Quotes of All Topics . Occasions . Authors
Before the Polaroid commercials, my image was that of a solid actress, a theater actress who could do anything. But the Polaroid commercials were high comedy... Through them I was finally noticed as a comedian.
I've always said it's easier for bands to make a hard stance - like, we don't do commercials or whatever, blah blah blah - when you've sold billions of records. It's super-easy to be righteous when you're rich.
Did I shop Kmart for clothing? No, I didn't. But I loved that I could be totally involved in the hangtags, the buttons, the commercials and with the designers. Something in my head said 'Yes.' I was adventurous.
I think commercials get a bad rap, that there's no creativity to them, but I haven't found that to be entirely true. The process of auditioning for them can be tedious, but actually doing them can be really fun.
My most successful album happened back in the mid-'90s, pre-Internet times, with 'Songs For A Blue Guitar.' We were supported by Island Records; we toured a lot. Songs were licensed to TV commercials and movies.
I'm pretty comfortable on set. I've done a bunch of these commercials now. You get used to it. The people work with you how you want to be worked with. It's all positive vibes. It's a fun atmosphere, I enjoy it.
The truth is, we have this idea that late night is about creativity and being cool, but that's not our job. Our job is to get as many people watching the commercials in between our show. That's the reality of it.
I appreciate everything. I built my career from very humble beginnings. Every job I've had, every next rung on the ladder, I appreciate because I know where it started - I started doing Pac-Man vitamin commercials.
I actually didn't grow up watching 'Degrassi,' but I saw the commercials and knew the characters. I didn't realize that Drake was the guy from 'Degrassi.' I had to piece it together and go, 'Oh! He's Aubrey Graham.'
I think that commercials can really ruin a song. You know that the person sold the song for a good deal of money, and that was the tradeoff. But, music and picture can marry in a beautiful way, and the reverse also.
I got a part in a package of commercials for this big drugstore from the age of 6 to 10. For four years I shot those commercials, and old ladies would stop me on the street and grab my cheeks. That's how it started.
The I&B Ministry, at their own convenience, can't pick and choose content in serials. We have weird commercials with a lot of objectionable content running on TV post 11 P.M., but nothing has been done to stop them?
How much money I demand - or don't demand - is my prerogative as an actor. However, when it comes to commercials, my outlook is different. And in that area, I do try to set certain standards, financially or otherwise.
I grew up watching people and companies commercialize Black History Month. I watched old McDonald's commercials, and they'd blacken up the commercials for 28 days then go back to normal in March. It got annoying to me.
When I first auditioned for 'Stranger Things,' I was just living in Chicago. Just looking for a job. Working at a restaurant, doing commercials and bit parts on shows. I honestly would have been happy booking anything.
I was a fan of football. I was more of a Raiders fan, but I knew who O.J. was. I knew The Juice, and I remember the Hertz commercials with him running to the airport and whatnot. So he was a highbrow celebrity in my eyes.
Celebrating Christmas without subscribing to Christianity is like watching the Super Bowl without watching a regular season game. Some people watch the Super Bowl for the commercials; others watch it for the halftime show.
I started doing commercials in 2008 right after we released 'Death Race,' and the reason was that I spent two years prepping Death Race and building all these custom rigs to shoot cars in the most dynamic and exciting way.
I'm someone who believes that all political campaigns need to be grassroots-driven. Commercials can only get you so far. Mail can only get you far. You need to have people on the ground talking about you and why they care.
And that's what happened to that show. It started ordinary, it started really rather bad. As I said, there was a review that said, really, we think the commercials are better than the show. And then it gradually developed.
I did a couple of movies in Brazil, and the actors were incredibly congenial and hung out together a lot. Even the biggest stars would do radio commercials - they're not put on a pedestal like they are in the United States.
Sports, as a media property, is increasingly valuable because it's something you have to have live. As a result, we're a better touch point for sponsors and advertisers because our commercials typically don't get zapped out.
I honestly don't even know how I got into acting. It happened so quickly because my mom and sister used to do commercials, and apparently when I was little I would unbuckle myself from the stroller and crash their auditions.
TIVO executives stand up and say, 'Well, we're not getting rid of commercials, but we are letting them fast forward, because people like commercials, and if they see one that they like they stop and watch it.' I mean, please.
I was in theater school playing Lady Macbeth and doing these great dramatic parts, and then I got out into the real world and was auditioning for commercials, and just not getting to do anything that felt remotely meaningful.
