For me, there is a stigma attached to playing beautiful parts. They are often empty characters whom the action happens around. I'm more drawn to characters with a complex internal life, who have a burning frustration underneath that keeps them going.

Basins of attraction, of self organization, show up as well in our complex social environment, in human organizations. Here again, while we cannot predict the result of any given input, we can say that it will likely fall within one of several areas.

Without sounding too cliche, my part on 'Getting On' is the best role I've ever had. It is so rich, it is so well rounded, and I am happy to be right here. I feel like I lucked out and got one of the richest characters on TV because he is so complex.

I always have a very complex personal life as far as romance goes. Sometimes I have a little too much time to get into too much trouble... and drama. It's either I'm working, or I have nothing to do but focus on my personal life. It's a little hectic.

I hate talking about my height, because I don't feel like a tall person... When I see a tall woman, I'm always slightly like, 'Whoa.' It looks weird, but that could be because of my complex about it, my worry over whether it's womanly to be that tall.

So I developed very early a massive inferiority complex, and I've told the story often about how that inspired me later in life to get involved in other things, because I couldn't out-do my brothers in sports, and it's a very competitive relationship.

The model sanctuary was borne of a complex, political, societal debate. It was proposed to us from various bodies that we give models medicals once a year, and if they didn't pass that medical, there's a chance they'd legally lose their right to work.

There's something extremely rewarding about following characters that you like and knowing that there's as many hours of viewing as you have the appetite for. You can tell more complex stories; you can create more complex characters in the longer form.

My mother and I lived in an apartment complex in a neighborhood. So there was a gaggle of kids. Every day after school, we'd just meet up in a field, and some game would be chosen, Wiffle ball or tag, and you'd play that until the streetlights came on.

As Faulkner says, all of us have the capacity in us for great good and for great evil, for love but also for hate. I wanted to write those kinds of complex character in a fantasy, and not just have all the good people get together to fight the bad guy.

I've watched with amazement as Local Motors has pioneered a co-creation and micro-manufacturing model that has democratized the development and production of complex machines, effectively transforming consumer choice from supply-driven to demand-driven.

Normally, we see characters that have God complexes. How interesting, I thought, it would be to capitalize on that. And say, OK, well fine, you have a God complex, well this person has a Satan complex. And the doctor chooses to treat him scientifically.

The thing that got me started on the science that I've been building now for about 20 years or so was the question of okay, if mathematical equations can't make progress in understanding complex phenomena in the natural world, how might we make progress?

Our live set's become increasingly complex recently; we've been doing stuff that's been vastly too much information for most people to deal with and I think it's quite interesting watching how people behave in those situations, under those circumstances.

If I were overweight because I ate too much, I would have far more of a complex. I would know if I just stopped eating and showed a little discipline I would be thin. But there's not a hell of a lot I can do about being short. You just gotta run with it.

To learn to ride a bicycle, as with the other great noble human inventions, is a hugely complex activity. Generally, it requires three things: the learner, the teacher and the bicycle, all in the same place at the same time, most often outside someplace.

I want to get across that science is something that we all have ownership of and we can all take an interest in. We don't all have to understand complex theories, but we should have a working knowledge, like knowing your way round the engine of your car.

I think broccoli is one of the must-have foods, as it contains multi nutrients and is high in vitamin C. Sweet potatoes are rich in complex carbohydrates, and fish, too, is healthy. There is nothing that I have on a daily basis, as it becomes monotonous.

We are all equal children before our mother; and India asks each one of us, in whatsoever role we play in the complex drama of nation-building, to do our duty with integrity, commitment and unflinching loyalty to the values enshrined in our Constitution.

As we mature and grow older we collect a lot of baggage, and a lot of that stuff you collect on life's journey gets in the way of acting. My kids can imagine a character and transform in the blink of an eye. It's so simple for kids, so complex for adults.

I think that the health care industry is so complex that it doesn't necessarily start with a single killer app. You go back to the early days of the personal computer - when I joined the industry, we really didn't know what the killer app was going to be.

I enjoy the writing process and producing; I enjoy seeing an idea come to fruition. I'm driven by very complex characters. You look at the pilot of 'Breaking Bad,' where there's so much depth to the character, you can't help but be invested when you watch.

My biggest extravagances are also investments. I have several houses in California, a house in Nashville, an office complex, and I bought the old home place in Tennessee. They are different places for me to write, but I can turn right around and sell them.

Design is a way of life, a point of view. It involves the whole complex of visual communications: talent, creative ability, manual skill, and technical knowledge. Aesthetics and economics, technology and psychology are intrinsically related to the process.

Enzymes - plainly the most important biotechnology of our era - already permeate many industrial processes. Unlike fossil fuels, they carry chemical programming which drives complex reactions, are renewable, and work at ordinary pressures and temperatures.

'Deity' will be a compelling and exciting thriller with complex and interesting characters. A neo-realistic style to story and images will take the audience deep into Calcutta's many different levels. A fascinating clash between American and Indian culture.

