Quotes of All Topics . Occasions . Authors
I am somebody who is not too fond of fancy or commercial stuff, like dancing around trees. Even in the 20 films I have done in South, none had any of such stuff.
Commercial real estate always trails residential, and as residential growth flourishes, shopping centers flourish and service the communities, and jobs come out.
To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.
Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot.
It is difficult to survive as an author in Sweden, so for commercial success, it is good idea to write crime, get yourself translated, and live happily ever after.
I don't want to work in heavy duty commercial movies that Tollywood is known for. The audience need characters they can relate to, so my aim is to play such roles.
I had found myself a new mission - and once more my recurring dilemma between corporate commercial needs and personal scientific ambitions was solved unexpectedly.
There are, of course, fat characters in books out there, some of them quite enduring and famous. But they tend to be creatures of young-adult or commercial fiction.
What was exciting to me in talking to Kogonada was I was just very convinced that he was a very real and pure artist. He was so uninterested in the commercial game.
Most independent filmmakers in Britain and North America work for commercial crews and then have their own projects when they've got enough money saved up to do so.
It has nothing to do with commercial success. You cannot calculate in your head how to put the mosaic together to make a commercial film: that's out of the question.
I did a commercial when I was, like, 5 or 6 years old for... what was it called?... Cabbage Patch Kids! That was the first thing I ever did. Little bit embarrassing.
Every actor's deepest desire is to reach a huge audience. So, I don't look down upon commercial cinema... there's a beauty in it that you understand sooner or later.
The expansion of the market creates a need for enhanced and more regular supply, and this in turn impels commercial capital to acquire control of production as well.
I am still cautiously hopeful about the potential of the Internet. But it seems that the greatest revolution in communication has been hijacked by commercial values.
I'm for mechanical art. When I took up silk screening, it was to more fully exploit the preconceived image through the commercial techniques of multiple reproduction.
I read rip-and-read news, but I wasn't a reporter. I was reading the wire, and the other thing was, I was reading commercials - and I could do a hell of a commercial.
In many cases, the user interface to a program is the most important part for a commercial company: whether the programs works correctly or not seems to be secondary.
Public radio is the last oasis of free and independent music. For satellite radio channels, you have to subscribe; commercial stations are as corporate as basic cable.
My first job, actually, was a Chicago Bulls commercial. I was a ninja. I walked with a limp for a week afterward and got paid 500 dollars 6 months later. Thanks, guys.
I love the gallery, the arena of representation. It's a commercial world, and morality is based generally around economics, and that's taking place in the art gallery.
Illustration is commercial. It's work that we produce, and I think what you can do is you can draw from the pool of art, but most of it comes from a pool of knowledge.
Investment banks manage to go bankrupt through their investment-banking activities, commercial banks manage to go bankrupt through their commercial-banking activities.
There's no real excuse for being successful enough as an actor to do what you want and then selling out. You do it pure. You don't try to adapt it, make it commercial.
My first time playing a main character was in 'Seventeen Years.' It was directed by famous Sixth Generation director Zhang Yuan, but it wasn't a large commercial film.
The commercial spirit is the spirit of profit, not patriotism; of credit, not honor; of individual gain, not national prosperity; of trade and dickering, not principle.
You know what I would love? I would love to be one of those actresses who can come out with a film or come out with a new commercial without the world knowing about it.
Then, again, the ability to organize and conduct industrial, commercial, or financial enterprises is rare; the great captains of industry are as rare as great generals.
And, we put a lot more value, or at least I personally put a lot more value, on the creative values and creative challenges of something than the commercial necessities.
It's a cruel, heartless world out there in commercial rock 'n' roll, and when you take as much time off as we did, eight years, booking agents don't know if you'll draw.
People worship anyone in the entertainment industry. You can be a used-car salesman and have a television commercial on the local station, and that makes you a celebrity.
We made records to document ourselves, not to sell a lot of records. I still feel that way. I put out a record because I think it's beautiful, not necessarily commercial.
The average commercial radio listener in America is not looking for lofty, intellectual subjects. This isn't brain surgery. It's about striking the passion of the people.
My first modeling job was Gap, and my first time in front of the camera was for a Soda Pop Girls commercial - it's one of those Bratz dolls, Barbie dolls... one of those.
The threat to globalization is not the wasted American dollars but Washington's readiness to mix US commercial interests with its self-appointed role as global protector.
If you look at the first commercial transactions on the Internet, few of the early companies necessarily survived intact, but the ideas they invented became the industry.
If you're a kid in Southern California, somebody - whether it's you or your parents - somebody throws your hat into the ring and I think everyone had a commercial or two.
The studios are very much business. Maybe it was always that way. It is really commercial now. Judgments are made and directions are given to make the cash register ring.
When I came to England at the very beginning of commercial television it was easy for me because I was only doing one or two shows a week at most. It was really a holiday.
So most of my acting experience came in college when I was living away from them. I acted in various independent films, and I got some commercial work and stuff like that.
Rarely in modern times has there been such a revolution in commercial sentiment as occurred in 2008, or such a display in government and business of panic and helplessness.
In the commercial world, big companies mostly die within a few decades because they cannot maintain an internal system to keep them aligned to reality plus startups pop up.
I'm a provincial. I live very much like a hermit: reading, listening to music, working in the cutting room, writing, commercial work - which doesn't take up that much time.
I did a lot of commercials early on, and I remember the first commercial I ever got was for a product called Funyuns. I had to eat these chips for, like, 12 hours straight.
At the same time all this was happening, there was a folk song revival movement goingon, so the commercial music industry was actually changed by the Civil Rights Movement.
In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work.
Large sums were paid for the use of money, because the available amount of gold and silver was far less than was needed to carry on the commercial transactions of the times.
I've heard some tunes in recent years that were pretty close to that same idea. The idea was you turn on the radio and you want to hear some music and up comes a commercial.
Uncontrolled access to data, with no audit trail of activity and no oversight would be going too far. This applies to both commercial and government use of data about people.
I think I managed to trick people a little bit into thinking I'm more arty by making creative, artistic, visual work and applying it to commercial music. Maybe. I don't know.