll star - to have a limousine, to have girls screaming when they see you, girls trying to cut my hair, get a piece of me. But I don't walk around with a concept of myself as a rock-and-roll star, and certainly not as a musician, because I really can't play anything, except primitively.
I think that prog rock is the science fiction of music. Science fiction speculates on what the future might be and look like and how we'll get there, and yet there's always a central theme of humanity, or there should be. Progressive rock has the same concept of exploration into the parts of the music world that hasn't been explored.
Ideas come mostly bottoms-up. They come when you have a free flow of ideas and you have people able to combine multiple ideas into one concept... And you've got to have competition, too. You've got to say, 'We're going to have 10 different ideas, nine of them are going to fail, and the one that does the best is going to move forward.'
I do love Instagram, and my kids are with me, like, 24-7, so it's inevitable that they'll be on there. And honestly, I know it sounds weird, but I look up people all the time on it. Because I find people so interesting, and I'm curious about them. It's a gateway to meet new people. I think the whole concept of Instagram is really cool.
We are all used to paying a sales tax when we buy things - almost 9 percent here in New York City. The application of this concept to the financial sector could solve our need for revenue, bring some sanity back into the financial sector, and give us a way to raise the revenue we need to run the government in a fiscally responsible way.
I think 'Caprica' is a little out of left field, which is kind of what I love about it. It's a little different. The first couple of episodes are really about wrapping your head around this world. I love 'Grey's Anatomy,' but I think it's the same kind of concept: You just get lost in this world, and you believe what they're setting up.
Originally, back in 1992, DKNY started because I couldn't find a pair of jeans. I also wanted to dress my teenage daughter Gabby. So it was the perfect street wardrobe: jeans, anoraks, jumpsuits, boyfriend jackets, sweaters, skirts and dresses. Then DKNY grew into an entire lifestyle concept, including tailored clothes you wear to work.
Socialism has no moral justification whatsoever; poor people are not morally superior to rich people, nor are they owed anything by rich people simply because of their lack of success. Charity is not a socialist concept - it is a religious one, an acknowledgment of God's sovereignty over property, a sovereignty the Left utterly rejects.
I'm an atheist, and the concept of god for me is all part of what I call 'the last illusion.' The last illusion is someone knows what is going on. Nearly everyone has that illusion somewhere, and it manifests not only in the terms of the idea that there is a god but that it knows what's going on but that the planets know what's going on.
Entrepreneurs always begin the journey believing that they have the next big idea. They dream of the fame and fortune that awaits them if only they had the funding to pursue it. But the reality is that as the product is built and shared with customers, flaws in their concept are discovered that - if not overcome - will kill the business.
I've been on both sides; I've interviewed people, and I do an okay job, I guess. But it's awful. Because you feel like you have to defend your life, which is such an interesting concept. It's not an easy process to sit down and talk about, 'What's your motivation?' Because as I'm answering, I'm working it out for myself at the same time.
You can't train kids in a world where adults have no concept of what science literacy is. The adults are gonna squash the creativity that would manifest itself, because they're clueless about what it and why it matters. But science can always benefit from the more brains there are that are thinking about it - but that's true for any field.
I have found that the more I honored others, the more they honored me and the more fulfilling my career became. In the business arena, I have been surrounded by people with awesome skills. The difference between good and great is determined by the mindset you choose to bring to the work. The concept of honor should be part of that mindset.
When good media takes a bounded form, and comes once in a period of time, it begs to be consumed as a whole - it creates an engaging experience. We don't dip in and out of an episode of 'Game of Thrones,' after all - we take it in as a whole. Why have we abandoned this concept when it comes to publications, simply because they exist online?
The legal principle placing the burden of proof on accusers rather than the accused can be traced back to Second and Third Century Roman jurist, Julius Paulus Prudentissimus. Yet, this ancient concept, which forms the legal and moral cornerstone of the American judicial system, is quickly being undermined in the name of 'national security.'
One of the reasons it's important for me to write about war is I really think that the concept of war, the specifics of war, the nature of war, the ethical ambiguities of war, are introduced too late to children. I think they can hear them, understand them, know about them, at a much younger age without being scared to death by the stories.
When someone hears that I've written a book about 1897, I'm usually met with blank stares. And the first thing they say is, 'Was there even an L.A. back then?' A lot of people don't even think there was a city before the movies appeared. That concept of Los Angeles is so strong in the popular imagination that celebrity overrides everything.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
Bike lanes are clearly controversial. And one of the problems with bike lanes - and I'm generally a supporter of bike lanes - but one of the problems with bike lanes has been not the concept of them, which I support, but the way the Department of Transportation has implemented them without consultation with communities and community boards.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
Once you have an innovation culture, even those who are not scientists or engineers - poets, actors, journalists - they, as communities, embrace the meaning of what it is to be scientifically literate. They embrace the concept of an innovation culture. They vote in ways that promote it. They don't fight science and they don't fight technology.