Quotes of All Topics . Occasions . Authors
I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
Making independent films is liberating. It eliminates self-censorship, which mainstream films are infected with due to commercial priorities.
Bowls have become network-owned, commercial enterprises, in some cases, pitting average teams in money-losing bowls for the benefit of a few.
I view marriage as a sacred institution. I think two men naturally are predators. Gay relationships are a commercial break, not a whole movie.
I think it's always hard for people to get their head around the fact that populist, commercial films can also actually be great works of art.
As far commercial success, I don't think that's a focus but it's not that we don't enjoy that. It's not something you can attempt and achieve.
I'm glamour. I'm vulgarity. I'm scandal. I'm gossip. I'm the future. I'm the counter culture. I'm commercial reality. I'm artistic singularity.
Commercial banks - that is, fractional reserve banks - create money out of thin air. Essentially, they do it in the same way as counterfeiters.
I know that no business contract, no order or commercial consideration can ever be worth the happiness of one's home or the peace of one's mind.
Sometimes you can do a TV show on a subject you just can't do in film. Either it's too long or studios will perceive it as not being commercial.
I went to a few really bad commercial auditions because I needed the money, and when you booked a commercial, your life was made: you could eat.
I like terrific writing, but I also like a terrific story. My favorite books have both, and they're by contemporary, commercial American writers.
My story is a little unorthodox. At first, I just wanted to book a commercial. I didn't have any expectations, and I wanted to try something new.
The close Turkish-Israeli relations go back to the late 1950s - military intelligence, commercial, more recently, tourism and cultural relations.
I loved singing rock-and-roll, jazz, anything on radio, anything commercial. I was able to do anything, but I didn't know what direction to go in.
Africa has become the big game of the nation hunters. Today, Africa looms as the greatest commercial, industrial and political prize in the world.
People should realize that I shot a Coke commercial back in 1986. So, you know, I've been around a long time. I carry my Screen Actors Guild Card.
I never really think so much about commercial success; I usually just think about records that move me, and 'Baby Got Back' was one that moved me.
Commercial banks are very good for certain businesses, like loans and guarding other people's money. They're not great investors or entrepreneurs.
In large commercial cities, the money power is, I fear irresistible. It is not by open corruption that it always, or even most generally, operates.
You either have commercial pressure or ideological pressure. I prefer commercial pressure; otherwise, you can be at the mercy of one or two idiots.
In Tamil and Telugu, I have to do mainstream commercial films. Irrespective of what I want to do, the audience wants to see me in that 'mass' space.
To me, country music is like the blues, but it's something very hip and - I don't want to say commercial - but it's very worldly and good listening.
I've never done anything for money. My first love is things of limited commercial appeal. I could be happy doing Shakespeare for the rest of my life.
In the commercial real estate business, brokers spearhead major accounts. But they wouldn't have customers without the people who oversee construction.
It bothers me when I hear it in a car commercial or some such. But for the most part, it's better than seeing sacred music relegated to the scrap heap.
Nudity, in the right way, can enhance a film or a TV program or a TV commercial. If it's done tastefully it can make it more of an interesting product.
You know, a left-winger, the barrier to success if you're on the left in commercial radio is a mile and a half higher than it is if you're on the right.
I have respect for those who make money at art and do it well and smartly, because that commercial aspect keeps the world going and running, in a sense.
I tried to do the commercial thing. But I don't want to keep shoving Twinkies down everyone's throat. People are hungry for something of more substance.
Commercial jobs are pretty easily adjustable because they only take a few hours to complete, which is one of the reasons they are a Godsend to the actor.
Generally I don't like doing remakes, but I think that's more in the cynical world of Hollywood where normally remakes are purely for commercial reasons.
People are not the only interesting organism on earth. From the point of view of scientific or commercial value, there are lots of interesting organisms.
We've managed to have a long career that is still quite vibrant, yet we've never had to kow-tow to record companies who said we weren't commercial enough.
An album, for me, is not just a commercial product. It's about presenting a world to people, for them to explore and enjoy. How they do that is up to them.
I've rarely gotten a good review in my life, yet, to paraphrase Noel Coward, I am happy to console myself with the bitter palliative of commercial success.
As a performer you are being used to keep people watching so the commercial endorsements that support the network can be seen by as many people as possible.
I don't want to look back at my career and see a string of incredibly commercial projects that don't have much heart. I'm looking for things that have soul.
But I'm aware of the fact that I'm working in a commercial venue where I'm producing something that I wouldn't normally be approaching the way I'm doing it.
The title 'Vaisakham' sounds so good because it's a pure Telugu title. When I watched the trailer, it became clear to me that it's a pucca commercial movie.
India, in particular, is looking to develop nuclear power for domestic, commercial use, and we should work with them. This is a good deal for both countries.
The genre has moved into this commercial aspect of itself, and ignored this extraordinarily rich literature that's filed everywhere else except under travel.
When I got old enough to date, I realized that Valentine's Day is just a commercial marketing scam to make men feel bad. So I let my boyfriends off the hook.
In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.
While growing up, I always had to depend on foreign authors for page-turners. I think of myself as a commercial writer, and my job is simple to entertain you.
I know a lot of people who have tremendous commercial success and they go directly for it. There's something that has always been difficult about that for me.
The very first pharmaceutical commercial I ever heard was 15 seconds of the product and 45 seconds of side effects, so I know that this cannot be good for you.
For my first acting gig, I was a hand model for a Barbie commercial that was only going to air in Asia. And I was constantly trying to get my face in the shot.
You have always had individual directors who begin in the advertising or commercial world, but they are probably exceptions rather than the traditional pattern.
I'm writing exactly the kinds of books I like to write. And they're the kinds of books I like to read. They're popular commercial fiction. That's what they are.