It's always at the back of my mind that acting might come to an end for me when Harry Potter finishes. I don't know if I'm good enough to have a long career. I've got a bit of an inferiority complex about my acting. My self-esteem is quite low in that sense.

It's very true that you can be both selfless and selfish at the same time. What we tend towards, particularly in filmmaking, is this binary sort of, 'This is a good guy, this is a bad guy.' And I quite like the fact that life is a bit more complex than that.

The delicate and intricate pattern of competition and cooperation in the economic behavior of the hundreds of thousands of citizens of Stockholm offers a challenge to the economist that is perhaps as complex as the challenges of the physicist and the chemist.

Though many of the poor have come to see the affluent middle class as its enemy, that class actually stands between the poor and the real powers in this society - the administrative octopus with its head in Washington, the conglomerates, the military complex.

A single neuron in the brain is an incredibly complex machine that even today we don't understand. A single 'neuron' in a neural network is an incredibly simple mathematical function that captures a minuscule fraction of the complexity of a biological neuron.

I think that great poetry is the most interesting and complex use of the poet's language at that point in history, and so it's even more exciting when you read a poet like Yeats, almost 100 years old now, and you think that perhaps no one can really top that.

The extraordinary genius of John D. Rockefeller and Andrew Carnegie 100 years ago was their recognition that the great wealth they had amassed could be put to public good and used to solve the complex problems for which there were no other sources of capital.

I've been pretty lucky - or slothful - in that I've never been a 'career builder.' I take the jobs that come along that feel right, and that's left me fairly open to all genres, really. But with 'Caprica,' the complex, dark and very smart script was the draw.

Both climate change and extinction are results of our tyranny over the nonhuman world and our domination of, and exploitation of, whole categories of each other - and those, in turn, are clearly linked to agriculture, the cattle-industrial complex, capitalism.

Opera is complex for those who perform it, but also for those who listen to it. It takes more time, more patience and more spirit of sacrifice. All this is well worth it because opera offers such deep sensations that they will remain in a heart for a lifetime.

Labour has a complex history with racism and internationalism. Political education about antisemitism and all forms of racism can help us reckon with that history, and ensure a socialist politics based on real equality becomes the common sense across the party.

Evolutionary biologists are not content merely to explain how variation occurs within limits, however. They aspire to answer a much broader question-which is how complex organisms like birds, and flowers, and human beings came into existence in the first place.

I first read 'The Lord of the Rings' as an adolescent. It's a dense novel, a sprawling, complex monster of a book populated with a prolific number of characters caught up in a narrative structure that, frankly, does not lend itself to conventional storytelling.

Physics is becoming so unbelievably complex that it is taking longer and longer to train a physicist. It is taking so long, in fact, to train a physicist to the place where he understands the nature of physical problems that he is already too old to solve them.

Russian is such a tough and complex language that I am happy enough to understand everything and read most things pretty well, but, without constant practice, my speech is not what I wish it was, and I would sooner write in crayon than write a letter in Russian.

Language is too complex for a computer to understand. It's not going to be able to make sense of what people are saying en masse. We need a new type of discipline that puts together computer scientists and social scientists, who can add context to the situation.

Everybody was trying to put me in action movies and heroic roles, and I wanted to find more complex things. They just didn't suit my taste, so I thought, 'OK, I have to be brave enough to say no.' And for a while, that hurt me immeasurably in the Hollywood world.

No single solution or actor can deal with the complex and interrelated challenges to electoral integrity arising from manipulated data, hate speech, and fake news. These phenomena are not new; they have been part of electoral cycles since the advent of democracy.

'm really proud of 'Sad, Sad World' because it manages to state a very complex paradox of an emotion that I experienced when I had children, which is this great happiness and this great intensity, but with that intensity comes a deeper understanding of the world.

I'm not saying this in a condescending kind of way, but it's quite simple: The making of America was a heroic thing. Australia has a much murkier, much more complex view of its history. It's just full of all these open wounds we don't really know what to do with.

Because for me, '60s pop music is amongst the most complicated or complex music because it has so many resonances which strike you. The music itself is often simple, but the way that I interpret it, or the way I think it's interpreted culturally, is very complex.

I don't understand why Europeans and South Americans can take more sophistication. Why is it that Americans need to hear their happiness major and their tragedy minor, and as jazzy as they can handle is a seventh chord? Are they not experiencing complex emotions?

I guess why the Ocean's films are hard for me is because on the one hand you have to make sure the performances are there, but on the other hand it's a film that demands, to my mind, a very layered and complex visual scheme. That takes a lot of time to figure out.

I've always scribbled, and I still do it. I've written numerous scripts for films for which I think I'd be perfect as the complex, intelligent and, yes, modern heroine. Embarrassingly bad, all of them. I've had to come to terms with the fact that I'm not a writer.

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