Quotes of All Topics . Occasions . Authors
American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.
'Bad Boys', which Bay made when he was just twenty-eight, having never made a movie before, having done a string of commercials and music videos with artists ranging from Donny Osmond to Meat Loaf, grossed more than $140 million worldwide.
At the time we did 'Night,' I was a director of television commercials. Some of them cost a lot more than our whole movie. They were very slick, sophisticated... we wanted the opposite look for 'Night.' We wanted it to look like a newsreel.
I'm a huge cinemaphile. My interest in filmmaking came out of experimenting with different genres, and I wanted to go back to working in a way that was more personal, which, for me, was artwork. Commercials and films are more collaborative.
A guy is a lump like a doughnut. So, first you gotta get rid of all the stuff his mom did to him. And then you gotta get rid of all that macho crap that they pick up from beer commercials. And then there's my personal favorite, the male ego.
I never knew much about business. But I've been made happy. The TV and commercials have been very fortunate for me and my career. And Atlantic Records has always been wonderful to me. I don't think I could have chosen a better record company.
I was a dancer when I got discovered, and I started working immediately. I started being in commercials and doing guest star roles. My first big thing, which happened maybe six months after being discovered, was 'Bring It On: All or Nothing.'
I started singing very early. I was six or seven years old, and I was singing along to TV commercials and figuring out, 'Oh, hey, I can sing in tune. This is really cool.' But the songwriting thing came much much later, when I was 19 years old.
'Legion' is meant to be a show that is a state of mind. But the problem with TV is that there are commercials. There's a hypnotic quality to the way we put it together. I need to get you out of your life in the first seven minutes of that show.
I went through a phase where all I was doing was commercials, and not that it was a bad thing, but I was referred to as 'the Allstate guy' as I was walking the streets. Someone comes up to you on the street, you would like them to know your name.
Cinema is not about format, and it's not about venue. Cinema is an approach. Cinema is a state of mind on the part of the filmmaker. I've seen commercials that have cinema in them, and I've seen Oscar-winning movies that don't. I'm fine with this.
The once inviolate frame within which programs or commercials were displayed on television - always separately - has been violated to a pulp. Program content is seen increasingly as a mere backdrop on which ads are posted like billboards on a fence.
When I first moved out to Los Angeles I was thinking, you know, I wanted to be an actor but I didn't really know what acting was about. I thought if I could be a model, or even do commercials and stuff like that for the rest of my life, I'd be happy.
I started out doing commercials, like Diet Coke and Pizza Hut. And I started to find there was a different life for me, in a different field. From there, I got a call from a director in Italy, and we did 'Indio' I and II, and that's where it started.
When I wrote 'Pink Houses,' nobody was talking about that, right? The next thing I know, you can't see the TV without hearing commercials with 'Listen to the heartbeat of America,' or 'Born the American way.' That whole America thing now - I hate it.
I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.
I do remember the moment when, as a child, I realized that the things we call 'TV shows' are really just the stuff that gets put between commercials. Later, I came to see that the kinds of things that get on 'free' TV are shows that help sell products.
I wanted to go to New York and be a stage actress, doing things like Chekhov. None of that happened, and then I went to L.A. and an agent said, 'I think you belong in commercials and TV.' So I did that and got some opportunities that I absolutely love.
I did two commercials, one for Porsche, but I was definitely not the type of child one would cast in a commercial or any TV that you'd typically go out for as a young kid. I wasn't the type of kid who would be in stuff that kids watch. I wasn't cutesy.
I started doing non-surf stuff like commercials, short films, and music videos and just started expanding my filmmaking that way. I started doing that more for a career: you know, it was paying the bills, and it was challenging. I was stimulated by it.
Both my sisters and I were in Stage Door plays, and we did that together, just in, like, little small plays together. And we did that, and it was really fun, and we kinda did commercials, and it kinda took off from there. It was great; it's what I love.
I believe in having a neat workspace because everything else in my life is so unpredictable, and my mind is so crowded - I wake up with commercials from the '90s blaring in my head. I try to give myself a fighting chance by having an organized workspace.
At 3 years old, I was imitating and doing fun little commercials for the family. Then at 5, I knew, 'OK, this is something I really like.' At 8, I was crying in front of the mirror and my mom was like, 'Oh boy, here we go. We know what she's going to do.'
Internet-centric companies have already begun changing the rules with binge-watching, flexible running times, fewer commercials, and crowd-sourced content. The brainpower - and just plain power - of the most valued tech firms will change things even more.
When no one's buying your records, it's easy to justify selling a song. But once you start selling records, you can't really justify having two songs in Cadillac commercials. It looks greedy. And it is greedy. This whole music thing should be about music.
I auditioned for soap operas and commercials; I remember auditioning for Lays potato chips. It was a sort of 'Mutiny on the Bounty' sketch, where Captain Bligh was torturing the crew by saying, 'You can only have one Lays potato chip,' and they all rise up.
