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Visualizing information is a form of knowledge compression.
No compression or as little as possible - that's how you get a good recording.
I don't like the compression on compact discs. It's lacking in air, and it's lacking in majesty.
After my first day of competition I put on compression socks. They help me recover for the next day.
I had four compression fractures in my spine. They were repaired, but it cost me two inches of height.
Conceptual art might be, for better or worse, (definable as) the art most susceptible to lossy compression.
The compression of time one experiences when you're a small person underneath this huge avalanche is amazing.
Let's get this out in the open once and for all. Here is how I feel about compression... Compression is for kids!!!!
I'm very attracted to poetry for all the reasons someone likes poetry. The notion of compression seems to fit my personality.
Poetry is very crafted. You can't have too many words. It needs compression. It has to be spare, just the right number of words.
The big advancement in our BCM7445 home gateway chip is that it uses the next-generation compression technology called HEVC - High-Efficiency Video Coding.
When you take something extremely broad, then it is not a work of expansion or work of compression. It's hard because you have to decide what to throw out.
That's what records do: represent a compressed, heightened version of the sound. Because of the compression of the tubes and microphones and the wax, it's magic!
We were interested in this notion of compression- a lot of the songs were really short so that you'd absorb them in memory rather than when you're actually hearing them.
I don't program, so I don't belong in Silicon Valley. If I did belong in Silicon Valley, I'd be there creating a revolutionary compression algorithm for billions of dollars.
The wings are moved several times by hand to charge the crank chamber with mixture, which flows on through the external pipe and inlet valve to the compression space and cylinder.
I use Bogner amps and custom-designed Schecter guitars with Seymour Duncan Invader pickups. I beef up my tone with a Boss CS- 3 Compression Sustainer. It's kinda like my secret weapon.
While players say they like the five-day break, they're also saying they don't like the compression that goes along with it, and that's something that is of great concern to us as well.
I definitely had some heated but extremely productive chats with screenwriter Justin Monjo, but while it's my story, it's their movie, so I have to allow for compression and poetic license.
I tell the story by feel most of the time, and I am not much given to labyrinthian digressions but seem to be naturally drawn to compression and pace, and the feelings come about on their own.
I don't do any exercises when flying but use compression socks and spend as much time as possible lying down. I try not to eat much - I'm not a fan of airplane food; everything is just so weird.
'Game Of Thrones' was too big a canvas for a movie, but 'Dirty White Boys' is like a great old Western: there's so much compression, and it's so pressurized, it demands to be told in one sitting.
The kinds of things that poetry can offer are timeless - mainly the kind of compression it offers of powerful language, powerful feelings and images, and, you know, the inner experience becoming outer.
You cannot artificially curb gold imports beyond a point. But I am hopeful it will happen because the rupee depreciation should by itself lead to a large growth in exports and some compression of imports.
I need to have proper equipment when I work out, and the Nike Frees are light, comfortable, and great for training. I also usually bring a short-sleeve or long-sleeve compression shirt and a pair of shorts.
As a matter of fact, when compression technology came along, we thought the future in 1996 was about voice. We got it wrong. It is about voice, video, and data, and that is what we have today on these cell phones.
I really like iZotope Trash, which is a great plug-in for distortion, as is Ohmicide, which I love. It's an absolutely crazy multiband distortion, compression, EQ and filter, which pretty much lets you do anything.
So many of the things I talk about in 'Reality Hunger' seem to be the things that 'The Thing About Life' does - things like risk, contradiction, compression, mixing modes of attack from the memoristic gesture to data-crunching.
I've seen 'Goodfellas' a hundred times, and one of the things that I take away from that movie is dynamic pacing and energy. I just think that film is sort of a paragon of excellence in filmmaking and the compression of narrative.
My concern is the really great concepts that are features, not companies. There isn't enough advertising to support all those features, and in compression times, advertisers tend to flock to safe names and sites that have real traction.
I've just always been interested in alter-naturalism and seeing if you can make real life interesting enough to be dramatic without enhancing it. Like, could you make a movie or write a play in which there's no compression of time, there's no enhanced event, it's just real life?
Every film is faced with the enemy of time. Only so much story can fit into the 90-150 minutes of time that moviegoers are willing to stay in their seats. Naturally, compression is necessary. So are the exclusion and amalgamation of characters so that the viewer does not become bewildered.
If you look at the history of technology over a couple hundred years, it's all about time compression and making the globe smaller. It's had positive effects, all the ones that we know. So we're much less likely to have the kind of terrible misunderstandings that led to World War I, for example.
A gravitational wave is a very slight stretching in one dimension. If there's a gravitational wave traveling towards you, you get a stretch in the dimension that's perpendicular to the direction it's moving. And then perpendicular to that first stretch, you have a compression along the other dimension.
Though my poems are about evenly split between traditionally formal work that uses rhyme and meter and classical structure, and work that is freer, I feel that the music of language remains at the core of it all. Sound, rhythm, repetition, compression - these elements of my poetry are also elements of my prose.
As a writer, one of the things we all learned from the movies was a kind of compression that didn't exist before people were used to watching films. For instance, if you wanted to write a flashback in a novel, you once had to really contextualize it a lot, to set it up. Now, readers know exactly what you're doing. Close-ups, too.