My first job was a commercial for a Swiss insurance company. It was an eight-minute short with a proper story arc, and it ended up getting a spot at Cannes Lions; I was lucky to avoid the commercials where you're their puppet.
I'm real. I believe what I'm saying. If Motel 6 wasn't the type of operation they say it is - and I stay at them when I travel - I wouldn't do their commercials. That comes through on the radio, and that's what it's all about.
One of the things I like about the show is it redefines the idea of what it is to be a mother, which at its most basic level is to take care of a child. It doesn't mean you have to look like the ladies in the Lysol commercials.
Soon, the viewer won't even know if he's watching on broadcast or the Internet. He'll just be eating his cereal and see an image on the spoon. That's how we'll be watching soon, on spoons. The commercials will be on the knives.
If you could have a news program without commercials, it would be better. But is a news program with commercials better than no news program at all? My view was, I'll take the one with commercials versus no news program at all.
Before I had satellite radio installed in my car, I thought I would lose my mind listening to commercials and having limited choices on the dial. Your car is your home in L.A., so you've got to have some good stuff to listen to.
And I've always loved commercials. I like working out how to organically weave a brand's message into the writing process. It's like an improv show, where comics ask the audience to throw out a word and a skit is built around it.
I think commercials are something that everyone does to get out there and get a little bit of exposure, get their feet wet, and also pay the bills. So anytime you can be a part of a wonderful, fun commercial, that's just a bonus.
Since I was 8 months old, till I was 12, I did commercials and ads and cute little stuff for kids. Then I had braces on my teeth. They took them off when I was 16, and then I started modeling more seriously and doing more fashion.
I have a company in New York City producing music for commercials, for radio, TV, features, etc. That's how I've been making my living. And now the company is very successful - to the extent that I can afford to come out and play.
I think the challenge in hour television or half-hour television is that the more it's around, certainly on commercial television, the less time you have to tell stories these days, because the more commercials they're putting in.
I was ballet dancing at four, playing piano by six, and doing commercials by 12. When I was 21, I was on the number one live comedy show in Puerto Rico. I told my parents, 'I'm going to New York to become a performer.' And I left.
My first acting job - I used to do commercials, and I had done a couple music videos - but my first job job was 'ATL' with T.I. I auditioned for that, like, five times. I didn't have an agent. And then, from there, my life changed.
I started doing radio commercials for Kmart when I was 4. They had to splice all my consonants together because I couldn't talk very well. But these jobs helped my mother and me put food on the table. It took the two of us working.
I don't want to sound conceited, but people were intrigued with me and thought I was crazy and the word got around about this wacky disc jockey who could do 10 commercials in 10 minutes - what I did was make fun of the commercials.
I had just come off doing a lot of commercials when I did 'Go,' so a part of the fast pace and efficiency comes from the discipline I had to learn from telling stories in 25-second increments, and that type of discipline is insane.
A picador is the guy in a bullfight who helps make sure the matador doesn't get killed by distracting the bull. That's what TV writing is. You're just distracting the bull long enough to stick around for the next set of commercials.
It's wrong to make a living off the theater. Theater should be supported, like redwood trees. You should make your living - whether you're a writer or an actor or a director - in movies or commercials. But you do theater out of love.
This occasional sports columnist, who has been to his share of Super Bowls, had been glad to be home on Super Bowl Sunday, but the scary commercials made me want to be in the melee of the arena, where you are not aware of commercials.
I think it was very important for me to look at starting to build a safety net so that I didn't feel the insecurity of the ups and downs of finances because I might do no film a year, or I might do six commercials, or I might do none.
Our fathers were actually business partners in the same real-estate firm, and we got together and thought, How can we get a movie together and get distribution and create a new movie genre? We started by making satires of commercials.
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.
Like so many people, I only remembered Orson Welles as this huge, fat, bearded figure selling wine in TV commercials. So whenever anyone said I looked like Orson Welles I said that I wasn't that fat, and I would get on a diet, quickly.
I would say my first golf memory was asking who Arnold Palmer was when he was always on the Pennzoil commercials. When I was a little kid I watched a lot of sports, but I didn't watch a lot of golf, and this guy was always on a tractor.
I've always had this American-pie face that would get work in commercials... I'd say things like, 'Hi, Marge, how's your laundry?' and 'Hi, I'm a real nice Georgia peach.' Sometimes this work is one step above being a cocktail waitress.