I think network TV to a large extent has underestimated the intelligence of the American public for so many years now. It's tried to appeal to the lowest common denominator. I think the average viewer is much more intelligent than that and crave a little more complexity and are willing to pay more attention.

I go into any movie that's historical fiction thinking, 'OK, I'm here to watch a work of art, something delivering a series of opinions, and if it's a good work of art, these opinions become so deeply embedded in complexity and richness that I won't even be bothered by the opinions. I'll make my own mind up.'

Alaskans need some certainty and clarity over how the Pebble Partnership intends to proceed. I understand the complexity of a project like this, and I appreciate the investments that have been made in Alaska already. But a reliable timeline has been missing, and I hope that the companies will provide one soon.

I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.

I didn't go to many movies. My mom would make a family outing and bring chicken in the theater. Smell up the whole place. The most impactful movies were 'Godfather II' and 'Scarface'. I loved the human complexity, and those movies are so well shot. Cinematic greatness. I really stopped going in my early twenties.

There are several problems with the ACA's reliance on means-based inclusion criteria and mandatory participation in exchanges - the complexity of the exchange mechanism, and the potential for income-based subsidies to become a disincentive to earn if insurance rates escalate for those beyond the income threshold.

The average person doesn't understand what a stem cell is. There's a lack of health literacy in our nation. So the public can't really get into this dialogue because they don't understand the complexity of stem cells, not the faith-based approach, not the ideological or political, but the science behind stem cells.

If literary terms were about artistic merit and not the rules of convenience, about achievement and not safety, the term 'realism' would be an honorary one, conferred only on work that actually builds unsentimental reality on the page, that matches the complexity of life with an equally rich arrangement in language.

Either you're this, or you're that: either you're - if you're a Pakistani, you're a terrorist; if you're an American, you might be a militarist. Those kind of prisms that we see each other through are really stultifying, and they don't often show the complexity and the incredible warmth and encompassing of the world.

One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.

The behavioral scientist Karen Stenner has written very eloquently about people who have what she calls an authoritarian predisposition, a personality type that is bothered by complexity and is especially enraged by disagreement. Trump has made himself into the spokesperson for precisely these American authoritarians.

Even though I'll do finger warm-ups that go up and down the neck to build up my chops and dexterity, I never, ever sit around and practice the actual licks I'm gonna play live. If you do, then you'll be all worried about the complexity of getting the fingering right and everything else about it, as opposed to the feel.

If you look at any leaf on any tree branch, it's similar to but not exactly a repetition of the previous branch. So the new science of complexity or showing how an architecture can be produced just as quickly, cheaply and efficiently by using computer production methods to get the slight variation, the self-similarity.

With all of the people in Cuba who I met - many of them hugely heroic figures - I found learning about their complexity and richness and contradictions just really fascinating, and it was fulfilling to be able to offer a different side to them, to be able to have some kind of unique takeaway from the official narrative.

All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.

I'm not saying anything that's unknown, but movies are always cut down and there's a lot of complexity within the film that is not always widely accepted by the general audience, which is just a reality; a movie of a certain size, they don't want people to be too - it's a balance of how deep to keep going with these ideas.

I think that Apple has revolutionized every other consumer industry; why not television? The complexity of the experience of using the television gets more and more complicated. So it seems exactly the sort of problem that if anyone is going to change the experience of what the first principles are, it is going to be Apple.

In Hollywood, there is one dominant voice. It is a white, male, straight gaze. When I talk about positive portrayals of black people and women, I'm saying complexity. I'm not saying goody-two-shoes, everything's okay. No. The positive view of me is to see me as I am: the 'good,' the 'bad,' the gray. That is a positive portrayal.

It used to be that if your automobile broke, the teenager down the street with the wrench could fix it. Now you have to have sophisticated equipment that can deal with microchips. We're entering a world in which the complexity of the devices and the system of interconnecting devices is beyond our capability to easily understand.

Comedians could do mindless things - and by mindless, I mean the easy jokes and things that you already agree with - but I find it more interesting, more of a reward, for people to feel something. I like to make a human connection, and that involves speaking emotionally, a bit more intellectually, or with a bit more moral complexity.

I think I'll always feel a little in awe whenever I see someone in their 20s or 30s carrying a cello or violin case - because I know, if they're doing it professionally, how many years of practice have gone into being able to make music with them. And the sounds they can make just hit me very hard, and feel full of limitless complexity.

There's nothing worse than a director who feels more like a cop than a comrade, so I try to never give orders or create an environment where it's 'my way or the highway,' because actually allowing talented people to bring their originality and insight always brings more depth and complexity than if everyone has to do what you tell them to!

Sometimes the routes leading to feelings of anger are so convoluted and circuitous that it takes enormous skill to discern their original source, or fountainhead. But regardless of the reason for or the source of the anger or the relative ease or complexity in perceiving either the anger or its source - everybody, but everybody, gets angry.

Look at the genres women like: a romantic comedy game doesn't exist. Few examples of a documentary game exist. What is the equivalent of a real drama game? They don't exist. Emotion with that complexity for a more mature, older audience are necessary to make medium-like video games healthy so it can be highly respected like the film industry.

What I like about mixing fiction and non-fiction is being able to fully explore an idea without being bound by genre. If you scratch under any surface there are histories for everything, aren't there? And there's unknown women's history in everything, too. It all gets simplified because its complexity is more than you can stand sometimes. So you need full freedom of expression.

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