The film you know as 'Super Troopers' is a film that almost didn't happen. The script was originally commissioned and developed by Miramax, but when it failed to get a green light, Harvey Weinstein was kind enough to give it back to us so we could make it elsewhere.

I thought I had a huge crush on a young Canadian photographer who was commissioned to go down to Australia to do a series, so I tried to figure out a way to follow him without getting in trouble with my parents, and that was by auditioning for their National Institute.

The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.

The first Amy Silver book was commissioned, and they were not books that came completely from me. They weren't necessarily the sort of books I read, and although I enjoyed doing them very much, and they were great training, I never felt completely comfortable in that genre.

People don't always understand the way it works with casting. TV projects tend to be commissioned to screen at a particular time of year, so your shooting dates are chosen to meet that. And then the casting is a matter of choosing from the actors who are available for those dates.

There's still a lot I need to do as a player, as a musician, as a sound creator. I have commissioned 170 pieces: that's still not enough, there are still lots and lots of composers I would like to approach. When I see a composer and I see a performer, I think to combine those forces.

Imagine if all those kings and dukes hadn't commissioned those crazy cathedrals, paintings and music... we'd still be living in sticks and mud. Because none of those things made any economic sense. Human beings' capacity to 'waste time' is a miracle - but that's exactly what art is for.

I wrote four novels under the name Amy Silver. The first one was commissioned, and I was given basically the whole plot and the characters. They told me what to do, and I went straight away and did it. After that, I continued, and I was coming up with more my own ideas, although they did steer me.

I've got a nice collection of paintings - a Basquiat, a black-and-white Warhol that's like a Rorschach test, and I commissioned Takashi Murakami to do a ten-foot joint for me. It's almost like the explosion in Hiroshima with his famous skeleton head. There's a wall above my fireplace reserved for it.

Monarchs, aristocrats, and other powerful and wealthy individuals have usually been happy to have themselves and their possessions and families immortalised in oil paintings and sculpture. But before the 20th century, such dynasts rarely commissioned artworks that set out to represent society as a whole.

Right from the 17th century, composers who have taken up music as their means of livelihood went through a hard time financially. They were paid only for commissioned works and public performances. And, when their music became famous, orchestras in other cities and countries would pay a small amount to copy the music.

I was commissioned in 2003 to create an original show, and began developing 'Upwake.' 'Upwake' tells the story of Zero, a modern-day business man, going to work with his life in a suitcase, stuck between dream and reality and not able to decipher the two. I wanted 'Upwake' to have the same audiovisual qualities as a movie would.

My room is dominated by the huge painting, which is a copy of 'The Violation' by the Belgian surrealist Paul Delvaux. The original was destroyed during the Blitz in 1940, and I commissioned an artist I know, Brigid Marlin, to make a copy from a photograph. I never stop looking at this painting and its mysterious and beautiful women.

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