I take a whole life story and compress it into three minutes.

You learn tricks to make action look more dynamic - having the fight come toward you or shooting on a longer lens to compress the speed.

Films have to find a way to compress many anecdotes into one, or many events into one. Otherwise there is no way to tell it in two and a half hours.

The chess player who develops the ability to play two dozen boards at a time will benefit from learning to compress his or her analysis into less time.

I'm used to adapting my novels for feature film - it can be challenging to cut and compress three or four hundred pages into two hours of dramatic action.

Ultimately, the goal is to use acquisitions to compress time on product development and get people on the team, especially in senior roles, who can help build out areas of the company they have experience in.

Sometimes you go into a film and you have no time to prepare and have to compress the details into a few days and then rely on the instinct and what happens when you're in a scene with other actors and that chemistry or not.

With 'Sin Nombre,' there are parts that I wish were longer. And with 'Jane Eyre' especially, there were parts that I had to compress that I thought it would have been really nice to spend more time with - to spend with the characters.

I think, television and comics, what's appealing to me as a writer about both of those mediums is that they allow you to sort of let the story unfold in its own time as opposed to trying to compress it into a two-hour discreet unit of narrative.

A memoir is not an autobiography. It's a true story told as a novel, using techniques of novelization. The author is allowed to compress events, combine characters, change names, change the sequence of events, just as if he's writing a novel. But it's got to be true.

Every time you do a true story - and I've done a few - you have to look in the mirror and say, 'That's close enough. I'm comfortable with this.' You're always going to compress time; you're going to change the order of things. But I don't think you want to tell a big lie. You want to think that you're embracing the truth.

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