I learned how to get rid of the Southern accent when I was, like, 11 years old and living in New York for the summer doing modeling and commercials and auditioning for Broadway. The mother I lived with for the summer taught me how to drop my Southern accent.
The first step toward maintaining autonomy in any programmed environment is to be aware that there's programming going on. It's as simple as understanding the commercials are there to help sell things. And that TV shows are there to sell commercials, and so on.
You see so many movies... the younger people who are coming from MTV or who are coming from commercials and there's no sense of film grammar. There's no real sense of how to tell a story visually. It's just cut, cut, cut, cut, cut, you know, which is pretty easy.
I've wanted to be an actor since I was 6 years old. I was literally picked off the streets of Paris... while I was modeling there. I was asked to audition for Oliver Stone's 'Alexander.' I didn't get the part, but that led to commercials and roles in South Africa.
Don't you think it would be great to do a bunch of Nicorette commercials? Just, like, me in the desert, kind of Marlboro Man-style, driving a fast car, pulling over, looking at the sunset. Dissolving in ecstasy. Can't you see it? Me blowing huge Nicorette bubbles.
I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.
In many ways, 'Lords of Chaos' is my first real movie. I went deeper with this film than any of my other movies. I approached my other films like I did my music videos or commercials, like jobs. But 'Lords of Chaos' I wrote myself, and it's a close, personal story.
When I was starting out, doing guest spots on TV, and even commercials, I would go in with a whole crazy wardrobe and some terrible accent. Obviously, I was doing too much. If you bring too much flavor to it, it's absurd. There's something to just being spontaneous.
I was cast in commercials, music videos, and booked a lot of modeling jobs. But my acting career never took off because I was holding myself back. I was acting across from male partners who didn't know that I am trans. I was being taught by teachers who didn't know.
I have never made money selling records. I have never really made money touring, either, or with merchandise, surprisingly. But I do make money by just having my songs in the background of television shows or in commercials or movie trailers. That's been really good.
The funny thing about commercials to me is that many of them now don't even mention the product until the very end. You don't really know what the commercial is all about. They're kind of like little movies, like shorts, and that's why I think they're so entertaining.
I grew up watching movies and television, and one day when I was really young I told my mom I wanted to become an actor, and she was really supportive and got me involved in local theater and commercials. From there I moved up to auditioning for movies and television.
You have to make people feel things. I think that's what commercials are, from a commercial for a car, a phone or anything that might be, they want to do it. The first iPhone was sold by how exciting it was to hold pictures of your family, not how great a phone it was.
I think people really appreciate clever commercials, as do I. I think they're very entertaining. You just have to wade through all the garbage. That's one of the reasons people watch the Super Bowl. A lot of them watch it to see the commercials and not the actual game.
Every time you jump to another format in the 'picture business,' meaning film, television, commercials, the people in the other format go, 'Ah, yeah, you made a lot of features, but you don't know how to do TV' or the commercial people go, 'Oh, you can't do 30 seconds.'
Growing up in Seattle, I had the opportunity to take classes since I was 7 years old. I did theatre. I auditioned for film, television, commercials, and built up not just a resume but also some confidence. I learned how to master my craft before arriving in Los Angeles.
The basic thing a man should know is how to change a tyre and how to drive a tractor. Whatever that bearded dude is doing on the Dos Equis beer commercials sets the bar. That's your guy. Every man should be aiming to be like him. The beard is just the tip of the iceberg.
At first, we lived in very, very small places... with my mom cleaning houses and scrounging up just enough to keep us in town with a working car. She introduced me to my first agent, and I started with stand-in work, then eventually commercials and television guest-shots.
I work in film, TV, commercials and do live PR stunts for companies. A lot of my time is spent reading scripts and looking at designing sequences, speaking to directors and producers about how they want the sequences to look, how they will work and budgeting those stunts.
Somebody with a huge brand like Bellator under an even huger brand like Viacom, to have them put their faith in me, to put me in so many things, to put me in commercials, send me to all these events, and just to continue to put me in the cage with great talent, it's great.
You have to take a huge loss financially to do a play. You have to put aside the commercials and the speeches and the other things that put money on the table, and really save up to do it. And that's what I've done here. But it's worth it to me to be in a really good play.
If you're advertising on Facebook, the work you're doing should be made better by being on Facebook. You can't just be repurposing old TV commercials and hoping to get traction; that's very primitive. The question, always, is, 'How is this idea made better by this medium?'
In Chicago it's really a case of the play's the thing - people are just so happy to be acting, you know? We were all actors - not like in New York or Los Angeles, where everyone says they are actors but they are actually waiting tables and hustling for spots in commercials.
When I started to do work outside of surfing, commercials where I needed to lead, I came out of my shell more, and I realised I wanted to create an environment that's fun because, a lot of time on shoots, people are so stressed and running behind the clock in an intense way.