Quotes of All Topics . Occasions . Authors
We've always been the development project that lived in a time pressured setting and always where commercial entities were relying heavily on releases in a certain time frame.
The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.
My products and magic are free, but on the commercial side of what I do, the big tech companies are impressed with somebody like me who can emotionalize a piece of technology.
'Government gets things right' does not encourage sales. 'Government makes another blunder' does encourage sales, so there's a commercial imperative that pushes sensationalism.
I had a style before I was signed, but now I'm developing my commercial sound as well as trying to strike a balance between authentic music and music that the masses will love.
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
We do assess that hostile actors gained access to the private commercial e-mail accounts of people with whom Secretary Clinton was in regular contact from her personal account.
Almost every single commercial on television for shampoo, sports shoes, drinks, food, clothes, perfume, cars, etc., is a short fairy tale, for they are given magical qualities.
There is nothing wrong with commercial cinema if it is made well. In fact, if you ask me, the Hindi film industry has also produced some truly outstanding works over the years.
The mantra of the National Commercial Bank is 'building a better Jamaica.' If this bank is going to be everlastingly successful, it has to take on the ailments of this society.
I think that any writer who is commercial, who sells a lot of books, has to face criticism. Because the more hermetic and the more difficult your book is, supposedly it's better.
As I say, the Animals had a particular concept of themselves as a band. There was an anarchic spirit in it, which was being flattened by commercial designs, attitudes, and needs.
The ISS operates as the 'anchor customer' in low earth orbit to support new commercial space services, including delivery of cargo and, before long, crew transportation services.
I am ecstatic that 'KPC' was a commercial hit and was critically acclaimed. The 60 days we shot for it were the best days of my life. I still get goosebumps when I think of them.
And so I was doing that and starving and somebody said you should model and I ran when they told me how much money you could make and I did a television commercial the first job.
Competition-driven innovation and price pressure that commercial practices foster can only make human spaceflight ever more common and U.S. leadership in this domain ever clearer.
Of all the creative work produced by humans anywhere, a tiny fraction has continuing commercial value. For that tiny fraction, the copyright is a crucially important legal device.
I've lost all my money on these films. They are not commercial. But I'm glad to lose it this way. To have for a souvenir of my life pictures like Umberto D. and The Bicycle Thief.
We live in an age when the traditional great subjects - the human form, the landscape, even newer traditions such as abstract expressionism - are daily devalued by commercial art.
In many ways, I am very happy about the whole Linux commercial market because the commercial market is doing all these things that I have absolutely zero interest in doing myself.
I don't want to be known as someone who is deliberately trying to do things that are not commercial! That is not a good reputation to have when you're trying to be a working actor.
It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.
Xerox did OK in moving to digital in the commercial space. They didn't do well in the consumer market, but they're not a consumer brand. They don't even know how to spell consumer.
The commercial flight thing, it just gets a little weird when you're standing in line and suddenly you're not just a guy standing in line anymore - you become sort of 'novelty boy.'
Some of you may remember me as the 'Doritos Girl' from that Super Bowl commercial a while back, but I've been lucky enough to have gotten a few more credits under my belt since then!
In the last quarter of the eighteenth century bourgeois Europe needed to emancipate itself from that combination of feudalism and commercial capitalism which we know as mercantilism.
People think I should be a multi-millionaire if I had gotten the right contract. I'm not getting anything for all that commercial stuff they do. But I would have had to pay for that.
The tensions are always based on financial resources. Something like film is very problematic because it is viewed as an art form and also as an industry with a pure commercial base.
The first job I had was a Pampers commercial. And I used to go with my father whenever he would do a performance. I remember clinging to his legs, saying, 'Please. Take me with you.'
The 21st Century Glass-Steagall Act will reestablish a wall between commercial and investment banking, make our financial system more stable and secure, and protect American families.
Government isn't that good at rapid advancement of technology. It tends to be better at funding basic research. To have things take off, you've got to have commercial companies do it.
The world of extreme sports is also one of big business. Kids might think that snowboarding is the ultimate freedom, but this freedom is being marketed to them by commercial sponsors.
I want the BBC to be a mass market public service broadcaster still funded by the licence fee... and the licence fee is more durable than many people in the commercial sector believe.
We need more filmmakers of color telling the story. I'd like to see more filmmakers take their products out independently, put together a good commercial film and distribute it online.
A piazza is not a plaza. The plaza is the theme park of the piazza; the plaza is the commercial version. A piazza is an empty space with no function. This is what Europeans understand.
I always liked the content of a Common but the commercial viability of a Lil Jon. And I would say, 'Why don't those worlds ever come together?' So for me, it was like, 'Let's do that.'
I didn't want to be told what to do. I don't want to water down my music to fit into their formats. I know what rock and roll is to me, but everything's turning into one big commercial.
Years of imprisoning and beheading writers never succeeded in shutting them out. However, placing them in the heart of a market and rewarding them with a lot of commercial success, has.
I started working around eigth grade. I remember doing a Doritos commercial where there were four days in a row of eating them, and I will tell you, I have not eaten many Doritos since.
I thought I'd be wasting my time to go to commercial record companies and make demos for them, because don't forget, I was doing what I was doing and nobody understood what I was doing.
I think I'm commercial underground. I'm not commercial in the way that people consider 'pop,' but I'm not underground in the way that people consider that. either. I am just a cool guy.
I produce the records. I don't hand over control to some really expensive producer who then talks to the record company and then tries to bend me to their will - for commercial purposes.
Basically, I have always wanted to have an art-house cinema. A cinema where we can show films that are not necessarily the current offerings on circuit and films that are not commercial.
I was doing 'Twin Peaks,' and Columbia called and said they wanted me to do 'Gladiator.' I thought it had the potential to be a real commercial film, so I was like a kid in a candy store.
Dixie has just fallen to pieces. There are little patches of Dixie. But even in the heart of Dixie - in Alabama - Dixie is slipping. They've stopped using the word in commercial listings.
When I read the 'Ugly Betty' pilot, I thought, 'Oh, this part's funny.' I said to my husband, 'I'm going to get it!' But based on what? All my exquisite comedic work in a Nike commercial?
When I was little, my mom was an actress, and she still is now, and she'd go on commercial auditions, and if they needed a mom and a son, she'd take me along, and that's how I got started.
In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
The people who were learning from me tended to be more commercial performers who were gonna rip off the salient idea to do it in a way that will sell, but they weren't going for the music.
I did a regional car commercial and an internet potato chip commercial. I was seriously thinking I needed to quit and get a serious job where I can feed myself and it doesn't kill my soul.